At a time of climate emergency, Zen koans show us how crisis itself can reveal the regenerative openness of life, mind, and being. Zen koans are a tradition of holistic inquiry based on “encounter stories” from East Asia’s most radical Buddhist tradition. Turning this form of inquiry toward the climate crisis, Susan Murphy contends that koans can help us enter the mind of not-knowing, from which acceptance and possibility freely emerge. Koans reveal intimate, mythic, artful, playful, provocative, humorous, and fierce ways to engage the work of protecting and healing our world. The koans point firstly at ourselves—at the very nature of "self." Until we hold “self” as a live question rather than its own unquestioned answer, we’re stuck looking on from the “outside,” hoping to engineer change upon a problem called “climate crisis,” all the time oblivious to the fact that we’re swimming in a reality with no outside to it, an ocean of transformative energy. Do we dare relinquish our wish for absolute control and fearlessly surf the intensity of our feelings about the suffering earth? In addition to her use of dozens of traditional and new koans, Murphy illuminates the little-known Zen resonance with the oldest continuous body of indigenous wisdom on earth, summed up in the subtle Australian Aboriginal word Country. Murphy draws from her study and coteaching with Uncle Max (Dulumunmun) Harrison, a distinguished Yuin Elder, to show how this millennia-deep taproot of intelligence confirms the aliveness of the earth and the kinship of all beings.

"Upside-Down Zen" invites readers to explore the vivid spirit of Zen Buddhism in fresh ways. Recalling, in another vein, the warm, lyrical style of Lin Jensen's "Bad Dog!, " author Susan Murphy offers a multifaceted take on the spiritual, grounded in the everyday. She uses her skills as storyteller, filmmaker, and poet to uncover the connections between Zen and Western cinema, as well as between Zen and traditions as diverse as Australian aboriginal beliefs and Jewish folktales. In the process, she finds spirituality where it has always belonged -- wherever life is happening. Murphy helps readers make sense of Zen koans, the often oversimplified and misunderstood teaching stories of the tradition, and highlights their wisdom for any reader on the spiritual path. A strong new voice in Western Buddhism, Murphy speaks for the many "unrecorded" women of Zen while bringing a lively, literate approach to a sometimes daunting genre.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation

Love, attachment, the passions, gender, carnality, birth, bodily being, mortality, belonging, suffering, hope, despair, personhood, imagination, vitality, the struggle to be fully human – how do these things dwell wholly in emptiness, how do we reconcile their vivid life with 'no–thingness'? The red (or 'vermilion') thread originally connoted the color of the silk undergarments courtesans were obliged to wear. Most spiritual traditions do their best to distance themselves as thoroughly as possible from such direct and intimate contact with the fact of impassioned human bodily being, if not to declare open war upon the flesh, and the female body that most plainly bears flesh into the world. Spirituality has trouble dealing with the fact that we arrive here covered in blood. But the red thread can never be cut. Why not? Why would no perfectly accomplished saint ever even dream of cutting it? Red Thread Zen will set out to explore every corner of the magnificent koan of being 'still attached to the red thread, or 'line of tears'. This is an argument against the bloodless and socially disengaged form of 'Buddhism' that is generally being gestated in the West, one that shades too readily into the blandest of bland self–help.

The word "mu" is one ancient Zen teacher's response to the earnest question of whether even a dog has "buddha nature". Discovering for ourselves the meaning of the master's response is the urgent work of each of us who yearns to be free and at peace. "Practicing Mu" is synonymous with practicing Zen, "sitting with Mu" is an apt description for all Zen meditation, and it is said that all the thousands and thousands of koans in the Zen tradition are just further elaborations of Mu. This watershed volume brings together over forty teachers, ancient and modern masters from across centuries and schools, to illuminate and clarify the essential matter: the question of how to be most truly ourselves. Includes writings from: Dogen, Hakuin, Dahui, Thich Thien-An Zenkei Shibayama, Seung Sahn, Taizan Maezumi, Sheng Yen Philip Kapleau, Robert Aitken, Jan Chozen Bays, Shodo Harada Grace Schireson, John Daido Loori, John Tarrant Barry Magid, Joan Sutherland, and many more!

National Book Critics Circle Award Winner: “The terrifying story of the worst disaster in the history of the US Forest Service’s elite Smokejumpers.” —Kirkus Reviews A devastating and lyrical work of nonfiction, Young Men and Fire describes the events of August 5, 1949, when a crew of fifteen of the US Forest Service’s elite airborne firefighters, the Smokejumpers, stepped into the sky above a remote forest fire in the Montana wilderness. Two hours after their jump, all but three of the men were dead or mortally burned. Haunted by these deaths for forty years, Norman Maclean puts together the scattered pieces of the Mann Gulch tragedy in this extraordinary book. Alongside Maclean’s now-canonical A River Runs Through It and Other Stories, Young Men and Fire is recognized today as a classic of the American West. This edition of Maclean’s later triumph—the last book he would write—includes a powerful new foreword by Timothy Egan, author of The Big Burn and The Worst Hard Time. As moving and profound as when it was first published, Young Men and Fire honors the literary legacy of a man who gave voice to an essential corner of the American soul. “A moving account of humanity, nature, and the perseverance of the human spirit.” —Library Journal “Haunting.” —The Wall Street Journal “Engrossing.” —Publishers Weekly

We all know our earth is in trouble. But is it beyond repair? Are we stuck with a planetary disaster we cannot hope to address?Despite the reality we find ourselves in, Zen practitioner and author Susan Murphy reminds us of the astounding intelligence and magnificence of nature and argues that not only is it not too late, but that we all have the capacity to embrace this challenge with a sense of hope and reason.By shining a sober light on the current state of emergency, Murphy delivers a brilliant rethink of the crisis we face, radically reimagining the stories we tell ourselves about the world, and illuminating the ways humanity might become the solution, rather than the problem.What if we were to choose courage and resolve, rather than fear? What if we discovered the difference each of us could make and started to listen closely to what the earth is saying, and to our own connections with it?In the tradition of the great eco-theologian Thomas Berry, Minding the Earth, Mending the World offers a profoundly hopeful second chance to engage with what it means to deeply mind the earth once more.