Both overlooked in the middle of a big, noisy family, Jenny and her grandpa will always have each other to confide in . . . right? No one in Jenny Pennoyer’s family understands her at all—no one, that is, except her grandfather, who lives in an apartment in the basement of her family’s home. Jenny and her grandfather have been close ever since she was born, when Grandpa, newly widowed, found that a baby was just the thing he needed to get back on his feet. But as Jenny’s family grows and they’re all pinched together in one house, her parents become less and less patient with Grandpa’s desire to be independent. Jenny feels like his only defender, the only one who sees him as a person with a mind of his own. As Jenny grows increasingly protective, Grandpa’s determination and Jenny’s love for him will lead them on an adventure together that their family never expected.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Throughout the world, there are phoneticians who have been influenced by the teaching, research, and writings of John Laver. Many have worked with him personally, and most of the contributors to this book are people with whom he has had special links or whose involvement represents an appreciation of the breadth of Laver's interests. While the book is meant to be a tribute to John Laver, the topics have been chosen to provide an overview of some key issues in phonetics, with illuminating contributions from some of the most influential academics in the field. Contributing to this festschrift are William Hardcastle, Janet Mackenzie Beck, Peter Ladefoged, John J. Ohala, F. Gibbon, Anne Cutler, Mirjam Broersma, Helen Fraser, Peter F. MacNeilage, Barbara L. Davis, R. E. Asher, E. L. Keane, G. J. Docherty, P. Foulkes, Janet Fletcher, Catherine Watson, John Local, Ailbhe Ní Chasaide, Christer Gobl, John H. Esling, Jimmy G. Harris, and Francis Nolan.

*Figures of Speech Used in the Bible* is an extensive reference book and study guide for serious Bible scholars. Written by famous theologian E.W. Bullinger, this dictionary of phrases classifies them into three distinct divisions: figures involving omission, addition, and change. He further breaks down whether figures affect the words themselves, the sense, meaning, order, or application of words. It includes both Greek and English translations of the figures in question, examples and illustrations, a detailed table of contents, appendices, and several indexes, including indexes of figures in both Greek and English, of subjects, structures, and texts, and of Hebrew and Greek words explained. This comprehensive study tool should be considered necessary for any serious Bible scholar or theologian. British clergyman ETHELBERT WILLIAM BULLINGER (1837-1913) was one of the most respected Bible scholars of the 19th century. He is author of numerous works including *Commentary on Revelation*, *Great Cloud of Witnesses*, and *How to Enjoy the Bible*.

The Encyclopedia of Postmodernism provides comprehensive and authoritative coverage of academic disciplines, critical terms and central figures relating to the vast field of postmodern studies. With three cross-referenced sections, the volume is easily accessible to readers with specialized research agendas and general interests in contemporary cultural, historical, literary and philosophical issues. Since its inception in the 1960s, postmodernism has emerged as a significant cultural, political and intellectual force that many scholars would argue defines our era. Postmodernism, in its various configurations, has consistently challenged concepts of selfhood, knowledge formation, aesthetics, ethics, history and politics. This Encyclopedia offers a wide-range of perspectives on postmodernism that illustrates the plurality of this critical concept that is so much part of our current intellectual debates. In this regard, the volume does not adhere to a single definition of postmodernism as much as it documents the use of the term across a variety of academic and cultural pursuits. The Encyclopedia of Postmodernism, it must be noted, resists simply presenting postmodernism as a new style among many styles occuring in the post-disciplinary academy. Documenting the use of the term acknowledges that postmodernism has a much deeper and long-lasting effect on academic and cultural life. In general, the volume rests on the understanding that postmodernism is not so much a style as it is an on-going process, a process of both disintegration and reformation.

A collection of essays, each tackling a Renaissance figure of speech in literature.

Over the past two hundred years, thousands of ancient Greek vases have been unearthed. Yet these artifacts remain a challenge: what did the images depicted on these vases actually mean to ancient Greek viewers? In this long-awaited book, Gloria Ferrari uses Athenian vases, literary evidence, and other works of art from the Archaic and Classical periods (520-400 B.C.) to investigate what these items can tell us about the ancient Greeks—specifically, their notions of gender. Ferrari begins by developing a theoretical perspective on visual representation, arguing that artistic images give us access to how their subjects were imagined rather than to the way they really were. For instance, Ferrari's examinations of the many representations of women working wool reveal that these images constitute powerful metaphors—metaphors, she argues, which both reflect and construct Greek conceptions of the ideal woman and her ideal behavior. From this perspective, Ferrari studies a number of icons representing blameless femininity and ideal masculinity to reevaluate the rites of passage by which girls are made ready for marriage and boys become men. Representations of the nude male body in Archaic statues known as kouroi, for example, symbolize manhood itself and shed new light on the much-discussed institution of paiderastia. And, in Ferrari's hands, imagery equating maidens with arable land and buried treasure provides a fresh view of Greek ideas of matrimony. Innovative, thought-provoking, and insightful throughout, Figures of Speech is a powerful demonstration of how the study of visual images as well as texts can reshape our understanding of ancient Greek culture.