In 1939 all German Jews had to become members of a newly founded Reich Association. The Jewish functionaries of this organization were faced with circumstances and events that forced them to walk a fine line between responsible action and collaboration. They had hoped to support mass emigration, mitigate the consequences of the anti-Jewish measures, and take care of the remaining community. When the Nazis forbade emigration and started mass deportations in 1941, the functionaries decided to cooperate to prevent the “worst.” In choosing to cooperate, they came into direct opposition with the interests of their members, who were then deported. In June 1943 all unprotected Jews were deported along with their representatives, and the so-called intermediaries supplied the rest of the community, which consisted of Jews living in mixed marriages. The study deals with the tasks of these men, the fate of the Jews in mixed marriages, and what happened to the survivors after the war.

Between ten thousand and twelve thousand Jews tried to escape Nazi genocide by going into hiding. With the help of Jewish and non-Jewish relatives, friends, or people completely unknown to them, these "U-boats," as they came to be known, dared to lead a life underground. Flight and Concealment brings to light their hidden stories. Deftly weaving together personal accounts with a broader comparative look at the experiences of Jews throughout Germany, historian Susanna Schrafstetter tells the story of the Jews in Munich and Upper Bavaria who fled deportation by going underground. Archival sources and interviews with survivors and with the Germans who aided or exploited them reveal a complex, often intimate story of hope, greed, and sometimes betrayal. Flight and Concealment shows the options and strategies for survival of those in hiding and their helpers, and discusses the ways in which some Germans enriched themselves at the expense of the refugees.

Leo Baeck (1873–1956) was a famous Jewish thinker and the leader of German Jewry during the Holocaust. This book offers the first interpretation of his religious thought as political, showing how Baeck, along with German-Jewish thought more broadly, cannot be properly understood without the imperial context.

Rabbi, educator, intellectual, and community leader, Leo Baeck (1873-1956) was one of the most important Jewish figures of prewar Germany. The publication of his 1905 Das Wesen des Judentums (The Essence of Judaism) established him as a major voice for liberal Judaism. He served as a chaplain to the German army during the First World War and in the years following, resisting the call of political Zionism, he expressed his commitment to the belief in a vibrant place for Jews in a new Germany. This hope was dashed with the rise of Nazism, and from 1933 on, and continuing even after his deportation to Theresienstadt, he worked tirelessly in his capacity as a leader of the German Jewish community to offer his coreligionists whatever practical, intellectual, and spiritual support remained possible. While others after the war worked to rebuild German Jewish life from the ashes, a disillusioned Baeck pronounced the effort misguided and spent the rest of his life in England. Yet his name is perhaps best-known today from the Leo Baeck Institutes in New York, London, Berlin, and Jerusalem dedicated to the preservation of the cultural heritage of German-speaking Jewry. Michael A. Meyer has written a biography that gives equal consideration to Leo Baeck's place as a courageous community leader and as one of the most significant Jewish religious thinkers of the twentieth century, comparable to such better-known figures as Martin Buber, Franz Rosenzweig, and Abraham Joshua Heschel. According to Meyer, to understand Baeck fully, one must probe not only his thought and public activity but also his personality. Generally described as gentle and kind, he could also be combative when necessary, and a streak of puritanism and an outsized veneration for martyrdom ran through his psychological makeup. Drawing on a broad variety of sources, some coming to light only in recent years, but especially turning to Baeck's own writings, Meyer presents a complex and nuanced image of one of the most noteworthy personalities in the Jewish history of our age.

Among the many narratives about the atrocities committed against Jews in the Holocaust, the story about the Jews who lived in the eye of the storm—the German Jews—has received little attention. Germans against Germans: The Fate of the Jews, 1938–1945, tells this story—how Germans declared war against other Germans, that is, against German Jews. Author Moshe Zimmermann explores questions of what made such a war possible? How could such a radical process of exclusion take place in a highly civilized, modern society? What were the societal mechanisms that paved the way for legal discrimination, isolation, deportation, and eventual extermination of the individuals who were previously part and parcel of German society? Germans against Germans demonstrates how the combination of antisemitism, racism, bureaucracy, cynicism, and imposed collaboration culminated in "the final solution."

Between 1941 and 1945, thousands of German Jews, in fear for their lives, made the choice to flee their impending deportations and live submerged in the shadows of the Nazi capital. Drawing on a wealth of archival evidence and interviews with survivors, this book reconstructs the daily lives of Jews who stayed in Berlin during the war years. Contrary to the received wisdom that “hidden” Jews stayed in attics and cellars and had minimal contact with the outside world, the author reveals a cohort of remarkable individuals who were constantly on the move and actively fought to ensure their own survival.

Yeats, Revivalism, and the Temporalities of Irish Modernism offers a new understanding of a writer whose revivalist commitments are often regarded in terms of nostalgic yearning and dreamy romanticism. It counters such conventions by arguing that Yeats's revivalism is an inextricable part of his modernism. Gregory Castle provides a new reading of Yeats that is informed by the latest research on the Irish Revival and guided by the phenomenological idea of worldmaking, a way of looking at literature as an aesthetic space with its own temporal and spatial norms, its own atmosphere generated by language, narrative, and literary form. The dialectical relation between the various worlds created in the work of art generate new ways of accounting for time beyond the limits of historical thinking. It is just this worldmaking power that links Yeats's revivalism to his modernism and constructs new grounds for recognizing his life and work.