Have you ever wondered if incorporating hip hop into a youth ministry is wise? It does seem to be a last resort if your goal is to attract young people. However, A Divine Revelation of Hip Hop gives caution to those who have invited this form of music in because of its popularity, and call it worship. A Divine Revelation of Hip Hop explodes with insight into the stronghold of this music. The root of this genre extends further than Brooklyn and the South Bronx, New York. You will read bold revelations that show how Hip Hop became infused with profane and perverse lyrics traveling on beats that war for your soul. Together they seek to destroy a generation and infiltrate and entire world. From the perspective of pop culture, everyone agrees it has gone too far. So that leads me to this question, can Hip Hop be Holy? Only a few will dare to dig deep. Since childhood, Kelly has served in various ministry capacities including teaching, missions, choir, and leadership. On all levels, she has provided administrative expertise to help build businesses and ministries in Milwaukee, Chicago, and the Atlanta Metropolitan Area. Many opportunities were seized to witness to everyone including dignitaries, business leaders, celebrities, and professional athletes. With a natural love for reading, a gift for writing books, newsletters, screenplays, music and journals soon developed. A native of Milwaukee, Wisconsin, Kelly currently resides in Atlanta, Georgia with her Husband and their three children. Also having an entrepreneurial spirit, the Lord allowed Kelly to become a business owner and founder of a non-profit organization & Evangelist Media Inc. Her education includes studies in Criminal Justice and state certification in Early Child Care Education. She also holds a Master Certificate in Strategic Organizational Leadership. Her hobbies are art, music, and reading history. With much prayer, fasting, and tenacious intercession, a voice for our generation has been birthed! International Opportunities for ministry exist for Kelly in Canada & Peru.

The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchards introduction gives a detailed overview of the book‘s contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.

You want a revolution? So did Alexander Hamilton and the Founding Fathers! America has fallen in love again with Alexander Hamilton and the Founding Fathers. Here is a popping fresh collection of facts and forgotten trivia surrounding the American Revolution and our forefathers – from those you’d expect (George Washington, Thomas Jefferson, Ben Franklin, and Hamilton, of course) to those you may never have heard of, but you probably should have (who the heck was Rufus King?): Alexander Hamilton was born on foreign soil and became an American hero - the founder of the U.S. Mint and the U.S. Coast Guard. The naval communication book he wrote was still being used by the US Navy and Coast Guard through the Cuban Missile Crisis. Roger Sherman (of Connecticut) was one of only two Founding Fathers who signed the three bulwark documents of our republic: The Declaration of Independence, the Articles of the Confederation, and the Constitution. (Give props to this guy.) By the time he was thirty, George Washington had had smallpox, pleurisy, dysentery, and malaria. Readers will be left with a greater appreciation and deeper respect for these human beings who were just trying to accomplish the incredible: create the greatest nation in history. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

"The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--

Crucial to understanding Islam is a recognition of the role of Muslim networks. The earliest networks were Mediterranean trade routes that quickly expanded into transregional paths for pilgrimage, scholarship, and conversion, each network complementing and reinforcing the others. This volume selects major moments and key players from the seventh century to the twenty-first that have defined Muslim networks as the building blocks for Islamic identity and social cohesion. Although neglected in scholarship, Muslim networks have been invoked in the media to portray post-9/11 terrorist groups. Here, thirteen essays provide a long view of Muslim networks, correcting both scholarly omission and political sloganeering. New faces and forces appear, raising questions never before asked. What does the fourteenth-century North African traveler Ibn Battuta have in common with the American hip hopper Mos Def? What values and practices link Muslim women meeting in Cairo, Amsterdam, and Atlanta? How has technology raised expectations about new transnational pathways that will reshape the perception of faith, politics, and gender in Islamic civilization? This book invokes the past not only to understand the present but also to reimagine the future through the prism of Muslim networks, at once the shadow and the lifeline for the umma, or global Muslim community. Contributors: H. Samy Alim, Duke University Jon W. Anderson, Catholic University of America Taieb Belghazi, Mohammed V University, Rabat, Morocco Gary Bunt, University of Wales, Lampeter miriam cooke, Duke University Vincent J. Cornell, University of Arkansas Carl W. Ernst, University of North Carolina at Chapel Hill Judith Ernst, Chapel Hill, North Carolina David Gilmartin, North Carolina State University Jamillah Karim, Spelman College Charles Kurzman, University of North Carolina at Chapel Hill Bruce B. Lawrence, Duke University Samia Serageldin, Chapel Hill, North Carolina Tayba Hassan Al Khalifa Sharif, United Nations High Commission for Refugees, Egypt Quintan Wiktorowicz, Rhodes College Muhammad Qasim Zaman, Brown University

Urban God Talk: Constructing a Hip Hop Spirituality, edited by Andre Johnson, is a collection of essays that examine the religious and spiritual in hip hop. The contributors argue that the prevailing narrative that hip hop offers nothing in the way of religion and spirituality is false. From its beginning, hip hop has had a profound spirituality and advocates religious views—and while not orthodox or systemic, nevertheless, many in traditional orthodox religions would find the theological and spiritual underpinnings in hip hop comforting, empowering, and liberating. In addition, this volume demonstrates how scholars in different disciplines approach the study of hip hop, religion, and spirituality. Whether it is a close reading of a hip hop text, ethnography, a critical studies approach or even a mixed method approach, this study is a pedagogical tool for students and scholars in various disciplines to use and appropriate for their own research and understanding. Urban God Talk will inspire not only scholars to further their research, but will also encourage publishers to print more in this field. The contributors to this in-depth study show how this subject is an underrepresented area within hip hop studies, and that the field is broad enough for numerous monographs, edited works, and journal publications in the future.

Dancing With God is an exploration of the divine gifts of courage and grace in the face of evil. Moreover, it is a doctrine of God as the source of that courage. Baker-Fletcher presents an understanding of the work of the Trinity with regard to the problem of crucifixion, a metaphor she uses for unnecessary violence. She develops a process of relational, womanist theology that considers the empathetic omnipresence of God in the midst of unnecessary suffering and the healing power of God in movement of the Holy Spirit. She engages the contributions of a diversity of theologians like Paul Tillich, Karl Barth, Gordon Kaufman, John Cobb, Jr., Majorie Suchocki, Charles Hartshorne, Andrew Sung Park, and Katie Cannon in her discussion of the dance of the Trinity in creation, and the problem of sin, evil, and suffering. Through creative works like that of Alice Walker's The Color Purple and journalist Joyce King's account of the James Byrd, Jr. murder in Jasper County, Texas, Baker-Fletcher reveals the healing, encouraging power of the Holy Spirit in the lives of survivors of unnecessary violence.