J.J. Graves is back in Bloody Mary, but she's a long way from feeling at home. Between her bodily scars from being the target of a murderer and the emotional scars left by her parents, she doesn't know who she can trust. But death doesn't stop for anyone. The first murder is grisly. The second even more so. And though things are shaky between them, she and her best friend, Jack, have no choice but to join forces and find the killer. Because the life of someone they love dearly hangs in the balance.

New York Times bestselling author, Tess Oliver, brings you a sexy new adult romance, Book 1 of the Bluefield Bad Boys series.We were prisoners of forbidden love, just like Romeo and Juliet but without the poetic, old English double speak and Italian marble balconiesA coal miner's son, Kellan Braddock always knew he'd follow in his late dad's steel toed boots. He also always knew that he'd never love anyone as much he loved Rylan Merritt. But sometimes love isn't enough.Seven years ago, Rylan Merritt left Bluefield Ridge with her heart in tatters. Now she's back. And Kellan Braddock, the boy from the wrong side of the tracks, the boy who she loved beyond anything has grown into a man. Will she risk her heart again? The story of a first love so strong it never fades.WARNING: contains adult content. Intended for readers 18+

J.J. Graves has seen a lot of dead bodies in her line of work... She's not only in the mortuary business, but she's also the coroner for King George County, Virginia. When a grisly murder is discovered in the small town of Bloody Mary, it's up to J.J. and her best friend, Detective Jack Lawson, to bring the victim justice. The murders are piling up... The residents of Bloody Mary are dropping like flies, and when a popular mystery writer shows up on J.J.'s doorstep with plans of writing his new book about the Bloody Mary Serial Killer, J.J. has to decide if he might be going above and beyond the call of duty to create the spine tinglers he's so well known for. It only clouds the issue and puts her reputation on the line when the attraction between them spirals out of control. And passions are rising... J.J and Jack are in a race against time. They discover each victim had a shocking secret, and the very foundation of J.J.'s life is in danger of crumbling when it turns out she's harboring secrets of her own -- secrets that make her the perfect victim in a deadly game.

Can ghosts really talk? J.J. Graves is about to find out when her past comes back to haunt her. But before she and Jack can resolve her past, they need to deal with his. Six years ago Jack was left for dead during a SWAT raid he commanded. He never speaks of what happened that day, but he doesn't have a choice after someone starts murdering his men. According to the FBI, Jack is either next on the list, or he's the one behind it all.

In many small towns across Montana, the local bar is also the only restaurant and is an important part of community life. In larger towns and cities, gems from Montana’s Wild West past are still found. This book celebrates the quirky, unusual, and downright fun and entertaining saloons across the state. Montana Watering Holes features more than fifty of the best spots to stop for a drink (or a burger) scattered across Montana. From big-city spots like the Rhino in Missoula (with its 150 beers on tap) to the famous cheeseburgers at the bar in Pony (pop. 50), community spirit and tradition abound in the nineteenth- and early-twentieth-century buildings that have served as saloons, restaurants, and gathering places throughout the Treasure State. This book describes the best of the best, offering geographic diversity, anecdotes, and sidebars on local characters from the past. It is illustrated with archival and contemporary black-and-white photographs.

The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Buñuel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions. With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.