Sir Ernest Satow's well-known best-seller "A Diplomat in Japan" (first published in 1921) which is still widely available in paperback is based mainly on his diaries ("journals") for 1862-69. The unabridged diaries in this volume, carefully transcribed from original documents held at the U.K. National Archives and published for the first time on lulu.com, tell the story of Ernest Satow's subsequent years in Japan (and home leaves in Britain, France, Germany and Italy) up until the start of 1883. This fully annotated book includes an introduction by former U.K. Ambassador to Japan Sir Hugh Cortazzi, six black & white illustrations, a map, a select bibliogaphy, a chronology and an index. (This book is part of a series in which some of the extensive and hitherto unpublished Satow Papers are being made available in print to scholars and the general reading public by Ian Ruxton.)

Ceramics and Modernity in Japan offers a set of critical perspectives on the creation, patronage, circulation, and preservation of ceramics during Japan’s most dramatic period of modernization, the 1860s to 1960s. As in other parts of the world, ceramics in modern Japan developed along the three ontological trajectories of art, craft, and design. Yet, it is widely believed that no other modern nation was engaged with ceramics as much as Japan—a "potter’s paradise"—in terms of creation, exhibition, and discourse. This book explores how Japanese ceramics came to achieve such a status and why they were such significant forms of cultural production. Its medium-specific focus encourages examination of issues regarding materials and practices unique to ceramics, including their distinct role throughout Japanese cultural history. Going beyond descriptive historical treatments of ceramics as the products of individuals or particular styles, the closely intertwined chapters also probe the relationship between ceramics and modernity, including the ways in which ceramics in Japan were related to their counterparts in Asia and Europe. Featuring contributions by leading international specialists, this book will be useful to students and scholars of art history, design, and Japanese studies.

A 1921 account of the Meiji Restoration by a British diplomat who was stationed in Japan at the time.

A Diplomat in Japan, subtitled "The inner history of the critical years in the evolution of Japan when the ports were opened and the monarchy restored, recorded by a diplomatist who took an active part in the events of the time, with an account of his personal experiences during that period" is a book by Ernest Mason Satow, British scholar, diplomat and Japanologist, based mainly on his diaries. The book describes the years 1862-1869 when Japan was changing from rule by the Tokugawa shogunate to the restoration of Imperial rule.

A Diplomat in Japan, subtitled "The inner history of the critical years in the evolution of Japan when the ports were opened and the monarchy restored, recorded by a diplomatist who took an active part in the events of the time, with an account of his personal experiences during that period" is a book by Ernest Mason Satow, British scholar, diplomat and Japanologist, based mainly on his diaries. The book describes the years 1862-1869 when Japan was changing from rule by the Tokugawa shogunate to the restoration of Imperial rule.

A collection of writings on travels undertaken in the Victorian era. The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods.