Winner of the Barclay Book Prize, German Studies Association Winner of the Gomory Prize in Business History, American Historical Association and the Alfred P. Sloan Foundation Winner of the Fraenkel Prize, Wiener Library for the Study of Holocaust and Genocide Honorable Mention, European Studies Book Award, Council for European Studies To control information is to control the world. This innovative history reveals how, across two devastating wars, Germany attempted to build a powerful communication empire—and how the Nazis manipulated the news to rise to dominance in Europe and further their global agenda. Information warfare may seem like a new feature of our contemporary digital world. But it was just as crucial a century ago, when the great powers competed to control and expand their empires. In News from Germany, Heidi Tworek uncovers how Germans fought to regulate information at home and used the innovation of wireless technology to magnify their power abroad. Tworek reveals how for nearly fifty years, across three different political regimes, Germany tried to control world communications—and nearly succeeded. From the turn of the twentieth century, German political and business elites worried that their British and French rivals dominated global news networks. Many Germans even blamed foreign media for Germany’s defeat in World War I. The key to the British and French advantage was their news agencies—companies whose power over the content and distribution of news was arguably greater than that wielded by Google or Facebook today. Communications networks became a crucial battleground for interwar domestic democracy and international influence everywhere from Latin America to East Asia. Imperial leaders, and their Weimar and Nazi successors, nurtured wireless technology to make news from Germany a major source of information across the globe. The Nazi mastery of global propaganda by the 1930s was built on decades of Germany’s obsession with the news. News from Germany is not a story about Germany alone. It reveals how news became a form of international power and how communications changed the course of history.

"This book was written for an American (Jewish) readership. But some chapters, especially the first two, address the non-specialist, while others, especially the last two, accommodate the expert. The work contains one theme and one thesis. The theme is simple and to be welcomed: Americans, and American Jews in particular, need to understand that Germany has changed and that its Jewish community is made up of more than just a few souls morbidly attached to blood-soaked soil. We are therefore introduced to Jewish writers, politicians and intellectuals; to Jews of Russian origin, German background and Israeli descent; and to the many issues facing today's German-Jewish community of 100,000 plus members. Peck discusses the role of the Holocaust in German and American political life. He relates how Russian Jews have begun to take over community institutions, revitalizing German Jewry especially in Berlin and the provinces. And he compares and contrasts the situation of Turks and Jews today, whom many Germans still perecive as foreign, no matter how acculturated they happen to be. All of this material is interesting, but not new"--Review from H-Net.

A Different Germany looks at German film, popular literature, theatre, garden culture, and popular music as examples of how people of German-Turkish descent, women and culture writ large are thriving in a Germany that is, for all of the struggles this entails, already a country of great diversity. Germany, the authors argue in their own particular contexts, is much more than the few tropes that circulate through the Cold War lens in much of the English-speaking world.

'A New History of German Literature' offers some 200 essays on events in German literary history.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"A joy to read, in fact, a book so good one doesn't want it to end…. Kempe has written a piece of contemporary history as it should be written, in clear, engaging prose, and with judicious and sensible arguments. He has expertly handled the history of modern Germany, and given us insights into the German soul, including his own, that are crucial for an understanding of our modern world." -Kirkus Reviews "While Kempe does not sugarcoat Germany's current problems-its dyspeptic tolerance of immigrants, its pervasive bureaucracy and pedantry, the viciousness of the neo-Nazis-he argues that young Germans are right to no longer feel guilt for the Holocaust, as long as they learn its lessons." -Newsday "This is a fascinating and important book for anyone interested in the New and Old Germany. Fred Kempe, a distinguished foreign correspondent who has reported from many countries, turns in Father/Land to a different land-the mysteries and dark secrets of his German family that lay shrouded since the Third Reich. As painful as it is, this is a search that Kempe could no longer refuse if he was to bring some sense to his American character and German roots. As he interweaves his family's history with that of the German nation, his personal quest becomes a window not only into the German past but also into Germany's future." -Daniel Yergin, Pulitzer Prize-winning author of The Prize and coauthor of The Commanding Heights "Father/Land takes us on a spellbinding journey into Germany's past and present that begins with a musty olive trunk of old papers Fred Kempe inherited from his father. Inside that trunk lies the enduring mystery of the German people. Kempe's lively writing makes us see the paradox of modern Germany in small things-such as the trashcans at the Frankfurt airport or the personal quirks of Kempe's teammates on an amateur basketball team in Berlin. When Kempe finally discovers the horrific story that lies buried in his own family's history, the reader has the shock of experiencing the nightmare of Nazism from the inside." -David Ignatius, columnist, The Washington Post, and author of A Firing Offense "From a skilled American reporter's search for his German ancestry emerges a rich and rewarding portrait of a nation moving toward a promising future even as it remains tied to an inescapable past." -Ronald Steel, author of Walter Lippmann and the American Century "No foreign correspondent knows Germany as well as Frederick Kempe. He understands us sometimes better than we understand ourselves. His book is a refreshing, human look at where Germany is going, and it shows deep understanding for where it has been." -Volker RÃ1⁄4he, former defense minister of Germany Father/Land is a brilliant, unorthodox work of observation, insight, and commentary, a provocative book that will become required reading for anyone seeking to understand modern Germany. And it is something more. For in researching the past, Kempe discovered that the ghosts of Germany's past were not limited to others, that the contradictory threads of good and evil wove through his own family as well. After years of denying his own Germanness, he would have to confront it at last. During a pilgrimage to Germany with his father, Fred Kempe promised him he would write about modern Germany. Twelve years later, as a correspondent for The Wall Street Journal Europe, Kempe began a long journey of exploration in an attempt to answer questions that haunted him about his father's land: "How could such an apparently good people with such a rich cultural history have done such evil things? What causes evil, and what breeds good? After only half a century of reeducation and reconstruction, could the strength of German democracy and liberalism be as great as it seemed?" In this book, Fred Kempe delves into Germany's demographic change, its modern military, its youth, and America's role in the remaking of Germany after the war. He also looks at German pre-war history and how that history plays into shaping the future of the newly intact Germany. While searching modern Germany for the answers to his philosophical questions, Kempe finds himself in a parallel search for the roots of his own German heritage. Through seeking out relatives and searching documents that might enlighten him about the unspoken mysteries of his family's past, he discovers more than he bargained for, and at the same time learns a great deal about himself. The journey that began as the fulfillment of a promise to his father, led him as he had hoped, to a greater understanding his father's Heimat. In the last chapter of his book, Kempe calls modern Germany "America's Stepchild." He theorizes that Germans, because of their past atrocities, feel a great responsibility to their European neighbors as well as to the world. In their process of atonement, they have become a kinder and gentler people, while their strength remains. Their role as a world leader beckons them to heights to which they no longer aspire. Reaching great heights makes the world seem conquerable. This is the mistake they must avoid. Reaching out makes the world more united. This is the direction they know they must go.

When the African-American dancer Josephine Baker visited Berlin in 1925, she found it dazzling. "The city had a jewel-like sparkle," she said, "the vast caf'es reminded me of ocean liners powered by the rhythms of their orchestras. There was music everywhere." Eager to look ahead after the crushing defeat of World War I, Weimar Germany embraced the modernism that swept through Europe and was crazy over jazz. But with the rise of National Socialism came censorship and proscription: an art form born on foreign soil and presided over by Negroes and Jews could have no place in the culture of a "master race." In Different Drummers, Michael Kater--a distinguished historian and himself a jazz musician--explores the underground history of jazz in Hitler's Germany. He offers a frightening and fascinating look at life and popular culture during the Third Reich, showing that for the Nazis, jazz was an especially threatening form of expression. Not only were its creators at the very bottom of the Nazi racial hierarchy, but the very essence of jazz--spontaneity, improvisation, and, above all, individuality--represented a direct challenge to the repetitive, simple, uniform pulse of German march music and indeed everyday life. The fact that many of the most talented European jazz artists were Jewish only made the music more objectionable. In tracing the growth of what would become a bold and eloquent form of social protest, Kater mines a trove of previously untapped archival records and assembles interviews with surviving witnesses as he brings to life a little-known aspect of wartime Germany. He introduces us to groups such as the Weintraub Syncopators, Germany's best indigenous jazz band; the Harlem Club of Frankfurt, whose male members wore their hair long in defiance of Nazi conventions; and the Hamburg Swings--the most daring radicals of all--who openly challenged the Gestapo with a series of mass dance rallies. More than once these demonstrations turned violent, with the Swings and the Hitler Youth fighting it out in the streets. In the end we come to realize that jazz not only survived persecution, but became a powerful symbol of political disobedience--and even resistance--in wartime Germany. And as we witness the vacillations of the Nazi regime (while they worked toward its ultimate extinction, they used jazz for their own propaganda purposes), we see that the myth of Nazi social control was, to a large degree, just that--Hitler's dictatorship never became as pure and effective a form of totalitarianism as we are sometimes led to believe. With its vivid portraits of all the key figures, Different Drummers provides a unique glimpse of a counter-culture virtually unexamined until now. It is a provocative account that reminds us that, even in the face of the most unspeakable oppression, the human spirit endures.