This book explores seven centuries of change in Cyprus and the Eastern Mediterranean world through the rise and fall of Famagusta’s medieval Armenian Church. An examination of the complex and its art escorts the reader from the era of the Crusades in Lusignan Cyprus, through the rise and fall of the Venetian, Ottoman and British Empires, to the political stasis of the present day. The Armenian church was a home for displaced villagers during the post-independence era, became a military storage facility post-1974 and eventually fell into abandonment once again. This study represents a pioneering history of the Armenian community in Famagusta and a probing analysis of the art and architecture it left behind. It is also a permanent record of the long-term engagement and commitment of Nanyang Technological University Singapore, the World Monuments Fund, and the Famagusta Municipality to protect this precious site, under extremely challenging circumstances.

Heritage under Pressure examines the relationship between the political perspective of the UK government on 'soft power' and the globalising effect of projects carried out by archaeologists and heritage professionals working in the historic environment. It exemplifies the nature of professional engagement and the role of the profession in working towards a theory of practice based on the integrity of data, the recovery and communication of information, and the application of data in real world situations. Individual papers raise complex and challenging issues, such as commemoration, identity, and political intervention. A further aim of the volume is to illustrate the role of professionals adhering to standards forged in the UK, in the context of world heritage under pressure. Papers also contribute to the emerging agenda developing as a result of the re-orientation of the UK following the Brexit vote, at once emphasising the global aspiration of the Uk’s professional archaeological body – the Chartered Institute for Archaeologists – in relation to the global reach of UK academic practice. By implication the volume also addresses the relationship between professional practice and academic endeavour. The volume as a whole contributes to the emerging debate on the authorised heritage discourse and provides an agenda for the future of the profession.

As a major tourist destination and the most eastern member of the European Union, housing two British Sovereign Bases and sitting at the intersection of three continents, Cyprus attracts international attention in more ways than one; hence the complex web of converging and conflicting outside interests that has marked and scarred the country’s history. Since 2009, when the previous edition appeared, further big changes have occurred with the United Nations-led efforts to bring about a settlement to the Cyprus problem as well as the latest on the exploration of hydrocarbon in the eastern Mediterranean seabed. Historical Dictionary of Cyprus, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has several hundred cross-referenced entries on important personalities, politics, economy, foreign relations, religion, architecture, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Cyprus.

This book constitutes the refereed post-conference proceedings of the 8th International Conference on Digital Heritage, EuroMed 2020, held virtually in November 2020. The 37 revised project papers and 30 revised short papers presented were carefully reviewed and selected from 326 submissions. The papers are on topics such as digital data acquisition technologies in CH/2D and 3D data capture methodologies and data processing; remote sensing for archaeology and cultural heritage management and monitoring; interactive environments and applications; reproduction techniques and rapid prototyping in CH; e-Libraries and e-Archives in cultural heritage; virtual museum applications (e-Museums and e-Exhibitions); visualisation techniques (desktop, virtual and augmented reality); storytelling and authoring tools; tools for education; 2D and 3D GIS in cultural heritage; and on-site and remotely sensed data collection.