"A chilling exploration of how little we sometimes know about the people we love" (Allison Leotta) this riveting suspense novel will keep you guessing to the very end. At twenty-nine, Toni Matthews is on the cusp of having it all—a successful career as one of the top real estate agents in Nashville, great friends, and the partner and family she’d always longed for in her fiancé, architect Scott Chadwick. But just days before their planned nuptials, Scott plummets to his death at one of his construction sites and Toni is forced to bury her fiancé on their wedding day. Now living all alone in their new, custom-made dream house, dealing with her loss becomes even harder when the police rule his death a suicide. Yet Toni refuses to believe that it could be anything other than a tragic accident. When she learns that Scott’s estranged brother, Brian, is contesting the will, threatening to take away her home, Toni starts to suspect that it may not have been a mere accident but something more sinister. Without the cooperation of the police, and in spite of her friends’ growing concern that she’s in denial and not dealing with her grief, Toni begins investigating on her own. As she crisscrosses Nashville on a mission to prove to herself and the world that Scott wouldn’t try to escape this life, Toni can’t shake the sinking feeling that something is off, that she’s being followed—and that her search for truth may have deadly consequences.

Three unpublished typescripts of A Deed of death submitted to Alfred A. Knopf, publishers, New York, 1989, two of which bear the title The Taylor murder case with half-title A deed of death which became the published title. All copies include editorial notations. Three additional unpublished typescripts on the death of Taylor were apparently used by Giroux in his research for the book: Who killed William Desmond Taylor? by King Vidor, Who killed Bill (authorship undetermined), and one untitled work by Douglas J. Whitton. All three have notations, apparently by Giroux. These typescripts are included in the papers of Giroux located at Loyola University New Orleans.

Perhaps no period has so marked, so deformed, or so defined the anarchist movement as the three years in France from 1892 to 1894, the years known as the Age of Attentats, the years dominated by the Propagandists of the Deed. Death to Bourgeois Society tells the story of four young anarchists who were guillotined in France in the 1890s. Their courage was motivated by noble ideals whose realization they saw their bombs and assassinations as hastening. In a time of cynicism and political decay for many, they represented a purity lacking in society, and their actions when they were captured, their forthrightness, their defiance up to the guillotine only added to their luster. The texts collected in Death to Bourgeois Society focus on the main avatars of this movement: the grave robber/murderer/terrorist Ravachol; Auguste Vaillant, who bombed the Chamber of Deputies; Emile Henry, who attacked both the bourgeois in their class function and their very existence; and the Italian immigrant Santo Caserio, who brought down the curtain on the age when he assassinated the French president Sadi Carnot. The volume contains key first person narratives of the events, from Ravachol’s forbidden speech and his account of his life, to Henry’s questioning at his trial and his programmatic letter to the director of the prison in which he was held, to Vaillant’s confrontation with the investigators immediately after tossing his bomb, and Caserio’s description of the assassination and his defense at his trial.

When the quiet Little Vestry of St. Matthew's Church becomes the blood-soaked scene of a double murder, Scotland Yard Commander Adam Dalgliesh faces an intriguing conundrum: How did an upper-crust Minister come to lie, slit throat to slit throat, next to a neighborhood derelict of the lowest order? Challenged with the investigation of a crime that appears to have endless motives, Dalgliesh explores the sinister web spun around a half-burnt diary and a violet-eyed widow who is pregnant and full of malice--all the while hoping to fill the gap of logic that joined these two disparate men in bright red death. . . .

Death, deception, and a detective with quite a lot to hide stalk the pages of Anthony Horowitz’s brilliant murder mystery, the second in the bestselling series starring Private Investigator Daniel Hawthorne. “You shouldn’t be here. It’s too late . . . “ These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine—a 1982 Chateau Lafite worth £3,000, to be precise. Odd, considering he didn’t drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man’s many, many enemies did the deed? Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who’s really getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed—even at the risk of death . . .

Take a dash of colorful characters, a pinch of danger, and generous scoops of adventure and you have a terrific culinary mystery for young readers. Five cousins are looking forward to their annual vacation at their grandmother’s cottage. None of them knows that this may be their last such summer. A mining company has set its sights on the land and is determined to seize it. Grandma must produce the deed to prove that the property is really hers, but her memory is not what it used to be, and she can’t find it. The children suspect there may be clues to the deed’s whereabouts somewhere in the family’s cherished trove of recipes. But can they solve the mystery in time? Adult mystery buffs have had many culinary mysteries to choose from. Ellen Schwartz introduces her young readers to a delicious genre. She even provides easy-to-follow and yummy to eat recipes.

The deliciously witty first novel from Lynsay Sands Lady Emmalene Eberhart wanted to do it. She’d even begged an audience with the King so that he would order her husband to do it— because she was determined to be a good wife. But then her husband died, and Emma remained a virgin. Now the innocent young beauty finds herself with an ample dowry and promised to Amaury de Aneford, a landless knight whose able sword helped defend the King’s crown. Surely her new husband would want to do the deed, for his rugged good looks certainly make Emma’s heart skip more than a beat. And Emma suspects there is more to a wedding night than just a sound sleep . . . and more to true love than she ever imagined.