'A novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' SUNDAY TIMES 'Succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' SUNDAY EXPRESS __________ When Lotte Meerman is faced with the choice of interviewing the latest victim in a string of assaults or talking to a man who claims he really isn't dead, she picks the interview. After all, the man cannot possibly be who he claims he is: Andre Nieuwkamp was murdered as a teenager over thirty years ago, and it had been a police success story nationwide when the skeletal remains found in the dunes outside Amsterdam had been identified, and the murderer subsequently arrested. Yet concerned about this encounter, Lotte goes to the Hotel Mondrian the next day to talk to the man, but what she finds is his corpse. And his passport shows that he wasn't Andre Nieuwkamp as he said, but Theo Brand, a British citizen. Subsequent DNA tests reveal that the man was Andre Nieuwkamp so now Lotte has a double mystery on her hands and needs to figure out not only why Andre waited so long to tell anyone he was still alive, but also who was the teenager murdered in the dunes all those decades ago. ___________ Praise for Anja de Jager 'An impressive debut . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam in the vicious grip of a bitter winter is the other star here, beautiful and deadly' Cath Staincliffe 'A tightly written, cleverly plotted whodunit that keeps the reader guessing almost to the last page' Irish Examiner' 'de Jager manages to circumvent the overfamiliar. The evocation of a bitterly cold Amsterdam is worthy of Nicholas Freeling's Van der Valk books' The Independent

AMSTERDAM 1980 A city in turmoil: rife with drug abuse, riots and terror threats in the run-up to the coronation of Queen Beatrix. As Amsterdam's police force is overwhelmed by the civil war between law enforcement and squatters, local neighbourhood policeman Piet Huizen is seconded from his hometown Alkmaar to this cauldron. It should be daunting but he feels strangely liberated from the responsibilities of home and everyday work. Together with his three colleagues from across the country, he's only there temporarily and can even laugh at his own provincial outlook. Until a student goes missing. AMSTERDAM NOW Detective Lotte Meerman doesn't want to hear about her father Piet Huizen's past because his month in Amsterdam in 1980 led directly to her parent's divorce. The less she knows, the better it is. Then two men die. Their deaths are not treated as suspicious but Lotte realises there is something that links the deceased men: they were both children of her father's former team-mates. And the more she investigates the circumstances of their deaths, the more Lotte comes to realise that she could be next on the list... Praise for Anja de Jager: 'Succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive' The Times

Dutch painter Piet Mondrian died in New York City in 1944, but his work and legacy have been far from static since then. From market pressures to personal relationships and scholarly agendas, posthumous factors have repeatedly transformed our understanding of his oeuvre. In The Afterlife of Piet Mondrian, Nancy J. Troy explores the controversial circumstances under which our conception of the artist's work has been shaped since his death, an account that describes money-driven interventions and personal and professional rivalries in forthright detail. Troy reveals how collectors, curators, scholars, dealers and the painter's heirs all played roles in fashioning Mondrian's legacy, each with a different reason for seeing the artist through a particular lens. She shows that our appreciation of his work is influenced by how it has been conserved, copied, displayed, and publicized, and she looks at the popular appeal of Mondrian's instantly recognizable style in fashion, graphic design, and a vast array of consumer commodities. Ultimately, Troy argues that we miss the evolving significance of Mondrian's work if we examine it without regard for the interplay of canonical art and popular culture. A fascinating investigation into Mondrian's afterlife, this book casts new light on how every artist's legacy is constructed as it circulates through the art world and becomes assimilated into the larger realm of visual experience.

'A novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday Times __________________ Keeping it in the family... After her painful divorce four years ago, Lotte Meerman has kept well away from Arjen, her ex-husband, and his new wife Nadia. So when they both visit her at central Amsterdam's police station to report Nadia's father missing, Lotte is shocked - but hides it well. Then two days later a dog walker reports the discovery of a body near the Orange Locks, built to keep the sea out of Amsterdam, and the missing man is identified as Nadia's father. Lotte wants to stay away from the investigation but his widow, Margreet, keeps searching her out as she has no idea it was her daughter who was pivotal in the marriage break-up. She wrongly identifies Lotte as a friend and tells her that Patrick had been a great husband and father, and a successful businessman. But when Lotte digs into Patrick's past, she discovers instead a failing company and a man with a history of making unwanted sexual advances to his female employees. Margreet is unaware of any of this. And the more Lotte investigates the dead man's past, the more she finds to suggest that her ex-husband is somehow involved in his death... ______________________ Praise for Anja de Jager: 'Succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive' The Times

In this star-studded sequel to Murder at the Universe, Daniel Edward Craig pokes good-humored fun at the celebrity-crazed Los Angeles culture. Dedicated hotelier Trevor Lambert takes a job at Hotel Cinema, a multi-million dollar rejuvenation of an Old Hollywood motor inn. It's a fabulous opening party until Tinseltown's hottest star, Chelsea Fricks, takes a fatal dive from her penthouse balcony. Was it a reckless publicity stunt or did fame drive her to suicide? Chelsea's stab wounds tell another story. Suddenly Hotel Cinema is the setting of a hilarious Hollywood murder mystery, starring Chelsea's former pit bull publicist; a star-struck detective; tasteless tabloid reporters; and Trevor's incompetent boss, who breaks every rule in the hotel handbook. Cristal champagne is flowing. Business is booming. But when the hotel staff are targeted as murder suspects, the party turns into a publicity nightmare.

'. . . a novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday Times Where do your loyalties lie? With the truth or with your colleagues? Drinking outside a canal-side bar on a perfect summer's evening, Lotte is witness to the fatal stabbing of Piotr Mazur, a Polish security guard working in one of the city's department stores. As Lotte starts to investigate Mazur's death, all the facts point to him being a small-time drug dealer, and his murder is treated as a minor complication in another team's larger narcotics case. Yet Lotte remains unconvinced; having viewed the man's ordered, unchaotic flat and spoken to his colleagues, she can't help but believe he was being set up. And in the bar, moments before Piotr was killed, Lotte saw a woman pass him a photo of a child. Shebecomes convinced that his death wasn't a revenge-killing over drugs at all, and has to now think carefully about what to do for the best, especially as key evidence in Mazur's murder comes from someone she knows she cannot trust. Praise for Anja de Jager 'An absorbing read with the smack of reality' Daily Mail 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe

The first Lotte Meerman mystery Amsterdam-based Lotte Meerman is a cold case detective recovering from the emotional devastation of her previous investigation. She is angry and mentally scarred - but being a police officer is the only thing she wants to do. A tip-off leads Lotte to an unresolved ten-year-old murder case in which her father was the lead detective. ANd when she discovers irregularities surrounding the original investigation that make him a suspect, she decides to cover for him. Now she has to find the real murderer before she's discovered, otherwise her father will be arrested and she will lose her job, the one thing in life that is keeping her focused and sane . . . Praise for Anja de Jager 'An absorbing read with the smack of reality' Daily Mail 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe