Inspector Alan Grant of Scotland Yard, recuperating from a broken leg, becomes fascinated with a contemporary portrait of Richard III that bears no resemblance to the Wicked Uncle of history. Could such a sensitive, noble face actually belong to one of the world's most heinous villains, a venomous hunchback who may have killed his brother's children to make his crown secure? Or could Richard have been the victim, turned into a monster by the usurpers of England's throne? Grant determines to find out once and for all, with the help of the British Museum and an American scholar, what kind of man Richard Plantagenet really was and who killed the Princes in the Tower.

In the spirit of Muriel Spark and Walker Percy, The Age of Infidelity's eleven stories embrace the comic, the absurd, and the dead serious. Faithless parents betray their children, the young betray the old, and lovers betray each other--but somehow these characters cling to hope. Aging white cheerleaders shout through an online megaphone, remembering a time when racial equality seemed almost possible; a teenager endures her father's abandonment as her mother's psychotic episodes pick up pace; an old couple on the lam from the Constitutional Guard of the future hides out in a garage reminiscent of our consumerist past. In an age many call post-religious, these characters want to believe in something, but they're not always sure what that something is. Set in landscapes from the small-town South to New York City, from a parched Midwest to a deserted Dublin, these stories time-travel from our Jim Crow past to an imagined future of warehouses for the aged where robots do the nursing. With what the Washington Post describes as her ""distinctive brutal elegance,"" Valerie Sayers writes playfully, powerfully, and musically. These stories form an album riffing on our age, the Age of Infidelity.

A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.

These four novellas, each unique in form, show Tolstoy at his creative height. Written over a period of almost fifty years, they reflect his changing views on art and sexuality, women and marriage, nationalism and ethnicity, war and empire, and the central Tolstoyan theme of love. This edition uses the famous and superior Maude translations. Contains: Family Happiness; The Kreutzer Sonata; The Cossacks; Hadji Murád.

Rich in detail, shrewdly observed, and vividly narrated, these 6 tales include "Three Deaths," "The Three Hermits," "The Devil," "Father Sergius," "Master and Man," and the title story.