The soul, which dominated many intellectual debates at the beginning of the twentieth century, has virtually disappeared from the sciences and the humanities. Yet it is everywhere in popular culture—from holistic therapies and new spiritual practices to literature and film to ecological and political ideologies. Ignored by scholars, it is hiding in plain sight in a plethora of religious, psychological, environmental, and scientific movements. This book uncovers the history of the concept of the soul in twentieth-century Europe and North America. Beginning in fin de siècle Germany, Kocku von Stuckrad examines a fascination spanning philosophy, the sciences, the arts, and the study of religion, as well as occultism and spiritualism, against the backdrop of the emergence of experimental psychology. He then explores how and why the United States witnessed a flowering of ideas about the soul in popular culture and spirituality in the latter half of the century. Von Stuckrad examines an astonishingly wide range of figures and movements—ranging from Ernest Renan, Martin Buber, and Carl Gustav Jung to the Esalen Institute, deep ecology, and revivals of shamanism, animism, and paganism to Rachel Carson, Ursula K. Le Guin, and the Harry Potter franchise. Revealing how the soul remains central to a culture that is only seemingly secular, this book casts new light on the place of spirituality, religion, and metaphysics in Europe and North America today.

The fledgling science of psychoanalysis permanently altered the nineteenth-century worldview with its remarkable new insights into human behavior and motivation. It quickly became a benchmark for modernity in the twentieth century--though its durability in the twenty-first may now be in doubt. More than a hundred years after the publication of Freud’s The Interpretation of Dreams, we’re no longer in thrall, says cultural historian Eli Zaretsky, to the “romance” of psychotherapy and the authority of the analyst. Only now do we have enough perspective to assess the successes and shortcomings of psychoanalysis, from its late-Victorian Era beginnings to today’s age of psychopharmacology. In Secrets of the Soul, Zaretsky charts the divergent schools in the psychoanalytic community and how they evolved–sometimes under pressure–from sexism to feminism, from homophobia to acceptance of diversity, from social control to personal emancipation. From Freud to Zoloft, Zaretsky tells the story of what may be the most intimate science of all.

This text makes use of the unique and extant cultural forms of architecture and the visual arts, as well as statistics and other forms of documentary evidence.

The “unrivaled” history of America’s divided politics, now in a fully updated edition that examines the rise of Trump—and what comes next (New Republic). When it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of how they came to define American politics at the close of the twentieth century. But it also garnered attention for Hartman’s declaration that the culture wars were over—and that the left had won. In the wake of Trump’s rise, driven by an aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come. “As a guide to the late twentieth-century culture wars, Hartman is unrivalled . . . . Incisive portraits of individual players in the culture wars dramas . . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.” —New Republic

Examines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footsteps Acclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders. Essays included are these: · “blk/wooomen revolution” · “Girls Loving Beyoncé and Their Names” · “The Terror of Being Destroyed” · “Standing in the Shadows of Love” · “Revision as Labyrinth” Noting the frustrating tendency for Black artists to be pigeonholed into the confines of various frameworks and ideologies—Black studies, women’s studies, LGBTQIA+ studies, and so on—Bingham-Risher reveals the multitudes contained within Black poets, both past and present. By capturing the radical love ethic of Blackness amid incessant fear, she has amassed not only a wealth of knowledge about contemporary Black poetry and poetry movements but also brings to life the historical record of Black poetry from the latter half of the 20th century to the early decades of the 21st. Examining cultural traditions, myths, and music from the Four Tops to Beyoncé, Bingham-Risher reflects on the enduring gifts of art and community. If you’ve ever felt alone on your journey into the writing world, the words of these poets are for you.

A richly illustrated look at basic Precolumbian beliefs among ancient Mesoamerican peoples about life and death, body and soul. Drawing on linguistic, ethnographic, and iconographic sources, art historian Jill McKeever Furst argues that the Mexica turned not to mental or linguistic constructions for verifying ideas about the soul, but to what they experienced through the senses. 32 illustrations.

“My heart is a lonely hunter that hunts on a lonely hill.” “The heart has reason that reason cannot know.” “The more I get to know President Putin, the more I get to see his heart and soul.” The heart not only drives our physical life, but throughout human history it has also been viewed at the seat of our deepest emotions. It has figured hugely—if metaphorically—in nearly every aspect of human civilization and as the unending subject of literature, music, and art. Yet until now there has not been a study of this paramount icon of love. Ole Høystad ably fills this enormous gap with a fascinating investigation into this locus of grief, joy, and power. Firmly positioning the heart at the metaphorical and literal center of human culture and history, Høystad weaves history, myth, and science together into a compelling narrative. He combs through religions and philosophies from the beginning of civilization to explore such disparate historical points as the Aztec ritual of removing the still-beating heart from a living sacrificial victim and offering it to the gods; homosexuality and the heart in Greek antiquity; European attempts to employ alchemy in service of the mysteries of love; and the connections between the heart and wisdom in Sufism. Høystad charts how the heart has signified our essential desires, whether for love and passion in the medieval excesses of troubadour poetry and chivalric idealism, the body-soul dualism propounded by the Enlightenment, or even the modern notions of individualism expressed in the works of such thinkers as Nietzsche, Foucault, and Joseph Campbell. A provocative examination of the deepest vaults of our souls and the efforts of the many lonely hunters who have tried to unlock its secrets, A History of Heart upends the clichés to reveal a symbol of our fundamental humanity whose beats can be felt in every aspect of our lives. “A History of the Heart is about far more than the changing representation of the most charismatic organ. The ease with which the central storyline opens into a wide-ranging intellectual history of Western culture is the book's chief delight and major achievement. . . . A beautifully presented volume.”—Times Higher Education Supplement