Brought up in England and Scotland as a reluctant aristocrat, John L. Sinclair (1902-1993) spent sixty years in New Mexico as a cowboy, museum curator, and writer. Sinclair got off a train in Clovis in 1923, saw saddle ponies and cowboys at the station, and knew that New Mexico was the place for him .

Based on childhood memories, this picture book tells the story of a girl becoming an artist. Illustrated with paintings of Santa Fe in the early part of the twentieth century.

The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.

For nearly a half-century, Las Vegas, New Mexico, held Wild West" adventures rivaling Cheyenne's Frontier Days, the Calgary Stampede, and Oregon's Pendleton Round Up. The San Miguel County seat annually hosted full-dress cowpunchers, Native Americans, ranchers, dance bands, artists and writers, moviemakers, and rodeo performers. The Las Vegas Cowboys' Reunion became legendary in western lore, drawing such ten-gallon names as Tom Mix, Jim Shoulders, Montana Belle, Prairie Rose Henderson, and Roosevelt's Rough Riders. Dick Bills and his nephew, Glen Campbell, played at the "Big Balls," and the reunions drew famous western artists, such as Randall Davey. Join author Pat Romero for these reunion tales based on Git Fer Vegas, Cowboy , the exhibit she curated at the City of Las Vegas Museum and Rough Rider Memorial Collection."

Describes changes in how the West has been seen, from a male-dominated frontier, to a region with a powerful sense of place, to a modern center of both genders, ethnic groups, and environmental interests

Born in Boston, Stephen Bodio wandered into Magdalena, New Mexico, in the 1970s while on his way to Montana and never left. He was accompanied by Betsy Huntington, who was twenty years his senior; the couple had been inseparable from the day they met. After stumbling upon a vintage home along the highway, they settled into a country life; it was the perfect way for the two of them to make their lives together in an out-of-the-way place. It’s through Bodio that Betsy’s story is painted in such memorable passages that soon captivate readers. Together they made their home among the mountains of New Mexico, returning to a simple life of hunting, falconry, and becoming acquainted with the local reptiles and insects of the desert. A lover of nature, Bodio here explains in vivid detail his time spent in the wilderness. He found himself the center of his neighbors’ attention when they discovered his endless fascination with the local fauna, from snakes and birds to coursing dogs. He became accustomed to Magdalena through the people and wildlife, even joining in the biggest festival on the calendar: the Quemado Rodeo, better known by locals as the Street Dance and Brawl. From the Spanish term meaning “the heart’s true home,” Querencia captivates and settles the heart. It is an astonishing read for those looking for an escape from the hustle of the big city, or just seeking to find solitude in the country life.