“A Course in Magic” is a 1901 short story for children by English poet and author Edith Nesbit (1858 – 1924). Nesbit was a prolific writer of children's literature, publishing more than 60 such books under the name E. Nesbit. She was also a political activist and co-founded the Fabian Society, which had a significant influence on the Labour Party and British politics in general. Other notable works by this author include: “The Prophet's Mantle” (1885), “Something Wrong” (1886), and “The Marden Mystery” (1896). This volume will appeal to children and fantasy lovers of all ages, and it is not to be missed by fans and collectors of Nesbit's wonderful work. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

A psychopathic wizard. An immortal mage. An epic battle of wills. Nikolai doesn’t want much out of life: sex, immortality, and the power to disembowel anyone who crosses him. But with dark magic forbidden, his only option is Medea–a mage so deadly even the Enforcers give her a wide berth. Despite dire warnings that her apprentices don’t survive, Nikolai won’t stop until she agrees to train him. After all, he’s a killer himself. Barbaric and brutal, the training is a far cry from what Nikolai expects. When a mysterious illness strikes Nikolai down, he suspects he’s found the secret to Medea’s longevity. He resolves to find out what happened to her previous apprentices. If he can locate the source of her power, he can turn it against her. Medea swore off training dark wizards–none of them take the craft seriously and the ungrateful bastards always try to kill her. This one definitely seems the backstabbing type, but magic is dying out and she hasn’t felt such magical strength in centuries. If she can control the boy, show him that magic is more than curses and necromancy, he might obtain the power he desires. If not, well... What’s one more dead apprentice? If you enjoy dark fantasy with quirky, morally grey characters and humorous banter (but no romance), this is the book for you! Contains: - swearing, violence, some gore - some sex (not graphic) - no romance - manipulative protagonist that could be triggering to some - two neurodiverse leads (psychopathic and autistic)

Publisher Description

In the Hugo-award winning, epic New York Times Bestseller and basis for the BBC miniseries, two men change England's history when they bring magic back into the world. In the midst of the Napoleonic Wars in 1806, most people believe magic to have long since disappeared from England - until the reclusive Mr. Norrell reveals his powers and becomes an overnight celebrity. Another practicing magician then emerges: the young and daring Jonathan Strange. He becomes Norrell's pupil, and the two join forces in the war against France. But Strange is increasingly drawn to the wild, most perilous forms of magic, and he soon risks sacrificing his partnership with Norrell and everything else he holds dear. Susanna Clarke's brilliant first novel is an utterly compelling epic tale of nineteenth-century England and the two magicians who, first as teacher and pupil and then as rivals, emerge to change its history.

Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.

Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

While spending the summer in a house by the sea, four cousins, Roger, Ann, Eliza, and Jack, discover a bank of wild thyme whose magic propels them on a series of adventures back and forth through time.