The jazz pianist is an impromptu arranger. This book examines the anatomy of jazz chords and takes a practical tour through the ways that pianists of all eras and styles actually play them. Chapters cover the idea of a big band under your fingers, rhythmic considerations, playing with guitarists, chord-scale theory, defining chord tones, the quality of voicings, shells, expanded shells, thirds, sixths, stride, four-way close, rootless, melodic minor "grips", "add 2", clusters, fourths, "axis", "drop" chords, drop-2 block chords, four-note structures, Shearing block chords, dominant 13ths, diatonic triads and sevenths, upper structures, slash and polychords, "So What" chords, fifths, RH octave-triads and ambi chords, Red Garland block chords, triad expansions, stacks, combinations and approaches, practice suggestions, DIY ear training, examples, patterns and exercises. (112 pages)

(Keyboard Instruction). The jazz idiom can often appear mysterious and difficult for musicians who were trained to play other types of music. Long-time performer and educator Rob Mullins helps players enter the jazz world by providing voicings that will help the player develop skills in the jazz genre and start sounding professional right away without years of study! Includes a "Numeric Voicing Chart," chord indexes in all 12 keys, info about what range of the instrument you can play chords in, and a beginning approach to bass lines.

(Keyboard Instruction). This comprehensive book with audio is the perfect Intro to Jazz Piano . From comping to soloing, you'll learn the theory, the tools, and the techniques used by the pros. The audio demonstrates most of the music examples in the book. The full band tracks feature the rhythm section on the left channel and the piano on the right channel, so that you can play along with the band. Covers: jazz chords and progressions; jazz swing and bossa nova comping; voicings and patterns; melodic treatment; soloing techniques; how to play from a fake book; and more. Get started today!

The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.

The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.

"...[Fred Hughes teaches how to:] 1. perform all chords and variations of major, minor, diminished & augmented triads; six, seven, nine, elevin & thirteenth chords 2. provide the harmonic structure and foundation with the left hand 3. learn the theory of chord construction 4. practice patterns for mastery..."--back cover.

(Berklee Guide). Play jazz piano with new facility and expression as Ray Santisi, one of the most revered educators at the Berklee College of Music and mentor to Keith Jarrett, Diana Krall, Joe Zawinul, and thousands of others reveals the pedagogy at the core of Berklee's jazz piano curriculum. From beginning through advanced levels, Berklee Jazz Piano maps the school's curriculum: a unique blend of theory and application that gives you a deep, practical understanding of how to play jazz. Concepts are illustrated on the accompanying online audio, where you'll hear how one of the great jazz pianists and educators of our time applies these concepts to both jazz standards and original compositions, and how you can do the same. You will learn: * Jazz chords and their characteristic tension substitutions, in many voicings and configurations * Modes and scales common in jazz * Techniques for comping, developing bass lines, harmonizing melodies, melodizing harmonies, and improvisation * Practice techniques for committing these concepts to your muscle memory * Variations for solo and ensemble playing * Advanced concepts, such as rhythmic displacement, approach-chord harmonization, and jazz counterpoint