Examines the impact of the Gulen movement on the contemporary Muslim world.

What is the extraordinary text that is the Quran - and how does it relate to the life and times of the Prophet Muhammad? How did a legacy so richly varied in faith, law and civilization emerge from the message of the Revelation that came to be called 'Islam' (or submission to God's will)? This immaculately researched yet thoroughly accessible book offers a journey into the full range of experience - past and present, secular and sacred - of the diverse people and cultures of the Muslim world. Threads of continuity and change are woven through each chapter to make a coherent narrative covering a broad variety of themes and topics. Poets, cities and the architecture of mosques are as much a part of the exploration as multiple aspects of scripture, the status of women in the faith, and the emergence of a 'digital community' of believers. In the aftermath of September 11, 2001, understanding what Islam is about and what Muslims believe is a vital concern across all frontiers. "A Companion to the Muslim World" is an attractive venture by distinguished scholars to contribute toward this urgent process of comprehension.

The Blackwell Companion to Contemporary Islamic Thoughtreflects the variety of trends, voices, and opinions in thecontemporary Muslim intellectual scene. Challenges Western misconceptions about the modern Muslim worldin general and the Arab world in particular. Consists of 36 important essays written by contemporary Muslimthinkers and scholars. Covers issues such as Islamic tradition, modernity,globalization, feminism, the West, the USA, reform, andsecularism. Helps readers to situate Islamic intellectual history in thecontext of Western intellectual trends.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

This book is a comprehensive introduction to the past and present of American Muslim communities. Chapters discuss demographics, political participation, media, cultural and literary production, conversion, religious practice, education, mosque building, interfaith dialogue, and marriage and family, as well as American Muslim thought and Sufi communities. No comparable volume exists to date.

An introduction to Islam attemps to overcome decades of bigotry and misunderstandings as it explains the tenets of a religion practiced by more than one billion people, explaining the traditions that lie at this belief's heart.

This major reference work covers all aspects of architectural inscriptions in the Muslim world: the artists and their patrons, what inscriptions add to architectural design, what materials were used, what their purpose was and how they infuse buildings with meaning. From Spain to China, and from the Middle Ages to our own lifetime, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and market places bear masterpieces of calligraphy that rival the most refined of books and scrolls.