The first Lotte Meerman mystery Amsterdam-based Lotte Meerman is a cold case detective recovering from the emotional devastation of her previous investigation. She is angry and mentally scarred - but being a police officer is the only thing she wants to do. A tip-off leads Lotte to an unresolved ten-year-old murder case in which her father was the lead detective. ANd when she discovers irregularities surrounding the original investigation that make him a suspect, she decides to cover for him. Now she has to find the real murderer before she's discovered, otherwise her father will be arrested and she will lose her job, the one thing in life that is keeping her focused and sane . . . Praise for Anja de Jager 'An absorbing read with the smack of reality' Daily Mail 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe

The first Lotte Meerman mystery Amsterdam-based Lotte Meerman is a cold case detective recovering from the emotional devastation of her previous investigation. She is angry and mentally scarred - but being a police officer is the only thing she wants to do. A tip-off leads Lotte to an unresolved ten-year-old murder case in which her father was the lead detective. ANd when she discovers irregularities surrounding the original investigation that make him a suspect, she decides to cover for him. Now she has to find the real murderer before she's discovered, otherwise her father will be arrested and she will lose her job, the one thing in life that is keeping her focused and sane . . . Praise for Anja de Jager 'An absorbing read with the smack of reality' Daily Mail 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe

Having been shot in the shoulder in the line of duty, Dutch police detective Lotte Meerman returns to work after four months of painful recovery - yet not all her colleagues are happy to see her. But department politics take a backseat when Lotte is called to investigate a worker's fall from the roof on a building site in the centre of Amsterdam. Frank Stapel's tragic accident becomes suspicious when Tessa, his widow, discovers human bones in her husband's left-luggage locker at Amsterdam Central. To Lotte, this changes the course of her investigation from fatal accident to potential murder. When forensics discover the skeleton dates back to the Second World War, the rest of the team are convinced that Lotte is wasting everybody's time by insisting this somehow ties in with the Frank's death, but then it is discovered that some of the bones are less than a decade old . . . and although vindicated for pursuing the cold case, Lotte finds that the investigation takes a dark and sinister turn, linking an old war crime to events in the much more recent past. Praise for Anja de Jager '. . . a novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday Times 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express

'. . . a novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday Times Where do your loyalties lie? With the truth or with your colleagues? Drinking outside a canal-side bar on a perfect summer's evening, Lotte is witness to the fatal stabbing of Piotr Mazur, a Polish security guard working in one of the city's department stores. As Lotte starts to investigate Mazur's death, all the facts point to him being a small-time drug dealer, and his murder is treated as a minor complication in another team's larger narcotics case. Yet Lotte remains unconvinced; having viewed the man's ordered, unchaotic flat and spoken to his colleagues, she can't help but believe he was being set up. And in the bar, moments before Piotr was killed, Lotte saw a woman pass him a photo of a child. Shebecomes convinced that his death wasn't a revenge-killing over drugs at all, and has to now think carefully about what to do for the best, especially as key evidence in Mazur's murder comes from someone she knows she cannot trust. Praise for Anja de Jager 'An absorbing read with the smack of reality' Daily Mail 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe

'A novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' SUNDAY TIMES 'Succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' SUNDAY EXPRESS __________ When Lotte Meerman is faced with the choice of interviewing the latest victim in a string of assaults or talking to a man who claims he really isn't dead, she picks the interview. After all, the man cannot possibly be who he claims he is: Andre Nieuwkamp was murdered as a teenager over thirty years ago, and it had been a police success story nationwide when the skeletal remains found in the dunes outside Amsterdam had been identified, and the murderer subsequently arrested. Yet concerned about this encounter, Lotte goes to the Hotel Mondrian the next day to talk to the man, but what she finds is his corpse. And his passport shows that he wasn't Andre Nieuwkamp as he said, but Theo Brand, a British citizen. Subsequent DNA tests reveal that the man was Andre Nieuwkamp so now Lotte has a double mystery on her hands and needs to figure out not only why Andre waited so long to tell anyone he was still alive, but also who was the teenager murdered in the dunes all those decades ago. ___________ Praise for Anja de Jager 'An impressive debut . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam in the vicious grip of a bitter winter is the other star here, beautiful and deadly' Cath Staincliffe 'A tightly written, cleverly plotted whodunit that keeps the reader guessing almost to the last page' Irish Examiner' 'de Jager manages to circumvent the overfamiliar. The evocation of a bitterly cold Amsterdam is worthy of Nicholas Freeling's Van der Valk books' The Independent

No one has written more feelingly and more beautifully than Nescio about the madness and sadness, courage and vulnerability of youth: its big plans and vague longings, not to mention the binges, crashes, and marathon walks and talks. No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Grönloh, the highly successful director of the Holland–Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories.

A revelatory look at what happens when political Islam collides with the secular West Ian Buruma's Murder in Amsterdam is a masterpiece of investigative journalism, a book with the intimacy and narrative control of a crime novel and the analytical brilliance for which Buruma is renowned. On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.