Presenting the commentary of the third-century sage Wang Bi, this book provides a Chinese way of reading the Daodejing, one which will surprise Western readers.

An introductory guide to the Dao de Jing, exploring key themes and passages in this key work of Daoist thought.

Dao De Jing was composed in China between the late sixth and late fourth centuries BC.

Many of the brightest Chinese minds have used the form of the commentary to open the terse and poetic chapters of the Laozi to their readers and also to develop a philosophy of their own. None has been more sophisticated, philosophically probing, and influential in the endeavor than a young genius of the third century C.E., Wang Bi (226–249). In this book, Rudolf G. Wagner provides a full translation of the Laozi that extracts from Wang Bi's Commentary the manner in which he read the text, as well as a full translation of Wang Bi's Commentary and his essay on the "subtle pointers" of the Laozi. The result is a Chinese reading of the Laozi that will surprise and delight Western readers familiar with some of the many translations of the work. A Chinese Reading of the Daodejing is part of Rudolf Wagner's trilogy on Wang Bi's philosophy and classical studies, which also includes The Craft of a Chinese Commentator: Wang Bi on the Laozi and Language, Ontology, and Political Philosophy in China: Wang Bi's Scholarly Exploration of the Dark (Xuanxue), both published by SUNY Press.

The Dao De Jing is one of the richest, most suggestive, and most popular works of philosophy and literature. Composed in China between the sixth and fourth centuries B.C., its enigmatic verses have inspired artists, philosophers, poets, religious thinkers, and general readers past and present. This new translation captures the beauty and nuance of the original work. In addition, the extensive and accessible commentary by Moss Roberts sheds light on the work’s historical and philosophical contexts and shows how the Dao De Jing addresses topics of relevance to our own times, such as politics, statecraft, cosmology, aesthetics, and ethics.

The Laozi (Daodejing) and the Zhuangzi have long been familiar to Western readers and have served as basic sources of knowledge about early Chinese Daoism. Modern translations and studies of these works have encouraged a perception of Daoism as a mystical philosophy heavy with political implications that advises kings to become one with the Dao. Breaking with this standard approach, The Pristine Dao argues that the Laozi and the Zhuangzi participated in a much wider tradition of metaphysical discourse that included a larger corpus of early Chinese writings. This book demonstrates that early Daoist discourse possessed a distinct, textually constituted coherence and a religious sensibility that starkly differed from the intellectual background of all other traditions of early China, including Confucianism. The author argues that this discourse is best analyzed through its emergence from the mythological imagination of early China, and that it was unified by a set of notions about the Dao that was shared by all of its participants. The author introduces certain categories from the Western religious and philosophical traditions in order to bring out the distinctive qualities constituting this discourse and to encourage its comparison with other religious and philosophical traditions.