Beatrice is proud to present a new edition of A Child's Machiavelli: A Primer on Power by Claudia Hart. Originally published in 1995, A Child's Machiavelli reimagines Niccolò Machiavelli's political treatise The Prince as an instructional children's book. Hart simplifies the core ideas embedded within The Prince by utilizing a child-friendly vocabulary and narrative style that is both comical and unsettling. The artwork in A Child's Machiavelli, which Hart originally created as a series of oil paintings based on found images from Victorian-era and early 20th-century European picture book illustrations, has been transformed into stark black-and-white reproductions for this edition. The publication design has been simplified in comparison to previous editions, placing it closer to the look and feel of those books that inspired the original artwork. A Child's Machiavelli--much like The Prince before it--is arguably timeless in how easily it can be related to contemporary politics. On the eve of the 2020 USA presidential election, the book still manages to slyly and effortlessly incriminate those that would abuse their elected power for personal gain. Claudia Hart is an artist, writer, curator, and educator who lives and works in New York and Chicago. Her interdisciplinary practice engages with simulation technologies to explore issues of identity, the body, politics, and nature in an increasingly digitized post-photographic world.

Two late-developing nations, Japan and Italy, similarly obsessed with achieving modernity and with joining the ranks of the great powers, have traveled parallel courses with very different national identities. In this audacious book about leadership and historical choices, Richard J. Samuels emphasizes the role of human ingenuity in political change. He draws on interviews and archival research in a fascinating series of paired biographies of political and business leaders from Italy and Japan. Beginning with the founding of modern nation-states after the Meiji Restoration and the Risorgimento, Samuels traces the developmental dynamic in both countries through the failure of early liberalism, the coming of fascism, imperial adventures, defeat in wartime, and reconstruction as American allies. Highlights of Machiavelli's Children include new accounts of the making of postwar Japanese politics—using American money and Manchukuo connections—and of the collapse of Italian political parties in the Clean Hands (Mani Pulite) scandal.The author also tells the more recent stories of Umberto Bossi's regional experiment, the Lega Nord, the different choices made by Italian and Japanese communist party leaders after the collapse of the USSR, and the leadership of Silvio Berlusconi and Ishihara Shintar on the contemporary right in each country.

Counsels parents on how to manage a rambunctious family, sharing the author's successes with experimenting with such tactics as instilling a fear of consequences, withholding unnecessary details, and using gentle manipulation.

'A wonderfully assured and utterly riveting biography that captures not only the much-maligned Machiavelli, but also the spirit of his time and place. A monumental achievement.' – Jessie Childs, author of God's Traitors. ‘A notorious fiend’, ‘generally odious’, ‘he seems hideous, and so he is.’ Thanks to the invidious reputation of his most famous work, The Prince, Niccolò Machiavelli exerts a unique hold over the popular imagination. But was Machiavelli as sinister as he is often thought to be? Might he not have been an infinitely more sympathetic figure, prone to political missteps, professional failures and personal dramas? Alexander Lee reveals the man behind the myth, following him from cradle to grave, from his father’s penury and the abuse he suffered at a teacher’s hands, to his marriage and his many affairs (with both men and women), to his political triumphs and, ultimately, his fall from grace and exile. In doing so, Lee uncovers hitherto unobserved connections between Machiavelli’s life and thought. He also reveals the world through which Machiavelli moved: from the great halls of Renaissance Florence to the court of the Borgia pope, Alexander VI, from the dungeons of the Stinche prison to the Rucellai gardens, where he would begin work on some of his last great works. As much a portrait of an age as of a uniquely engaging man, Lee’s gripping and definitive biography takes the reader into Machiavelli’s world – and his work – more completely than ever before.

In Machiavelliana Michael Jackson and Damian Grace offer a comprehensive study of the uses and abuses of Niccolò Machiavelli’s name in society generally and in academic fields distant from his intellectual origins. It assesses the appropriation of Machiavelli in didactic works in management, social psychology, and primatology, scholarly texts in leaderships studies, as well as novels, plays, commercial enterprises, television dramas, operas, rap music, Mach IV scales, children’s books, and more. The book audits, surveys, examines, and evaluates this Machiavelliana against wider claims about Machiavelli. It explains the origins of Machiavelli’s reputation and the spread of his fame as the foundation for the many uses and misuses of his name. They conclude by redressing the most persistent distortions of Machiavelli.