Describing an outstanding example of the use of forensic art therapy in a criminal case, David Gussak, contracted by the defence to analyse the evidence in this instance, recounts his findings and presentation in court, as well as the future implications of his work for criminal proceedings.

This fourth edition of the first true textbook on the death penalty engages the reader with a full account of the arguments and issues surrounding capital punishment. The book begins with the history of the death penalty from colonial to modern times, and then examines the moral and legal arguments for and against capital punishment. It also provides an overview of major Supreme Court decisions and describes the legal process behind the death penalty. In addressing these issues, the author reviews recent developments in death penalty law and procedure, including ramifications of newer case law, such as that regarding using lethal injection as a method of execution. The author’s motivation has been to understand what motivates the "deathquest" of the American people, leading a large percentage of the public to support the death penalty. The book will educate readers so that whatever their death penalty opinions are, they are informed ones.

New York Times bestselling author Phillip Margolin brings back reader favorites—private investigator Dana Cutler and lawyer Brad Miller—in CAPITOL MURDER, the thrilling new installment in Margolin’s Washington Trilogy. Readers were first introduced to Brad and Dana in Executive Privilege, where they unmasked the President’s involvement in serial murders. In Supreme Justice, Brad and Dana were able to save the life of a Supreme Court Justice while foiling a plot by rogue members of the CIA to fix a case headed for the Court. Now, in CAPITOL MURDER, Brad and Dana are reunited by wicked threats old and new. Convicted serial killer Clarence Little has escaped from death row in Oregon, and Brad receives threatening messages in DC, where he is working for Senator Jack Carson, a high-ranking member of the Senate Select Committee on Intelligence. A dead body, murdered according to Littl’es MO, is found in the senator’s Georgetown home, and Carson has disappeared. While Dana is in Oregon digging into Carson’s shady background, a terrorist cell is poised to destory a packed professional football stadium in one of the biggest attacks on American soil. As the senator’s personal life begins to dovetail with the cell’s eviil plan, Brad and Dana will risk it all again to uncover the truth and save their country. Phillip Margolin proves once more that he is a true master of suspense, delivering another high-octane thriller set in Washington’s legendary corridors of power. CAPITOL MURDER’s breathaking pace and electrifying twists will have old fans and newcomers racing to the final, stunning page.

Before constitutional regulation -- The Supreme Court steps in -- The invisibility of race in the constitutional revolution -- Between the Supreme Court and the states -- The failures of regulation -- An unsustainable system? -- Recurring patterns in constitutional regulation -- The future of the American death penalty -- Life after death

Is capital punishment just? Does it deter people from murder? What is the risk that we will execute innocent people? These are the usual questions at the heart of the increasingly heated debate about capital punishment in America. In this bold and impassioned book, Austin Sarat seeks to change the terms of that debate. Capital punishment must be stopped, Sarat argues, because it undermines our democratic society. Sarat unflinchingly exposes us to the realities of state killing. He examines its foundations in ideas about revenge and retribution. He takes us inside the courtroom of a capital trial, interviews jurors and lawyers who make decisions about life and death, and assesses the arguments swirling around Timothy McVeigh and his trial for the bombing in Oklahoma City. Aided by a series of unsettling color photographs, he traces Americans' evolving quest for new methods of execution, and explores the place of capital punishment in popular culture by examining such films as Dead Man Walking, The Last Dance, and The Green Mile. Sarat argues that state executions, once used by monarchs as symbolic displays of power, gained acceptance among Americans as a sign of the people's sovereignty. Yet today when the state kills, it does so in a bureaucratic procedure hidden from view and for which no one in particular takes responsibility. He uncovers the forces that sustain America's killing culture, including overheated political rhetoric, racial prejudice, and the desire for a world without moral ambiguity. Capital punishment, Sarat shows, ultimately leaves Americans more divided, hostile, indifferent to life's complexities, and much further from solving the nation's ills. In short, it leaves us with an impoverished democracy. The book's powerful and sobering conclusions point to a new abolitionist politics, in which capital punishment should be banned not only on ethical grounds but also for what it does to Americans and what we cherish.

Murder Capital explores Prohibition-era Madison, Wisconsin. Per capita, Madison was the most violent and deadly city in the United States during the 1920s. Along with the usual suspects (bootleggers), Madison was unique in its strong Ku Klux Klan presence. In the background was a prominent judge, overseeing Mafia cases by day, but by night taking illegal loans from these very same criminals. In effect, the Judge tied his own hands and the violence was allowed to continue unabated.