In 1977, J.J. Stone would fall deeply in love with Christopher Smith and they would remain in love throughout his prison conviction for murder, throughout both of their marriages and throughout the last 28 years since his death. Complicated? Beautiful? Torturous? Her relationship with Chris Smith was all of the above. Throw in unbelievable, wondrous, spiritual, frustrating and magical. He has a hold on her to this day that is so complex that some days it seems too powerful to even exist. She nearly destroyed herself trying to save him and in the end it was a life sentence for murder that gave him his freedom. He wanted this story told so his children would know the truth about the father they never really knew and she promised she would write it. This is their true life story.

For the teens at The Haven, the outside world, just beyond the towering stone wall that surrounds the premises, is a dangerous unknown. It has always been this way, ever since the hospital was established in the year 2020. But The Haven is more than just a hospital; it is their home. It is all they know. Everything is strictly monitored: education, exercise, food, and rest. The rules must be followed to keep the children healthy, to help control the Disease that has cast them as Terminals, the Disease that claims limbs and lungs—and memories. But Shiloh is different; she remembers everything. Gideon is different, too. He dreams of a cure, of rebellion against the status quo. What if everything they've been told is a lie? What if The Haven is not the safe place it claims to be? And what will happen if Shiloh starts asking dangerous questions? Powerful and emotional, The Haven takes us inside a treacherous world in which nothing is as it seems. "Imagine Anna Quindlen or Sue Miller turning her attention to writing a young adult novel, and you have an idea of what Carol Lynch Williams has done for early teen readers." (Audrey Couloumbis, author of the Newbery Honor Book Getting Near to Baby)

THE INSPIRATIONAL CLASSIC FROM THE MASTER STORYTELLER WHOSE BOOKS HAVE TOUCHED THE HEARTS OF OVER 40 MILLION READERS 'Mitch Albom sees the magical in the ordinary' Cecilia Ahern _________ To his mind, Eddie has lived an uninspiring life. Now an old man, his job is to fix rides at a seaside amusement park. On his eighty-third birthday, Eddie's time on earth comes to an end. When a cart falls from the fairground, he rushes to save a little girl's life and tragically dies in the attempt. When Eddie awakens, he learns that the afterlife is not a destination, but a place where your existence is explained to you by five people - some of whom you knew, others who were ostensibly strangers. One by one, from childhood to soldier to old age, five individuals revisit their connections to Eddie on earth, illuminating the mysteries of his 'meaningless' life and revealing the haunting secret behind the eternal question: 'Why was I here?' __________ WHAT READERS SAY ABOUT THE FIVE PEOPLE YOU MEET IN HEAVEN 'Breathtakingly beautiful. A story that will stay with you forever' 'A beautiful and flawlessly choreographed book . . . No other book may ever compare' 'One of my favourite books . . . Wonderful, inspirational, and heart-warming! To me, it is a MUST READ! 'The book is beyond words . . . Well written, engaging, poignant' 'This really is a wonderful book. You should read it'

This epic journey is her best chance to find the family she and her daughter long for. Watkuese is desperate to return across the Rocky Mountains before winter sets in. Time is running out for her to get her adopted daughter back to the familiar surroundings of the Shoshone village before the grief of her parents’ death causes irreparable damage. Hugh Charpentier has spent his life watching over his siblings, which meant also ensuring his brother’s widow and babe are settled well into their new life. Now he’s asked to help shepherd a woman and child he barely knows across the mountains. As hard as it is to keep up with a six-year-old in the treacherous Rockies, it’s not nearly as dangerous as risking his heart to a woman and child who may not ever be his. From a USA Today bestselling author comes another epic journey through breathless landscapes and adventure so intense, lives will never be the same.

In this delightfully witty, provocative book, literature professor and psychoanalyst Pierre Bayard argues that not having read a book need not be an impediment to having an interesting conversation about it. (In fact, he says, in certain situations reading the book is the worst thing you could do.) Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"-from books that you've never heard of to books that you've read and forgotten-and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read-which became a favorite of readers everywhere in the hardcover edition-is in the end a love letter to books, offering a whole new perspective on how we read and absorb them.

Let's face it: telemarketers can be annoying. Even "telemarketers" hate getting telemarketer calls. Whether they're legitimate businesses, pollsters, or unscrupulous scammers, one fact is universal: when people repeatedly call at all hours, day and night, it can be maddening. After a friend pranked Haven Riney by signing him up for tons of college-recruiting forms, he began receiving up to a hundred phone calls daily. He put his number on the Do Not Call List... he told pesky callers to put him on "their" lists... he yelled, screamed, begged, and pleaded... but nothing worked. Finally, he decided to waste "their" time instead. Riney's lightning-quick wit, sharp comedic timing, and endless patience culminated in the hilarious collection of transcripts presented here. Every call is real, each funnier than the last. Getting mad does no good. "Messing With Telemarketers" shows why it's better to get "even."

Hailed by Czeslaw Milosz as “the grande dame of Polish poetry” and named “one of the foremost Polish poets of the twentieth century” by Ryszard Kapuscinski, Julia Hartwig has long been considered the gold standard of poetry in her native Poland. With this career-spanning collection, we finally have a book of her work in English. The tragic story of the last century flows naturally through Hartwig’s poems. She evokes the husbands who returned silent from battle (“What woman was told about the hell at Monte Cassino?”) and asks, “Why didn’t I dance on the Champs-Élysées / when the crowd cheered the end of the war? . . . Why was I fated to be on the main street of Lublin / watching regiments with red stars enter the city.” But there is also a welcoming of new experience in her verse, a sense that life, finally, is too beautiful to condemn. She seeks a higher peace, urging us to hear other voices: “an ermine’s cry, moan of a dove, / complaint of an owl—that remind us / the hardship of solitude is measured out equally.” Hartwig’s compassionate spirit in the face of destruction and suffering, her apparent need to live in the moment, make her poems monumental and deeply touching and the introduction of her work here long overdue. Return to My Childhood Home Amid a dark silence of pines—the shouts of young birches calling each other. Everything is as it was. Nothing is as it was. Speak to me, Lord of the child. Speak, innocent terror! To understand nothing. Each time in a different way, from the first cry to the last breath. Yet happy moments come to me from the past, like bridesmaids carrying oil lamps.