"Because life is too short to live every working day in misery"A Bull in a Glass House is a manifesto. A former Marine's view of the corporate world and how employees must step up to the challenge of navigating its potentially treacherous roads by embracing change and relationships.--For those about to enter the business world...preparation.--For those currently engaged in the day-to-day struggle that is corporate America...guidance.--For those whose every Sunday evening is the threshold of hell...motivation.--For those who decide to act...reinforcement.Readers of A Bull in a Glass House are provided with the benefit of hindsight including actual situations and quotes, and proven tips for future survival and success. Armed with this knowledge, the reader unlocks her personal arsenal to conquer the pitfalls and land minds inherent in any company. Armed with this knowledge, the gap between working perception and employment reality is bridged. Armed with this knowledge, success becomes a temporary illusion until the reader reaches out, grabs it, and makes it real-makes it his own. A Bull in a Glass House is an intensely personal and passionate look at the inner workings of a corporation and how to succeed inside it from a former Marine who battled within its glass walls-and survived to write about it.

"In 1947, Forbes magazine declared Lancaster, Ohio, the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass house, journalist Brian Alexander uses the story of one town to show how seeds sown thirty-five years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion."--Jacket flap.

When John Ruskin attempted to disparage the Crystal Palace by referring to it as a great cucumber frame', he hit upon a truism. The Crystal Palace outdid its Victorian glasshouse contemporaries in public gardens around the world and represented the zenith of a building type that had developed spectacularly from humble horticultural roots. The Glasshouse traces the evolution of glass enclosures from the mid-seventeenth century when the desire to nurture exotic plants in a foreign and often hostile climate led to the development of the glasshouse and ingenious mechanical servicing systems, capable of creating its own artificial microclimate. Through tremendous technical advances in the early nineteenth century, large-scale constructions were built initially for private individuals and botanical societies. Towards the mid-century, with the advent of mass-production and specialist component systems, the fashioning of modular constructions, like the Crystal Palace, became possible. The Glasshouse charts the work of innovators such as Joseph Paxton and J C Loudon, and proceeds to examine their influence on the pioneers of twentieth-century design such as Paul Scheerbart and Bruno Taut.