A fascinating and surprising history of the world told through the lines people have drawn on maps People have been drawing lines on maps for as long as there have been maps to draw on. Sometimes rooted in physical geography, sometimes entirely arbitrary, these lines might often have looked very different if a war or treaty or the decisions of a handful of tired Europeans had gone a different way. By telling the stories of these borders, we can learn a lot about how political identities are shaped, why the world looks the way it does—and about human folly. From the Roman attempts to define the boundaries of civilization, to the secret British-French agreement to carve up the Ottoman Empire during the First World War, to the reason why landlocked Bolivia still maintains a navy, this is a fascinating, witty, and surprising look at the history of the world told through its borders.

A poetic call for mindfulness, creativity, and analog real-world connection in an increasingly disconnected world from singer-songwriter Valerie June. Maps for the Modern World is a collection of poems and original illustrations about cultivating community, awareness, and harmony with our surroundings as we move fearlessly toward our dreams. I love you Like a fall leaf dancing And twirling in the wind Softly landing, Returning to the warm earth Rest Make new Begin Again -comfortably

Perhaps while reading Shakespeare you've asked yourself, What exactly is Hamlet trying to tell me? Why must he mince words and muse in lyricism and, in short, whack about the shrub? But if the Prince of Denmark had a Twitter account and an iPhone, he could tell his story in real time--and concisely! Hence the genius of Twitterature. Hatched in a dorm room at the brain trust that is the University of Chicago, Twitterature is a hilarious and irreverent re-imagining of the classics as a series of 140-character tweets from the protagonist. Providing a crash course in more than eighty of the world's best-known books, from Homer to Harry Potter, Virgil to Voltaire, Tolstoy to Twilight and Dante to The Da Vinci Code. It's the ultimate Cliffs Notes. Because as great as the classics are, who has time to read those big, long books anymore? Sample tweets: From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN??? From the Harry Potter series: Oh man big tournament at my school this year!! PSYCHED! I hope nobody dies this year, and every year as if by clockwork. From The Great Gatsby: Gatsby is so emo. Who cries about his girlfriend while eating breakfast...IN THE POOL?

Lyrical and haunting, Hannah Capin's I Am Margaret Moore is a paranormal thriller that tests the hold of sisterhood and truth. I am a girl. I am a monster, too. Each summer the girls of Deck Five come back to Marshall Naval School. They sail on jewel-blue waters; they march on green drill-fields; they earn sunburns and honors. They push until they break apart and heal again, stronger. Each summer Margaret and Rose and Flor and Nisreen come back to the place where they are girls, safe away from the world: sisters bound by something more than blood. But this summer everything has changed. Girls are missing and a boy is dead. It’s because of Margaret Moore, the boys say. It’s because of what happened that night in the storm. Margaret’s friends vanish one by one, swallowed up into the lies she has told about what happened between her and a boy with the world at his feet. Can she unravel the secrets of this summer and last, or will she be pulled under by the place she once called home? "Lyrical writing distinguishes this haunting summer camp thriller as an enthralling literary mystery with crossover appeal...[an] ingenious story about misogyny and power dynamics." - Publishers Weekly (starred review)

When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.