The present St Paul's Cathedral, Christopher Wren's masterpiece, is the fourth religious building to occupy the site. Its location in the heart of the capital reflects its importance in the English church while the photographs of it burning during the Blitz forms one of the most powerful and familiar images of London during recent times. This substantial and richly illustrated study, published to mark the 1,400th anniversary of St Paul's, presents 42 scholarly contributions which approach the cathedral from a range of perspectives. All are supported by photographs, illustrations and plans of the exterior and interior of St Paul's, both past and present. Eight essays discuss the history of St Paul's, demonstrating the role of the cathedral in the formation of England's church and state from the 7th century onwards; nine essays examine the organisation and function of the cathedral during the Middle Ages, looking at, for example, the arrangement of the precinct, the tombs, the Dean's household during the 15th century, the liturgy and the archaeology. The remaining papers examine many aspects of Wren's cathedral, including its construction, fittings and embellishments, its estates and income, music and rituals, its place in London, its library, its role in the book trade and its reputation.

St. Paul's Parish, which occupies land in what is now King George County, was in Stafford County until 1777. Since most of the early records of Stafford County were destroyed, the 4,000 birth, marriage, and death records found in this transcription are of great importance.

St. Paul's Parish is a closet community outside the greater historic city of Charleston, South Carolina. The parish is comprised of a series of small, close-knit communities, including Meggett, Yonges Island, Hollywood, Rantowles, Ravenel, and Adams Run. Over the years, the parish has been a site of key Revolutionary War battles, a mobilization point for Confederate forces, a summer vacation spot for Charlestonians, home of South Carolina's second oldest settlement, and, most importantly, an area dominated by agriculture and industry. The entire parish has been dependent on agriculture since the first settlers arrived. By the early 1900s, St. Paul's Parish had become a vegetable-growing super center that surpassed many larger cities and towns across the United States. At one point in time, Meggett was the cabbage capital of the world! Truck farming, as it was known, made the "Cabbage Patch" and its citizens world-famous and rich until the 1950s; it started to slowly decline and came to a halt in the early 1960s.

More than a half-century ago, C. G. Chamberlayne, under the sponsorship of the Virginia State Library, transcribed, edited, and indexed a number of original Virginia parish vestry books, four of which are reprinted here. While the dates of coverage and lengths of the volumes vary, they are nonetheless similar in terms of scope and content. Each volume contains the oldest known records pertaining to that parish, in most cases beginning only a few years following the parish's date of formation. Mr. Chamberlayne begins each vestry book with an Introduction that pieces together the formation of the parish and important milestones in its history from published and original sources. Facsimilies of pages from the original vestry books, maps, and photographs help to put each volume into greater context, moreover. Appended to the vestry books are brief lists of the various parish ministers, with an indication of their earliest date of service as found in the records. The transcriptions themselves, ranging from about 250 to more than 600 pages of text, relate to the following issues growing out of the business affairs of colonial parish vestries; namely, payments to persons for services rendered to the parish, oaths and lists of oath-takers, news of the arrival of ministers, the appointment of church wardens, issues related to indentured servants, lists of tithables, payment of salaries and other obligations, the formation of parish precincts with the names of the families apportioned therein, the warding of children, and so on. In each case, these four scarce collections of colonial church records establish the existence of thousands of Virginia inhabitants, each of whom is easily found in the index or indexes at the back of the book.

"Macao's Ruins of St. Paul (correct name Church of Madre de Deus) is the only example of Baroque art and architecture in China. This beautifully illustrated book explores anew the now vanished but once renowned Church, as well as the Jesuit university college of which it was part. Both Church and College were destroyed by fire in 1835. From the perspective of the history of art they have remained poorly explored. The author remedies this by imaginatively reconstructing their ground plans, architecture and decoration in the light of new information in original documents that he has found in archives and libraries in Europe and Macao. In his re-creation of the buildings, he illustrates and draws on the evidence of selected Jesuit buildings in Italy, Portugal, Spain and Portuguese India and considers the historical Counter-Reformation environment that eventually led to the College of Madre de Deus in China. The most recent art-historical findings on the Mannerist and Baroque art of the Jesuits in Europe and Iberian colonies are also taken into account. The author, who first identified the surviving façade of the Church as a retable-façadeƯƯƯƯ, an unusual type of Iberian and Latin American church façade resembling an altarpiece, brings his argument to its logical conclusion by relating it to the Church's plan and decoration. An extremely important aspect of the art promoted by the Jesuits, centring on the cult of passive martyrdom, is also candidly discussed. This book will enable the general public to better appreciate the Ruins and provides much of interest and value to scholars, students, architects, art museums and cultural organizations."--Publisher's website.

This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.