"Mary McCarthy may be best remembered today for her novels and memoirs, but she was also a dazzling and prolific essayist and critic, known for her witty and fearless commentary on topics ranging from American realist playwrights to women's fashion magazines, from left-wing politics to the nineteenth-century novel." "This collection, which spans her career from the 1930s to the 1970s, displays McCarthy's acute judgment and stylistic brio. It begins with a generous selection of her drama reviews, and includes essays on Nabokov, Burroughs, Salinger, Flaubert, Calvino, Sarraute, and Tolstoy. In the essays that follow, she dissects the social and political controversies that dominated midcentury American intellectual life, from the Moscow trials to the Vietnam War and the Watergate hearings."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Mary McCarthy may be best remembered today for her novels and memoirs, but she was also a dazzling and prolific essayist and critic, known for her witty and fearless commentary on topics ranging from American realist playwrights to women's fashion magazines, from left-wing politics to the nineteenth-century novel." "This collection, which spans her career from the 1930s to the 1970s, displays McCarthy's acute judgment and stylistic brio. It begins with a generous selection of her drama reviews, and includes essays on Nabokov, Burroughs, Salinger, Flaubert, Calvino, Sarraute, and Tolstoy. In the essays that follow, she dissects the social and political controversies that dominated midcentury American intellectual life, from the Moscow trials to the Vietnam War and the Watergate hearings."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Third in the intriguing Leonardo da Vinci mystery series known for "capturing the essence of 15th-century Milan". As court engineer to the Duke of Milan, Leonardo da Vinci turns his superior mind to many pursuits- from outlandish contraptions to the odd murder... With war looming ever closer, the iron-fisted Duke of Milan calls upon Master da Vinci to invent the deadliest weapon ever-a flying machine. So da Vinci calls in a craftsman who happens to be father to his star apprentice, Dino. But da Vinci does not know that Dino is actually the craftsman's daughter, Delfina, who keeps her gender a secret to serve as apprentice. But as Delfina worries that her father will prove her undoing, someone murders another apprentice. Now, as her master works his brilliance, Delfina can only pray that no other apprentice- including herself-will fall victim

A crystalline and poignant epistolary novel from the author of ASH BEFORE OAK.

Mania takes you into the world of the young rebels who transformed American culture in the 1950s-a world of sex, drugs, jazz, crime, insanity, and a defiant new literature. It tells the story of Lucien Carr's killing of David Kammerer, the car chase that led to Allen Ginsberg's committal to a mental asylum, William S. Burroughs' heroin addiction and deadly "William Tell act," Jack Kerouac's seven-year struggle to publish On The Road, and the creation of Ginsberg's ecstatic masterpiece "Howl," which the authorities declared obscene and fought fervently to suppress. It is a story too unbelievable to make up. Book jacket.

Smart women, sophisticated ladies, savvy writers . . . Edna St. Vincent Millay, Dorothy Parker, Anita Loos, Lois Long, Jessie Fauset, Dawn Powell, Mary McCarthy, and others imagined New York as a place where they could claim professional status, define urban independence, and shrug off confining feminine roles. It might be said that during the 1920s and 1930s these literary artists painted the town red on the pages of magazines like Vanity Fair and the New Yorker. Playing Smart, Catherine Keyser's homage to their literary genius, is a captivating celebration of their causes and careers. Through humor writing, this "smart set" expressed both sides of the story-promoting their urbanity and wit while using irony and caricature to challenge feminine stereotypes. Their fiction raised questions about what it meant to be a woman in the public eye, how gender roles would change because men and women were working together, and how the growth of the magazine industry would affect women's relationships to their bodies and minds. Keyser provides a refreshing and informative chronicle, saluting the value of being "smart" as incisive and innovative humor showed off the wit and talent of women writers and satirized the fantasy world created by magazines.

The 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but “artist practitioners,” men and women who feel “hot love” for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché—some irreducible quality that keeps readers coming back to its pages.