Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars to begin solving crimes that go unnoticed by the Bow Street Runners, which take him from the mansions of Mayfair to the backstreets of London's rookeries in this USA Today Bestselling Mystery Series by Ashley Gardner (aka Jennifer Ashley). In April 1817, a Bow Street Runner summons Captain Gabriel Lacey to a Berkeley Square ballroom where a young dandy has been found stabbed to death during a society ball. The prime suspect: Lacey’s former commander, Colonel Brandon. Instead of denying the charges, Colonel Brandon allows himself to be arrested, and claims, to Lacey’s shock, that the lady he’d stayed protectively near at the ball is his mistress. Lacey realizes that he is the only person not convinced of Brandon’s guilt—all present, including Brandon’s wife, believe Brandon committed the murder. Colonel Brandon’s reticence to tell the truth proves to be Lacey’s greatest obstacle in his race against time to prove Brandon’s innocence. Lacey’s hunt for evidence uncovers dark secrets that go back to the Peninsular Wars and involve the origins of Lacey’s and Brandon’s own private war.

Gut-wrenching, ingenious, absolutely hilarious, this is the rediscovered story of woman's desperate quest for freedom. 'I'm thirty, and I'm stuck' Arabella is on an increasingly desperate quest for freedom from her overbearing father and her conspicuously absent brother. But her desire for self-actualisation only ends up leading her into the orbit of a happily married man. A spiky, self-conscious love affair begins, complete with awful dinner dates, devastating kisses and agonising introspection. Can Arabella realise what she wants? Can she escape the trap of being sexy, good and likable? Back in print after many decades, this is an outstanding novel by an extraordinary and little-known writer, the inimitable Rosemary Tonks. 'Salted with wit and peppered with clever images' Guardian ‘Writing like this...is far too beautiful and accomplished to be kept off the shelf. It catches like nothing else the smogs, the rodentine genes, the murky post-War grays, the lurking sexual violence of London’ Michael Hoffman, Poetry Foundation

A high-profile murder propels a unique crime-fighting team into London’s underworld in this “delightful . . . compelling” WWI-era British mystery (Rhys Bowen, author of the Royal Spyness mysteries) London, 1915. As World War I engulfs Europe, a special task force is formed in the affluent Mayfair district to tackle the city’s thorniest crimes against women. When the bobbies and Scotland Yard come up short, there’s only one telephone number to dial: Mayfair 100. An aristocrat has been murdered, and his wife, a witness and possible suspect, will only talk to a woman. With the blessing of London’s Chief Commissioner, Chief Inspector Beech, a young man invalided out of the war, assembles a crew of sharp, intrepid, and well-educated women to investigate. But to get at the truth, Beech, Victoria, Caroline, Rigsby, and Tollman will venture into the city’s seedy underbelly, a world where murder is only the first in a litany of evils. Lynn Brittney’s Mayfair 100 series debut, Murder in Belgravia, is the darkly compelling story of a movement far ahead of its time, in an attempt to combat the prejudices against women then and now.

Named a Best Book of the Year by NPR and LitHub Winner of the 2021 Science in Society Journalism Book Prize A fascinating and provocative new way of looking at the things we use and the spaces we inhabit, and a call to imagine a better-designed world for us all. Furniture and tools, kitchens and campuses and city streets—nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider—or reconsider—the hidden assumptions on which our everyday environment is built. In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it—from cyborg arms to customizable cardboard chairs to deaf architecture—Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body’s stunning capacity for adaptation—rather than a rigid insistence on “normalcy”—look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, What Can a Body Do? helps us imagine a future that will better meet the extraordinary range of our collective needs and desires.

London 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the girl leads to the discovery of murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his own transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.