Gilda Harris (Gillie) is an incorrigible young African American woman living in rural Georgia during mid 1920's and early 30's struggling to find meaning in her life after the death of her mother. Soon Gilda's intuitive nature eventually leads her and her friends Julia Freeman and James Fisher (Po Fisher) on a timeline into a world filled with loyalty, love and deception. This world opens up the historical events of its time as it brings some very cunning, charismatic, and even dangerous characters to life. These events unveil personal experiences of social and racial degradation of the South as well as the successful business of Speak Easy's and infamous Brothels along the southern Gulf of the United States. Never in a million years did Gilda think that her lifelong passion for the Jazz and Blues would catapult her and her friends into the dangerous and corrupt underworld of bootleggers and mobsters. However her experiences soon bring Gilda to the realization that it is the people that she loves and love her in return that really brings happiness and meaning to her life.

“A fast-paced, compelling story about love and its power to both heal and redeem” from the acclaimed author of A Meeting in the Ladies' Room (Kim McLarin, author of Womanish). Mel and Adrienne Jordan have the kind of marriage most couples only dream about. Mel feels lucky to have the smartest, sexiest wife a man could want, while caring for their infant daughter and tending to their lovely home in New York City keeps Adrienne busy and content. Landing a recording contract had once been her greatest ambition—but not anymore. Life is that good. Until the day a tragedy changes everything. Convinced that he is to blame, Mel returns to the mean streets of his youth—and indulges in the drugs, drink, and women he finds there. Adrienne works long hours at a tedious job, desperate to get ahead—even though she's not really sure where she's going. As they drift further into their grief—and away from each other—Mel and Adrienne start to wonder if they can ever reclaim what they had. And they soon realize that their greatest challenge will be trying to save the one thing they had always taken for granted: their love. “A heart-stopping story about the power of love . . . The characters are richly drawn and complex. The use of language is stunning . . . A dynamic new writer is on the scene—readers, make room on your bookshelf and in your hearts for A Mighty Love!” —Yolanda Joe, author of Video Cowboys “Entertaining.” —Booklist

A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.

YOU DON'T NEED TO GO TO THE CROSSROADS TO MAKE A DEAL WITH THE DEVIL. THE CROSSROADS WILL COME TO YOU. James 'Blue' Moon, the greatest living bluesman, was ten years old when he saw Robert Johnson playing on a street corner. Now, more than seventy years later, he's dying of cancer. His last wish is to reunite his estranged family - his soul-diva daughter Venetia Moon and his grandson, hip-hop mogul Calvin 'Ice Blue' Holland - for one final album. Enter his former protégé, hapless British blues-rock superstar Mick Hudson, who has unfinished business with all three of them, plus a posse of vengeful gangstaz and a mysterious figure with whom Blue struck a deal one dark, bloody night at a haunted crossroads back in his native Mississippi Delta. It's a potent mix of secrets, nightmares and lies, spanning decades and continents. James 'Blue' Moon has one last chance to escape the hellhound on his trail ... if the cancer doesn't get him first. YOU NEVER GET OUT OF THESE BLUES ALIVE.

When Virginia wakes up feeling "wolfish," her sister, Vanessa, tries to cheer her up. After treats, funny faces and other efforts fail, Vanessa begins to paint a glorious mural depicting the world of the sisters’ imagination. Will it help lift Virginia from her doldrums?

"My family has a grand tradition. After a woman gives birth, she goes mad. I thought that I would be the one to escape." So begins Adrienne Martini's candid, compelling, and darkly humorous history of her family's and her own experiences with depression and postpartum syndrome. Illuminating depression from the inside, Martini delves unflinchingly into her own breakdown and institutionalization and traces the multigenerational course of this devastating problem. Moving back and forth between characters and situations, she vividly portrays the isolation -- geographical and metaphorical -- of the Appalachia of her forebears and the Western Pennsylvania region where she grew up. She also weaves in the stories of other women, both contemporary and historic, who have dealt with postpartum depression in all its guises, from fleeting "baby blues" to full-blown psychosis. Serious as her subject is, Martini's narrative is unfailingly engaging and filled with witty, wry observations on the complications of new motherhood: "It's like getting the best Christmas gift ever, but Santa decided to kick the crap out of you before you unwrapped it." New mothers and those who have struggled with parenthood -- whether or not they dealt with depression -- will find affirmation in this story of triumph, of escape from a difficult legacy, of hope for others, and of the courage to have another baby.

A collection of poems includes Fetish, Totem, Caliban, Springblade, Bread, Xango, and Koker.