This wartime biography follows the life of a Second World War B-17 bombardier from the beginning of the war to its conclusion. Based on the 150 letters the airman, Fred Lull, wrote home to his mother, much of the horrors of what he experienced off the wing of his plane, aircraft destroyed, dismemberment by flak, go unshared. Fred did not want his mother to worry and could not tell her: 'I noticed some movement and a flash of light out of the corner of my right eye. The plane that had been flying right next to us had exploded and simply disappeared.' Using the bombardier's combat flight record, research data and interviews of former B-17 crew members, the story unfolds, breaking through the barrier of an unwillingness and inability to tell loved ones of the smell and taste of war.

Listen is a memoir of voices, the voices of parents that linger in the ears of children until the day when those children are able to sound their own note. A domineering father and a professor of languages and literature in the 1950s and '60s, Victor has four women trapped in his orbit-his long-suffering wife and his three well-behaved daughters. "Teacher, poet, translator" is how he wants his gravestone to read, and in life he is dedicated to passing on to his family the great cultural achievements of western civilization-poetry, philosophy, religion, music, art. But he leaves darker gifts as well, in particular to his daughter Wendy the most traumatic legacy of all: incest. A major achievement and a stunning debut, Listen is about how families shape their memories and how even things that are never spoken about have potent echoes. It's also a memoir that chronicles a poet's apprenticeship to words, the story of a daughter who listened and who, with the gift for poetry her father gave her, learned to translate the darkest secrets of their past.

NATIONAL BESTSELLER • “Historical fiction of the highest order . . . an absolute joy of a book, warm and romantic, and with so much to say about the lives of women in the years following World War I.”—Ann Napolitano, bestselling author of Hello Beautiful A timeless comedy of manners—refreshing as a summer breeze and bracing as the British seaside—about a generation of young women facing the seismic changes brought on by war and dreaming of the boundless possibilities of their future, from the bestselling author of Major Pettigrew's Last Stand It is the summer of 1919 and Constance Haverhill is without prospects. Now that all the men have returned from the front, she has been asked to give up her cottage and her job at the estate she helped run during the war. While she looks for a position as a bookkeeper or—horror—a governess, she’s sent as a lady’s companion to an old family friend who is convalescing at a seaside hotel. Despite having only weeks to find a permanent home, Constance is swept up in the social whirl of Hazelbourne-on-Sea after she rescues the local baronet’s daughter, Poppy Wirrall, from a social faux pas. Poppy wears trousers, operates a taxi and delivery service to employ local women, and runs a ladies’ motorcycle club (to which she plans to add flying lessons). She and her friends enthusiastically welcome Constance into their circle. And then there is Harris, Poppy’s recalcitrant but handsome brother—a fighter pilot recently wounded in battle—who warms in Constance’s presence. But things are more complicated than they seem in this sunny pocket of English high society. As the country prepares to celebrate its hard-won peace, Constance and the women of the club are forced to confront the fact that the freedoms they gained during the war are being revoked. Whip-smart and utterly transportive, The Hazelbourne Ladies Motorcycle and Flying Club is historical fiction of the highest order: an unforgettable coming-of-age story, a tender romance, and a portrait of a nation on the brink of change.

The rogue Kriar Daergons have possession of the ancient Jyril genemar, a weapon capable of destroying all the magic in Eternity--a device so destructive it can be made to slay any creature from a universe away. Bannor Starfist, Savant with the unique ability to bend reality, is just lucky enough to have the weapon aimed at him. In this fifth and final volume of Reality's Plaything, ultimate powers meet head-on in a devastating battle of mythological proportions.

John Crace's 'Digested Read' column in the Guardian has rightly acquired a cult following. Each week fans avidly devour his latest razor-sharp literary assassination, while authors turn tremblingly to the appropriate page of the review section, fearful that it may be their turn to be mercilessly sent up. Now he turns his critical eye on the classics of the last century, offering bite-sized pastiches of everything from Mrs Dalloway to Trainspotting via Lolita and The Great Gatsby. Those who have never quite got around to reading A Portrait of the Artist as a Young Man will be delighted to find its essence distilled into a handful of paragraphs. Those who have never really enjoyed Lord of the Flies will be pleased to find it hilariously parodied in an easily swallowable 982 words. And those who find all such works a little highbrow will be relieved to discover, between the covers of this book, John Crace's take on the likes of Ian Fleming, P. G. Wodehouse and the Highway Code. Witty and sharp, this is essential reading both for those who genuinely love literature and for those who merely want to appear ridiculously well read.

'War, Espionage, and Masculinity in British Fiction' explores the masculinities represented in British works spanning more than a century. Studies of Rudyard Kipling’s 'The Light That Failed' (1891) and Erskine Childer’s 'The Riddle of the Sands' (1903) investigate masculinities from before World War I, at the height of the British Empire. A discussion of R.C. Sherriff’s play 'Journey’s End' takes readers to the battlefields of World War I, where duty and the harsh realities of modern warfare require men to perform, perhaps to die, perhaps to be unmanned by shellshock. From there we see how Dorothy Sayers developed the character of Peter Wimsey as a model of masculinity, both strong and successful despite his own shellshock in the years between the world wars. Graham Greene’s The Heart of the Matter (1948) and The Quiet American (1955) show masculinities shaken and questioning their roles and their country’s after neither world war ended all wars and the Empire rapidly lost ground. Two chapters on 'The Innocent' (1990), Ian McEwan’s fictional account of a real collaboration between Great Britain and the United States to build a tunnel that would allow them to spy on the Soviet Union, dig deeply into the 1950’s Cold War to examine the fictional masculinity of the British protagonist and the real world and fictional masculinities projected by the countries involved. Explorations of Ian Fleming’s 'Casino Royale' (1953) and 'The Living Daylights' (1962) continue the Cold War theme. Discussion of the latter film shows a confident, infallible masculinity, optimistic at the prospect of glasnost and the potential end of Cold War hostilities. John le Carré’s 'The Night Manager' (1993) and its television adaptation take espionage past the Cold War. The final chapter on Ian McEwan’s 'Saturday' (2005) shows one man’s reaction to 9/11.

Amran Hamdan lives in Kehulu, a village so much in abundance it defies logic. For twenty-five years, Amran's father, Kehulu's de facto chief, rejects every newcomer to the village, prompting a nasty rumor to circulate among neighboring villagers. "Too many residents would burst the secret bubble," one said. What is the secret? Amran finds out, to his horror, that he had inherited a legacy so dreadful it made him wish that his father would just kill him. Just seventeen-years-old at the time, Amran rejects the legacy, having not seen a ghost in his life, what more sustain one. There is a price to pay for his rejection, causing Amran's father his life. But that is not the end of everything. Saka - demon of legacy is a real phenomena, and still in practice today in parts of Asia.