In Blessed Rage for Order, David Tracy examines the cultural context in which theological pluralism emerged. Analyzing orthodox, liberal, neo-orthodox, and radical models of theology, Tracy formulates a new 'revisionist' model. He considers which methods promise the most certain results for a revisionist theology and applies his model to the principal questions in contemporary theology, including the meanings of religion, theism, and of christology.

Discusses the ethical aspects of literature.

Wallace Stevens is often characterized as an aesthete, as one withdrawn from the major artistic and social movements of the first half of the 20th century. This edition examines his major works of poetry.

Preaching the Manifold Grace of God is a two-volume work describing theologies of preaching from the historical and contemporary periods. Volume 1 focuses on historical theological families: Orthodox, Roman Catholic, Lutheran, Reformed, Anabaptist, Anglican/Episcopal, Wesleyan, Baptist, African American, Stone-Campbell, Friends, and Pentecostal. Volume 2 focuses on families that are evangelical, liberal, neo-orthodox, postliberal, existential, radical orthodox, deconstructionist, Black liberation, womanist, Latinx liberation, Mujerista, Asian American, Asian American feminist, LGBTQAI, Indigenous, postcolonial, and process. In each case, the author describes the circumstances in which the theological family emerged, describes the purposes and characteristics of preaching from that perspective, and assesses the strengths and limitations of the approach.

God's Wounds: Hermeneutic of the Christian Symbol of Divine Suffering, Volume I: Divine Vulnerability and Creation is the first of a three-volume study of Christian testimonies to divine suffering. The larger study focuses its inquiry on the testimonies to divine suffering themselves, seeking to allow the voices that attest to divine suffering to speak freely. The goal is then to discover and elucidate the internal logic or rationality of this family of testimonies, rather than defending these attestations against the dominant claims of classical Christian theism that have historically sought to eliminate such language altogether from Christian discourse about the nature and life of God. In this first volume, the author develops an approach to interpreting the contested claims about the suffering of God. Through this approach to the Christian symbol of divine suffering, he then investigates the two major presuppositions that the larger family of testimonies to divine suffering normally hold: an understanding of God through the primary metaphor of love ('God is love'); and an understanding of the human as created in the image of God, with a life (though finite) analogous to the divine life - the imago Dei as love. When fully elaborated, these presuppositions reveal the conditions of possibility for divine suffering and divine vulnerability with respect to creation.

This book is an historical survey of some important theories of literary criticism, which is designed to introduce more advanced students of English and other European literature to the nature and origin of these theories and ultimately to help them clarify their own attitudes to literature. Professor Ruthven's approach is to bring together and analyse examples of the way in which major writers and critics have dealt with the critical issues raised by different kinds of writing. He emphasizes throughout the variety of critical stances taken at different times in response to the challenge posed by highly original works and he draws on a large number of instances from all the major periods of English literature. The examination of the historical material presented here should encourage students of English, as well as other modern European literatures, to recognise and re-appraise their own critical assumptions.