Arizona's Arivaca Valley lies only a short distance from the Mexican border and is a rugged land in which to put down stakes. When Arizona Territory was America's last frontier, this area was homesteaded by Anglo and Mexican settlers alike, who often displaced the Indian population that had lived there for centuries. This frontier way of life, which prevailed as recently as the beginning of the twentieth century, is now recollected in vivid detail by an octogenarian who spent her girlhood in this beautiful, cruel country. Eva Antonia Wilbur inherited a unique affinity for the land. Granddaughter of a Harvard-educated physician who came to the Territory in the 1860s, she was the firstborn child of a Mexican mother and Anglo father who instilled in her an appreciation for both cultures. Little Toña learned firsthand the responsibilities of ranching—an education usually reserved for boys—and also experienced the racial hostility that occurred during those final years before the Tohono O'odham were confined to a reservation. Begun as a reminiscence to tell younger family members about their "rawhide tough and lonely" life at the turn of the century, Mrs. Wilbur-Cruce's book is rich with imagery and dialogue that brings the Arivaca area to life. Her story is built around the annual cycle of ranch life—its spring and fall round-ups, planting and harvesting—and features a cavalcade of border characters, anecdotes about folk medicine, and recollections of events that were most meaningful in a young girl's life. Her account constitutes a valuable primary source from a region about which nothing similar has been previously published, while the richness of her story creates a work of literature that will appeal to readers of all ages.

"James Carlos Blake is a master at weaving historical fact into fiction. Two generations of Wolfe men--begat by an English pirate in New Hampshire in 1828--track their violent but manifest destiny through the Diaz Regime in Mexico in the early 1900s and back to Gulf Coast Texas. The novel centers on two sets of identical "hero twins," each with a violent history that mirror the author's belief on the primacy of violence in the evolution of civilization. Their lives are intertwined with important events through the history of the United States, beginning in the 1820s. Crucial are the histories of the infamous Saint Patrick's Battalion (revered in Mexico as "los San Patricios") who deserted the U.S. Army during the Mexican-American War (1846-1848) and the rise and fall of Porfirio Diaz Regime (1876-1910), which marked the beginning of the Mexican Revolution"--Provided by publisher.

For fans of Jasmine Warga and Thanhhà Lại, this is a stunning novel in verse about a young Taiwanese immigrant to America who is confronted by the stark difference between dreams and reality. Anna can’t wait to move to the beautiful country—the Chinese name for America. Although she’s only ever known life in Taiwan, she can’t help but brag about the move to her family and friends. But the beautiful country isn’t anything like Anna pictured. Her family can only afford a cramped apartment, she’s bullied at school, and she struggles to understand a new language. On top of that, the restaurant that her parents poured their savings into is barely staying afloat. The version of America that Anna is experiencing is nothing like she imagined. How will she be able to make the beautiful country her home? This lyrical and heartfelt story, inspired by the author’s own experiences, is about resilience, courage, and the struggle to make a place for yourself in the world.

“A seductive page-turner that ripples with an undercurrent of suspense.” —The Boston Globe “A seamless triumph of storytelling.” —Gail Godwin, author of Flora It’s 1969, and sixteen-year-old Lucy is about to run away with a much older man to live off the grid in rural Pennsylvania, a rash act that will have frightening repercussions for both her and her older sister, Charlotte. As Lucy’s default caretaker for most of their lives, Charlotte has always been burdened by having to be the responsible one, but never more so than when Lucy’s dream of a rural paradise turns into a nightmare. With precise, haunting prose and indelible characters, Cruel Beautiful World examines the infinitesimal distance between seduction and love, loyalty and duty, and most of all, tells a universal story of sisterhood and the complicated legacy of family. “Absorbing.” —The New York Times Book Review “Captivating.”—Los Angeles Times “Engrossing.” —People “Page-turning suspense.” —New York Journal of Books “Riveting.” —Marie Claire “Marvelous.”—The National Book Review “Hauntingly brilliant.” —Coastal Living “Gripping and suspenseful.” —BookPage “Moving.” —The Washington Post

Voices from the borderlands push against boundaries in more ways than one, as Donna M. Kabalen de Bichara ably demonstrates in this investigation into the twentieth-century autobiographical writing of four women of Mexican origin who lived in the American Southwest. Until recently, little attention has been paid to the writing of the women included in this study. As Kabalen de Bichara notes, it is precisely such historical exclusion of texts written by Mexican American women that gives particular significance to the reexamination of the five autobiographical works that provide the focus for this in-depth study. “Early Life and Education” and Dew on the Thorn by Jovita González (1904–83), deal with life experiences in Texas and were likely written between 1926 and the 1940s; both texts were published in 1997. Romance of a Little Village Girl, first published in 1955, focuses on life in New Mexico, and was written by Cleofas Jaramillo (1878–1956) when the author was in her seventies. A Beautiful, Cruel Country, by Eva Antonio Wilbur-Cruce (1904–98), introduces the reader to history and a way of life that developed in the cultural space of Arizona. Created over a ten-year period, this text was published in 1987, just eleven years before the author’s death. Hoyt Street, by Mary Helen Ponce (b. 1938), began as a research paper during the period of the autobiographer’s undergraduate studies (1974–80), and was published in its present form in 1993. These border autobiographies can be understood as attempts on the part of the Mexican American female autobiographers to put themselves into the text and thus write their experiences into existence.