This series is designed to bring to North American readers the once-unheard voices of writers who have achieved wide acclaim at home, but are not recognized beyond the borders of their native lands. With special emphasis on women writers, Interlink's Emerging Voices series publishes the best of the world's contemporary literature in translation or original English. Copyright © Libri GmbH. All rights reserved.

This series is designed to bring to North American readers the once-unheard voices of writers who have achieved wide acclaim at home, but are not recognized beyond the borders of their native lands. With special emphasis on women writers, Interlink's Emerging Voices series publishes the best of the world's contemporary literature in translation or original English.

Steven Salaita’s ambitious and thought-provoking work compares the dynamics of settler colonialism in the United States related to Native Americans with the circumstances in Israel related to the Palestinians, revealing the way in which politics influences literary production. The author’s original approach is based not on similarities between the two disparate settler regions but rather on similarities between the rhetoric employed by early colonialists in North America and that employed by Zionist immigrants in Palestine. Meticulously examining histories, theories, and literary depictions of colonialism and its interethnic dialects, Salaita identifies the commonalities in the myths employed by both groups as well as the "counter-discourse" cultivated in the literature of resistance by native peoples. He complements his analysis with personal observations of Palestinians in Lebanese refuge camps, where he encountered a sympathetic perception of American Indians. The Holy Land in Transit presents one of the first intercommunal studies to assess the ways in which indigenous authors react to analogous colonial dynamics. With great perception and energy the author offers a fresh contribution to an emerging frame of reference for historical, political, literary, and cultural investigation.

After the ceasefire in 1988, the devastation to the landscape of Iraq wrought by the longest war of the twentieth century—the Iran-Iraq War—becomes visible. Eight years of fighting have turned nature upside down, with vast wastelands being left behind. In southeastern Iraq, along the shores of the Shatt al-Arab River, the groves of date palm trees have withered. No longer bearing fruit, their leaves have turned a bright yellow. There, Iraqi forces had blocked the entry points of the river’s tributaries and streams, preventing water from flowing to the trees and vegetation. Yet, surveying this destruction from the sky, a strip of land bursting with green can be seen. Beginning from the Shatt al-Arab River and reaching to the fringes of the western desert, several kilometers wide, it appears as a lush oasis of some kind. The secret of this fertility, sustaining villages and remaining soldiers, is unclear. But it is said that one old woman is responsible for this lifeline.

On 16 June 1957, a shoot-out in a village church in northern Lebanon leaves two dozen people dead. In the aftermath of the massacre, the town is rent in two: the Al-Ramis in the north and their rivals the Al-Samaeenis in the south. But lives once so closely intertwined cannot easily be divided. Neighbours turn into enemies and husbands and wives are forced to choose between loyalty to each other and loyalty to their clan. Drawing on an actual killing that took place in his home town, Douaihy reconstructs that June day from the viewpoints of people who witnessed the killing or whose lives were forever altered by it. A young girl overhears her father lending his gun to his cousins, but refusing to accompany them to the church. A school boy walks past the dead bodies, laid out in the town square on beds brought out from the houses. A baker whose shop is trapped on the wrong side of the line hopes the women who buy his bread will protect him. At the center of the portrait is Eliyya, who, twenty years after emigrating to the US, returns to the village to learn about the father who was shot through the heart in the massacre, the father he never knew. With a masterful eye for detail, Douaihy reconstructs that fateful June Sunday when rain poured from the sky and the traditions and affections of village life were consumed by violence and revenge.

Authoritative information and wonderful images At the back of the book is a 12-page foldout timeline which can be detached and displayed on a wall or notice board, offering an attractive quick visual reference to the key periods, events and developments of Islamic civilizations from approximately the 7th to the 20th centuries AD. The 32-page book offers introductions to each of the periods and dynasties, with short sections on particular themes and on the great achievements of Islamic art and culture over the centuries. Both book and timeline are richly illustrated throughout with color photographs, including numerous objects from museum collections.

Catastrophe and Exile in the Modern Palestinian Imagination explores the cultural memory of al-Nakba (1948 Israeli independence, or The Catastrophe as it is known in Palestine) and its significance to the modern Palestinian imagination. Ihab Saloul addresses central concepts to debates over identity such as nostalgia and trauma, notions of home and forced travel, and geopolitical continuity of loss of place. Through an integrated method of close narrative and discursive analysis of diverse literary texts, films, and personal narratives, this study offers an analytical account of the preservation of cultural optimism in the face of the ongoing catastrophe, as well as the ways in which aesthetics and politics intersect in contemporary Palestinian culture.