A call from Stella Hardesty's little sister brings the news that Stella's step-nephew, Chip, has been threatened with serious bodily harm if he doesn't settle his unpaid gambling debts. Stella makes the drive to Chip's home in Wisconsin, only to walk in on a wee-hours dismemberment. Chip and his Russian girlfriend, Natalya, insist the man was left, already dead, on their porch. Suspicious but compelled to help family, Stella tracks down other suspects, including the deceased's business partner, a purveyor of black-market Botox, and a jilted violist. Matters are complicated by the unexpected arrival of BJ Broderson, who has picked the worst possible time to pursue his amorous intentions toward Stella. Meanwhile, thoughts of Sheriff "Goat" Jones make Stella blush and wonder where, and with whom, she will spend her fifty-first birthday. A Bad Day for Mercy is a terrific addition to this incredibly original and entertaining series. For those who haven't yet discovered the wonder of Sophie Littlefield, it's high time to join the fun

Winner of the Anthony Award for Best First Novel! Stella Hardesty dispatched her abusive husband with a wrench shortly before her fiftieth birthday. A few years later, she's so busy delivering home-style justice on her days off, helping other women deal with their own abusive husbands and boyfriends, that she barely has time to run her sewing shop in her rural Missouri hometown. Some men need more convincing than others, but it's usually nothing a little light bondage or old-fashioned whuppin' can't fix. Since Stella works outside of the law, she's free to do whatever it takes to get the job done---as long as she keeps her distance from the handsome devil of a local sheriff, Goat Jones. When young mother Chrissy Shaw asks Stella for help with her no-good husband, Roy Dean, it looks like an easy case. Until Roy Dean disappears with Chrissy's two-year-old son, Tucker. Stella quickly learns that Roy Dean was involved with some very scary men, as she tries to sort out who's hiding information and who's merely trying to kill her. It's going to take a hell of a fight to get the little boy back home to his mama, but if anyone can do it, it's Stella Hardesty. Sophie Littlefield's A Bad Day for Sorry won an Anthony Award for Best First Novel and an RT Book Award for Best First Mystery. It was also shortlisted for Edgar, Barry, Crimespree, and Macavity Awards, and it was named to lists of the year's best mystery debuts by the Chicago Sun-Times and South Florida Sun-Sentinel.

A Bad Day for Scandal is the third in Sophie Littlefield's award-winning, critically acclaimed series. Written with passion, humor, and guts, this is a mystery to be savored. When Prosper homegirl turned big-city businesswoman Priss Porter returns to town with a body in her trunk, she calls Stella Hardesty to dispose of it. Her uppity ways don't convince Stella to take the job, and Priss attempts to blackmail her with a snapshot of Stella doing what she does best: curing woman-beaters by the use of force. Stella refuses to cooperate and goes home, only to hear later that Priss and her brother, Liman, have gone missing after calling in a disturbance. Stella is implicated when Sheriff "Goat" Jones discovers the scarf she left behind at the house. He warns her to stay local but Stella and her partner, Chrissy Shaw, go looking for Priss in Kansas City, where they discover that she runs an unusual business. When Priss herself—along with two other bodies—turns up in a pond belonging to one of Stella's ex-clients, Stella must investigate a host of suspects, including a crooked but libidinous female judge, a coterie of jealous male escorts, and a Marxist ex-professor.

Available for the first time in an e-bundle, the first four books in Sophie Littlefield’s Anthony and RT Award-winning and Edgar-nominated series featuring the unforgettable Stella Hardesty, a salty heroine who works outside of the law in rural Missouri. "Crime fiction hasn't seen a character as scrappy, mean, and incredibly appealing as Stella in a long time. (A-)"—Entertainment Weekly on A Bad Day for Sorry A BAD DAY FOR SORRY At first glance, Stella Hardesty looks like a typical housewife. Then she kills her abusive husband with a wrench right before her fiftieth birthday. Now, she's so busy delivering justice, helping other women deal with their own abusive husbands and boyfriends, that she's barely got time to run her sewing shop. When young mother Chrissy Shaw asks Stella for help with her no-good husband, Roy Dean, it looks like an easy case until Roy Dean disappears with Chrissy's two-year-old son, Tucker. Stella quickly learns that Roy Dean was involved with some very scary men, as she tries to sort out who's hiding information and who's merely trying to kill her. It's going to take a hell of a fight to get the little boy back home to his mama, but if anyone can do it, it's Stella Hardesty. A BAD DAY FOR PRETTY When a tornado destroys the snack shack at the demolition derby track, pulling up the concrete foundation and unearthing a woman's body, the main suspect in the woman's murder is Neb Donovan---he laid the foundation, and there's some pretty hard evidence pointing to his guilt. Years ago, Neb's wife asked Stella for help getting him sober. Stella doesn't believe the gentle man could kill anyone, and she promises his frantic wife she'll look into it. A BAD DAY FOR SCANDAL When Prosper homegirl turned big-city businesswoman Priss Porter returns to town with a body in her trunk, she calls Stella Hardesty to dispose of it. Her uppity ways don't convince Stella to take the job, and Priss attempts to blackmail her with a snapshot of Stella doing what she does best: curing woman-beaters by the use of force. A BAD DAY FOR MERCY A call from Stella's little sister brings the news that Stella's step-nephew, Chip, has been threatened with serious bodily harm if he doesn't settle his unpaid gambling debts. So Stella makes the drive to Chip's home in Wisconsin, only to walk in on a wee-hours dismemberment. Chip and his girlfriend, Natalya, insist the man was left, already dead, on their porch. Suspicious but compelled to help family, Stella tracks down other suspects, including the deceased's business partner, a purveyor of black-market Botox, and a jilted violist. Matters are complicated by the unexpected arrival of BJ Broderson, who has picked the worst possible time to pursue his amorous intentions toward Stella.

“Anne Lamott is my Oprah.” —Chicago Tribune The New York Times bestseller from the author of Dusk, Night, Dawn, Almost Everything and Bird by Bird, a powerful exploration of mercy and how we can embrace it. "Mercy is radical kindness," Anne Lamott writes in her enthralling and heartening book, Hallelujah Anyway. It's the permission you give others—and yourself—to forgive a debt, to absolve the unabsolvable, to let go of the judgment and pain that make life so difficult. In Hallelujah Anyway: Rediscovering Mercy Lamott ventures to explore where to find meaning in life. We should begin, she suggests, by "facing a great big mess, especially the great big mess of ourselves." It's up to each of us to recognize the presence and importance of mercy everywhere—"within us and outside us, all around us"—and to use it to forge a deeper understanding of ourselves and more honest connections with each other. While that can be difficult to do, Lamott argues that it's crucial, as "kindness towards others, beginning with myself, buys us a shot at a warm and generous heart, the greatest prize of all." Full of Lamott’s trademark honesty, humor and forthrightness, Hallelujah Anyway is profound and caring, funny and wise—a hopeful book of hands-on spirituality.

A powerful tragedy distilled into a small masterpiece by the Nobel Prize-winning author of Beloved and, almost like a prelude to that story, set two centuries earlier. Jacob is an Anglo-Dutch trader in 1680s United States, when the slave trade is still in its infancy. Reluctantly he takes a small slave girl in part payment from a plantation owner for a bad debt. Feeling rejected by her slave mother, 14-year-old Florens can read and write and might be useful on his farm. Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives . . . At the novel's heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter – a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

With a swift, compressed narrative style and compassionate vision, Santoro offers an indelible portrait of Africa in the throes of an epidemic. Smart, suspenseful, and ultimately heart-wrenching, this novel is a powerful tale of moral outrage and personal transformation.