Eve West, a police officer with a hidden past, is drawn into a dark and complex case when she’s asked to investigate a miscarriage of justice. A highly effective police officer, albeit one who keeps her past carefully hidden, Eve West is suspended from duty after a police operation goes catastrophically wrong. Receiving help from an unexpected quarter – a criminal she put away many years before – Eve feels she has no choice but to agree to his request to investigate a possible miscarriage of justice in return. But why is a hardened criminal like John Duran so keen to help a fellow-inmate convicted of the murder of a stable-girl? And why has he chosen Eve to look into the case? Teaming up with crusading journalist Dan Cooper, Eve begins to uncover disturbing flaws in the original investigation. But as her past is dragged to the surface, she comes to realize she has been plunged into a case more complex and sinister than she ever imagined.

'An ending that will leave readers breathless' Booklist 'A master at complex plots' Globe and Mail After a police operation ends in catastrophe, DCI Eve West is suspended. She faces expulsion from the force, until John Duran – a violent criminal Eve incarcerated, still serving his sentence – offers to help clear her name. But nothing comes without a price. Duran wants Eve to help free a fellow prisoner, who he claims has been wrongly convicted of murder. But as her investigation takes a dark turn, Eve finds that more than just her job is at stake, and realises Duran is a dangerous man to trust . . .

At first dismayed at having to spend the last month of her summer vacation helping out in the household of recently widowed Mrs. Hata, Rinko discovers there are pleasant surprises for her, but then bad things start to happen. Sequel to A Jar of Dreams..

These poems take a closer look at violence against women, both physical and psychological. Follow the intersection of fear, identity, and the malleability of the speaker’s own experiences of violence enacted on her by men, particularly a past partner. Imagistic and evocative, the poems ask how are we conditioned into living with violence, and how do we move forward?

**Finalist for the Washington State Book Award and the Lambda Award in Bisexual Fiction** "Sexy, fun, serious and unputdownable." —Bethanne Patrick, The Washington Post “Brazen, brawny, sexy . . . full of unforgettable characters and insatiable appetites. I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of Gotham A vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spy It is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring. When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in. Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy. A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.

From the author of Cottonmouths, a Los Angeles Review Best Book of 2017, comes an evocative suspense about the cost of keeping secrets and the dangers of coming home. Beneath the roiling waters of the Arkansas River lie dead men and buried secrets. When Jane Mooney's violent stepfather, Warren, disappeared, most folks in Maud Bottoms, Arkansas, assumed he got drunk and drowned. After all, the river had claimed its share over the years. When Jane confessed to his murder, she should have gone to jail. That's what she wanted. But without a body, the police didn't charge her with the crime. So Jane left for Boston--and took her secrets with her. Twenty-five years later, the river floods and a body surfaces. Talk of Warren's murder grips the town. Now in her forties, Jane returns to Maud Bottoms to reckon with her past: to do jail time, to face her revenge-bent mother, to make things right. But though Jane's homecoming may enlighten some, it could threaten others. Because in this desolate river valley, some secrets are better left undisturbed.

A wonderfully exuberant yet poignant poetry collection from one of Britain's greatest children's poets Michael Rosen. Here are tales of childhood, from the horrors of being late for school, to making a raft, and going to a cafe, as well as poems to ponder - just think, how great would Satnav trousers be! Touching, light-hearted and funny, Michael's poems will delight readers young and old. Former Children's Laureate, Michael continuously promotes the need for children's poetry in our education system, and this collection, first published in 2010, has something for everyone.