A history and comprehensive guide to the pictorial symbols of the ancient system of the thirty-six Astrological Decans, with notes on symbolism and astrological interpretation.

In the most ancient systems of astrology, a patterning known as the Decans divided the earth's sky into 36 sections, each of which had a distinct emblem or 'Face'. More than just a curious footnote in the history of archaeo-astronomy, the Decans are a thread that spans over four millennia of astrological and magical history, linking ancient Egypt with the Hellenistic world, the Arabian empire, India, the European Renaissance and even the present. Over time, these 36 'Faces of Heaven' have moved with the occult corpus of Hermetic material, reappearing in the starry wisdom of culture after culture. As a gear in astrology's encompassing clockworks, the Decans have also long been a key to accessing legions of spirits. For several millennia and in multiple cultures, magicians have looked at these 36 faces and seen gods, choirs of angels, hordes of demons, and a host of spirits staring back at them, each with its own unique powers. Far from going undocumented, this gallery of faces has been painted and drawn by a host of astrologers, sorcerers and artists, and they can be found on walls of Italian villas as well as in the pages of European grimoires. Weaving together astrology and magic, divination and sorcery, time and sky, this thread of esoteric history deserves more than the footnotes it has so far received. In this work, Austin Coppock follows the Decans through history, charting their trajectory through time and culture. Each Decan, its image, and its specific powers are examined in detail, as well as its permutations in the planetary aspects. Featuring original images specially created for each Decan by Bob Eames, 36 Faces is an invaluable resource for magicians, astrologers, and historians of magical semiotics, as well as the modern student of Hermeticism.

In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South--from South Carolina to Arkansas--to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives, and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.

Readers can feel the textured illustrations, move the googly eyes, and hear the sounds of robots doing various jobs. On board pages.

A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.

“A beautifully written and well-researched cultural criticism as well as an honest memoir” (Los Angeles Review of Books) from the author of the popular New York Times essay, “To Fall in Love with Anyone, Do This,” explores the romantic myths we create and explains how they limit our ability to achieve and sustain intimacy. What really makes love last? Does love ever work the way we say it does in movies and books and Facebook posts? Or does obsessing over those love stories hurt our real-life relationships? When her parents divorced after a twenty-eight year marriage and her own ten-year relationship ended, those were the questions that Mandy Len Catron wanted to answer. In a series of candid, vulnerable, and wise essays that takes a closer look at what it means to love someone, be loved, and how we present our love to the world, “Catron melds science and emotion beautifully into a thoughtful and thought-provoking meditation” (Bookpage). She delves back to 1944, when her grandparents met in a coal mining town in Appalachia, to her own dating life as a professor in Vancouver. She uses biologists’ research into dopamine triggers to ask whether the need to love is an innate human drive. She uses literary theory to show why we prefer certain kinds of love stories. She urges us to question the unwritten scripts we follow in relationships and looks into where those scripts come from. And she tells the story of how she decided to test an experiment that she’d read about—where the goal was to create intimacy between strangers using a list of thirty-six questions—and ended up in the surreal situation of having millions of people following her brand-new relationship. “Perfect fodder for the romantic and the cynic in all of us” (Booklist), How to Fall in Love with Anyone flips the script on love. “Clear-eyed and full of heart, it is mandatory reading for anyone coping with—or curious about—the challenges of contemporary courtship” (The Toronto Star).

This book uses clear step-by-step illustrations and instructions to show how to draw the head and facial features.