Gathers 3-D photographs of Hollywood actors, actresses, and celebrities

A dazzling array of Hollywood starlets and pin-up girls come to life in hundreds of eye-popping, 3-D photographs taken by legendary film star Harold Lloyd "Lush and glorious?" ?Vanity Fair Includes a pair of Harold Lloyd-style 3-D glasses! Harold Lloyd, along with Charlie Chaplin and Buster Keaton, was one of the greatest stars of the silent film era, appearing in such classics as Safety Last! and The Freshman. He was also an avid photographer with a passion for stereoscopic photography, or 3-D. In 1947 he began taking pictures of family and friends, including Marilyn Monroe, Humphrey Bogart, Lauren Bacall, and Ronald Reagan. During his lifetime he took more than 300,000 photographs, thousands of which featured starlets and models who posed nude in front of some of the most spectacular and creative backdrops and scenery. Collected here for the first time by Lloyd's granddaughter, Suzanne Lloyd, and now in paperback, Harold Lloyd's Hollywood Nudes in 3-D! presents the most lavish, luscious, and, yes, ludicrous photographs of Hollywood nudes from the 1940's, 50's and 60's in all kinds of settings, including Lloyd's luxurious Greenacres estate, the Grand Canyon, and studios filled with outrageous props such as faux flowers, animal pelts, and Christmas kitsch. There are 200 photographs in all, 50 of them rendered in 3-D and viewable with the special Harold Lloyd?style 3-D spectacles for an enhanced and extraordinary visual experience!

In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywood, its present status as an enduring genre was confirmed by Avatar's success. 3-D Revolution: The History of Modern Stereoscopic Cinema traces the rise of modern 3-D technology from Arch Oboler's Bwana Devil (1952), which launched the 50s 3-D boom in Hollywood, to the rapidly-modernizing 3-D industry today. Ray Zone takes a comprehensive approach that not only examines the technology of the films, but also investigates the business, culture, and art of their production. Influencing new generations of filmmakers for decades, the evolution of 3-D cinema technology continues to fill our theaters with summer blockbusters and holiday megahits.

The adult children of Hollywood's most successful make their own rules until journalist Kennedy Chase and detective Michael Scorsinni expose the sordid side of their lives.

3D Storytelling is the ultimate guide for directors, cinematographers, producers, and designers of stereoscopic 3D movies and videos. With an emphasis on the aesthetic over the technical, this book is an essential foundation for showing you how to use 3D creatively to tell a story. Hollywood producer Bruce Block and Dreamworks stereoscopic supervisor Philip Captain 3D McNally blend their vast real-world experience and teaching skills to help you learn how to: * Think in 3D * Integrate 3D design into your script or story * Direct and design the 3D depth of your shots * Use stereoscopic windows * Work with the depth cues in 3D * Create a comfortable viewing experience for the audience * Plan editing and directorial considerations for 3D * Understand closed, open, and unstable 3D space Brimming with practical information that can be immediately applied to your 3D production, the book also features interviews with some of the industry’s leading stereographers, as well as 3D diagrams and photographs that illustrate how 3D works, how it can be controlled in production, and how 3D can be used to tell a story.

A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.