In this book we invite you into the immense and alluring world of Chinese love poetry. Hundreds of love poems from almost every era of Chinese history still exist; we have decided to present twenty-five of them to you, complete with fresh translations and line-by-line analysis. Among these twenty-five poems are some of the most beloved poems in Chinese history; others are probably familiar to few people. Our special interest is in poems that describe the full range of the experience of love, from wooing the beloved, to missing out on a hopeful connection; to the problem of distance and absence in a relationship and, finally, to losing a beloved partner much too early. We hope you enjoy them as much as we do!

Qiu Xiaolong is extravagantly qualified for translating these poems, having as a citizen of China won prizes for his own poetry and for translating T.S. Eliot and other English and American poets into Chinese and, more recently, as a citizen of the United States, won prizes for his own poetry and fiction in English. To my mind, the Changgan Song in this collection rivals Ezra Pound's justly famous, loosely translated version, The River Merchant's Wife. These renderings have a limpidity of the language and metaphor and a subtle rhythm, and Qiu has a poet's sixth sense for when (occasionally) to lift the line with a less direct and more evocative word; we are thus rescued from the flatness of some translations of early Chinese poetry. This is a generous book and a very welcome addition to the poetry of love and longing from our Significant Stranger, the Chinese nation. --Mona Van Duyn.

Classical Chinese poetry reached its pinnacle during the T'ang Dynasty (618-907 A.D.), and the poets of the late T'ang-a period of growing political turmoil and violence-are especially notable for combining strking formal inovation with raw emotional intensity. A. C. Graham’s slim but indispensable anthology of late T’ang poetry begins with Tu Fu, commonly recognized as the greatest Chinese poet of all, whose final poems and sequences lament the pains of exile in images of crystalline strangeness. It continues with the work of six other masters, including the “cold poet” Meng Chiao, who wrote of retreat from civilization to the remoteness of the high mountains; the troubled and haunting Li Ho, who, as Graham writes, cultivated a “wholly personal imagery of ghosts, blood, dying animals, weeping statues, whirlwinds, the will-o'-the-wisp”; and the shimmeringly strange poems of illicit love and Taoist initiation of the enigmatic Li Shang-yin. Offering the largest selection of these poets’ work available in English in a translation that is a classic in its own right, Poems of the Late T’ang also includes Graham’s searching essay “The Translation of Chinese Poetry” as well as helpful notes on each of the poets and on many of the individual poems.

An assemblage of delicate Chinese verse which delicately explore the worlds of love, nature, and meditation.

Greg Whincup offers a varied and unique approach to Chinese translation in The Heart of Chinese Poetry. Special features of this edition include direct word-for-word translations showing the range of meaning in each Chinese character, the Chinese pronunciations, as well as biographical and historical commentary following each poem.