Ideal for bringing an old-timey charm to newsletters, posters, display ads, and other graphic projects, this spectacular sampling of 24 Victorian typefaces includes such distinctive fonts as Stereopticon, Chorus Girl, Glorietta, Hogarth Antique, Jagged, Romanesque, Rubens, and Wedlock. All of these black-and-white typefaces include complete uppercase alphabets, numerals, and punctuation; most feature lowercase characters.

Includes Adastra Royal, Elvira Bold Italic, Gaston, Zorba Solid, and many others.

Lampoon, Chic, Parisian, Publicity Gothic, more. Most alphabets include upper/ lowercase letters, numerals, punctuation. One CD-ROM and book. 24 fonts.

Organized by historical era and country of origin, each section of this dynamic compendium introduces the culture and aesthetics of the period, discusses how individual styles developed, and offers insights into the artistry of key typographers and foundries. 300 full-color illustrations.

Combining strength with intricacy, the typography of the 19th century is at once functional and fanciful, as displayed in this wonderful sampling of Victorian styles: the exaggerated thicks-and-thins of Express and Barnum typefaces; the unusually detailed serifs of Lafayette characters; the extravagant flourishes of Renaissant, Houghton, and Campanile; the swashes and eye-catching dot motifs of Hogarth and Gutenberg. Typographer and printing historian Dan X. Solo offers this outstanding collection of appealing, highly usable Victorian typefaces that will add a distinctive, old-fashioned flair to design solutions. These attractive letterforms will show their whimsical old-time personality in articles and newsletters, posters and packaging, display ads, signage, and innumerable other graphic projects. And every style is royalty-free. Presented in 24-, 36-, and 48-point fonts, each of the eight exquisite faces includes complete uppercase alphabet, numerals, and punctuations; all but one are designed with lowercase characters, too. Crisp printing on one side only on glossy, repro-quality stock means you can cut and combine characters directly from the book.

Once you have learnt the fundamentals of typography, there is still a wealth of knowledge to grasp to really become a master in the art and craft of working with type. In Advanced Typography, expert practitioner and instructor Richard Hunt goes beyond the basics to take your understanding and usage to the next level. Taking a practical approach, the book combines visual, linguistic, historical and psychological systems with the broad range of applications and audiences of type today. From the challenges of designing across media and cultures, to type as information and craft, Hunt marries theoretical context with applied examples so you feel confident in improving your skills as an advanced typographer.