Hans J. Nissen here provides a much-needed overview of 7000 years of development in the ancient Near East from the beginning of settled life to the formation of the first regional states. His approach to the study of Mesopotamian civilization differs markedly from conventional orientations, which impose a sharp division between prehistoric and historic, literate, periods. Nissen argues that this approach is too rigid to explain the actual development of that civilization. He deemphasizes the invention of writing as a turning point, viewing it as simply one more phase in the evolution of social complexity and as the result of specific social, economic, and political factors. With a unique combination of material culture analysis written data, Nissan traces the emergence of the earliest isolated settlements, the growth of a network of towns, the emergence of city states, and finally the appearance of territorial states. From his synthesis of the prehistoric and literate periods comes a unified picture of the development of Mesopotamian economy, society, and culture. Lavishly illustrated, The Early History of the Ancient Near East, 9000-2000 B.C. is an authoritative work by one of the most insightful observers of the evolution and character of Mesopotamian civilization.

A bold reassessment of what caused the Late Bronze Age collapse In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the late second millennium B.C., which had stretched from Greece to Egypt and Mesopotamia, suddenly ceased to exist, along with writing systems, technology, and monumental architecture. But the Sea Peoples alone could not have caused such widespread breakdown. How did it happen? In this major new account of the causes of this "First Dark Ages," Eric Cline tells the gripping story of how the end was brought about by multiple interconnected failures, ranging from invasion and revolt to earthquakes, drought, and the cutting of international trade routes. Bringing to life the vibrant multicultural world of these great civilizations, he draws a sweeping panorama of the empires and globalized peoples of the Late Bronze Age and shows that it was their very interdependence that hastened their dramatic collapse and ushered in a dark age that lasted centuries. A compelling combination of narrative and the latest scholarship, 1177 B.C. sheds new light on the complex ties that gave rise to, and ultimately destroyed, the flourishing civilizations of the Late Bronze Age—and that set the stage for the emergence of classical Greece.

Bruce Conner (1933-2008) first came to prominence in the late 1950s as a leader of the assemblage movement in California. Conner had close ties with poets of the San Francisco Renaissance (particularly Michael McClure) as well as with artists such as Wallace Berman, George Herms, Jess and Jay DeFeo. Conner's use of nylon stockings in his assemblages quickly won him notoriety, and saw his work included in Peter Selz's classic 1961 Art of Assemblage show at MoMA. Around this time, Conner also turned to film-making, and produced in swift succession a number of short films that helped to pioneer the rapid edit and the use of pop music among independent film-makers. Conner's innovative editing techniques and decidedly dark vision of American culture laid the foundation for later Hollywood directors such as Dennis Hopper (a friend and collaborator of Conner's, who frequently acknowledged his influence) and David Lynch. A long overdue and significant addition to the understanding of twentieth-century American art and cinema, 2000 BC: The Bruce Conner Story Part II represents the most comprehensive book to date on Conner's work from the 1950s to the present. The authors elucidate Conner's work in film, assemblage, drawing, printmaking, collage, and photograms, as well as his more ephemeral gestures, actions, protests and "escapes" from the art world. This beautifully designed clothbound monograph is a landmark publication for anyone interested in contemporary art, film, culture and the Beat era.

Annals of natural disasters have always caused common interest. Scientists and specialists of various domains, teachers, students, post-graduates, journalists .. and merely inquisitive can find useful and didactic information in such annals~ Sad experience of the natural disasters endured gives very important material for humanity. It allows us not only to understand better the phenomenon itself, but also to prepare ourselves for future cataclysms, which our "Mother-Nature" is so rich in. The book by Sergey Soloviev and a group of his collaborators represents a detailed description of tsunami waves and accompanying phenomena in the Mediterranean Sea over a period of approximately four thousand years. Sergey Soloviev, the founder and recognised leader of the Russian scientific school of tsunami researchers, was unable to see the publication of this book, passing away on March 9, 1994. However, his ample experience in investigation and systematisation of tsunami waves for the Pacific area [Soloviev and Go, 1974, 1975; Soloviev, Go and Kim, 1986] has been widely used in compiling this book. The Mediterranean coasts are the cradle of civilisation. Written accounts of past disasters in this region of the Earth are rather numerous and highly reliable. Therefore the results of the tsunami study in the Mediterranean Sea are of specific value both for the scientific community and for humanity at large.

During the mid-third millennium BC, people across Europe started using an international suite of novel material culture including early metalwork and distinctive ceramics known as Beakers. The nature and social significance of this phenomenon, as well as the reasons for its rapid and widespread transmission have been much debated. The adoption of these new ideas and objects in Ireland, Europe's westernmost island, provides a highly suitable case study in which to investigate these issues. While many Beaker-related stone and metal artefacts were previously known from Ireland, a decade of intens.

Ideas in Profile: Small Introductions to Big Topics Art has always been part of history. But we often think of it as outside history. When we look at a painting by Raphael, Rembrandt or Rubens it speaks to us directly, but it's also an historical document, part of a living world. Renowned art historian Martin Kemp takes the reader on an extraordinary trip through art, from devotional works to the revolutionary techniques of the Renaissance, from the courtly Masters of the seventeenth century through to the daring avant-garde of the twentieth century and beyond. Along the way we encounter the great names of art history: Leonardo da Vinci and Michelangelo; Vermeer and Velasquez; Picasso and Pollock. We get under the skin of the many 'isms', schools, styles and epochs. We see the complex sweep of art history with its innovations, collaborations, rivalries, break-throughs and masterpieces. Above all, Kemp puts art in context; art isn't about disembodied images, art itself is history. Part of the Ideas in Profile series, uniquely enlivened with animations and illustrations from the award winning studio Cognitive Media, Art in History is an indispensable, accessible and richly detailed guide to our culture, our history, our heritage and our art. Also available in two ebook formats. Please note that ISBN 9781782831020 is for the usual ebook format and 9781781254110 is for an enhanced edition with additional video and audio which should be used only with tablet devices that are capable of playing this additional content.

Text by Rita E. Freed, Lawrence M. Berman, Denise M. Doxey, Nicholas Picardo.