This anthology of contemporary Estonian short fiction meets an important need. Although Estonian writers have been known as bold and exciting innovators testing the bounds of Soviet literary doctrine, much of that reputation is based on hearsay. This collection charts the return of modernism to Estonian prose fiction at the end of the sixties and the beginning of the seventies and its subsequent evolution during the following two decades. It also introduces English-language readers to a vigorous and original contemporary literature.

Some people have said this book is romantic and maybe it is: a young lost American college grad falls in love with an intriguing European journalist and embarks on a journey that restores his faith in himself and the world. Sure, it is romantic. But it was never easy. A foreigner arrives in the middle of a dark winter and must survive in Estonia, the "least fortunate Scandinavian country," a land where people eat blood sausage and jellied meat, drink warm bread, and are always on time; a place where every family is haunted by the past and is struggling to catch up to the present. Over the course of one year, so much happens in this tiny northern land that it stops being foreign. Estonia and the college grad turned journalist become intimately acquianted. Inseparable. And in the end, he comes to love it, even when they do not want to let him back into their country.

Any journey with Alexander Theroux is an education. Possessed of a razor-sharp and hyperliterate mind, he stands beside Thomas Pynchon as one of the sharpest cultural commentators of our time. So when he decided to accompany his wife ― the artist Sarah Son-Theroux ― on her Fulbright Scholarship to Estonia, it occasioned this penetrating examination of a country that, for many, seems alien and distanced from the modern world. For Theroux, the country and its people become a puzzle. His fascination with their language, manners, and legacy of occupation and subordination lead him to a revelatory examination of Estonia’s peculiar place in European history. All the while, his trademark acrobatic allusions, quotations, and digressions ― which take us fromHamlet through Jean Cocteau to Married… with Children ― render his travels as much internal and psychical as they are external and physical. Through these obsessive references to Western culture, we come to appreciate how insular the country has become, yet also marvel at its fierce individuality and preternatural beauty ― such is the skill of Theroux’s gaze. This travelogue of his nine months abroad also brims with anecdotes of Theroux’s encounters with Estonian people and ― in some of its most bitterly comedic episodes ― his fellow Americans whom he at times feels more alienated from than the frosty, humorless Europeans. Estonia: A Ramble Through the Periphery is as biting and satirical as it is witty and urbane; as curious and lyrical as it is brash and irreverent. It marks a new highlight in an already stellar career and a book that continues Fantagraphics’ exceptional line of prose works.

KAT LOMB (1909-2003) was one of the great polyglots of the 20th century. A translator and one of the first simultaneous interpreters in the world, Lomb worked in 16 languages for state and business concerns in her native Hungary. She achieved further fame by writing books on languages, interpreting, and polyglots. Polyglot: How I Learn Languages, first published in 1970, is a collection of anecdotes and reflections on language learning. Because Dr. Lomb learned her languages as an adult, after getting a PhD in chemistry, the methods she used will be of particular interest to adult learners who want to master a foreign language.

This anthology contains 25 selected life stories collected from Estonians who lived through the tribulations of the 20 century, and describe the travails of ordinary people under numerous regimes. The autobiographical accounts provide authentic perspectives on events of this period, where time is placed in the context of life-spans, and subjects grounded in personal experience. Most of the life stories reveal sufferings under foreign (Russian) oppression.

This volume addresses the prominent, and in many ways highly similar, role that historical fiction has played in the formation of the two neighbouring 'young nations', Finland and Estonia. It gives a multi-sided overview of the function of the historical novel during different periods of Finnish and Estonian history from the 1800s until the present day, and it provides detailed close-readings of selected authors and literary trends in their social, political and cultural contexts. This book addresses nineteenth-century 'fictional foundations', historical fiction of the new nation states in the interwar period as well as post-Second World War Soviet Estonian novels and modern historiographic metafiction.

This textbook is intended foremost for Americans and other speakers of English with an interest in the Estonian language. Its forty lessons are each divided into six sections: grammar, readngs, vocabulary, exercises, expressions, and answers to the exercises. For the most part, the textbook may be used for independent study.