Arguments are the order of the day with Maja's parents. The father strikes hard when something doesn't suit him. He humiliates and insults his wife and children. Maja's mother can no longer take the abuse. She leaves the family and leaves her three children with her husband. One day, she picks Maja up from school and abducts her. The mother flees with her daughter to Prague in the hope of being able to lead a better life in the West. Maja has to cope with the catastrophic conditions that prevail in the Prague embassy in September 1989. There are days when she doesn't even get enough to eat and her mother constantly leaves her alone. Her mother meets her future husband Bertram in a reception camp. Maja is severely traumatized. The man abuses the girl. The child fears that she will never see her siblings again and that the abuse will never stop. Maja's own mother ignores her cries for help. She doesn't want to hear about the abuse. Will Maja see her siblings again? Will her nightmare end or will she remain defencelessly at the mercy of her stepfather?

This volume offers a European overview of the management of religious diversity in prisons and provides readers with rich empirical material and a comparative perspective. The chapters combine both legal and sociological approaches. Coverage for each country includes historical background, current penitentiary organization, and recent changes or trends. In their exploration of legal aspects, the contributors look at such factors as the status of prison chaplains and regulations concerning religious practice and religious freedom. These include meals, prayers, and visits. The sociological analysis examines religious discrimination in prison, church-prison relations, conversion and proselytism, and more. The European coverage includes countries for which such information is seldom available. The book offers readers a better understanding of governance of religion in prisons. This text appeals to students, researchers and professionals in the field.

For the Achi, one of the several Mayan ethnic groups indigenous to Guatemala, the music of the marimba serves not only as a form of entertainment but also as a form of communication, a vehicle for memory, and an articulation of cultural identity. Sergio Navarrete Pellicer examines the marimba tradition -- the historical confluence of African musical influences, Spanish colonial power, and Indian ethnic assimilation -- as a driving force in the dynamics of cultural continuity and change in Rabinal, the heart of Achi culture and society. By examining the performance and consumption of marimba music as complementary parts of a system of social interaction, religious belief, and ethnic identification, Navarrete Pellicer reveals how the strains of the marimba resonate with the spiritual yearnings and cultural negotiations of the Achi as they try to come to terms with the political violence ...

This book analyzes practices of collecting in European art museums from 1989 to the present, arguing that museums actualize absence both consciously and unconsciously, while misrepresentation is an outcome of the absent perspectives and voices of minority community members which are rarely considered in relation to contemporary art. Difficult knowledge is proposed as a way of dealing with absence productively. Drawing on social art history, museology, postcolonial theory, and memory studies, Margaret Tali analyzes the collections of four modern and contemporary art museums across Europe: the Hamburger Bahnhof in Berlin, the Ludwig Museum of Contemporary Art in Budapest, the Kiasma Museum in Helsinki, and the Kumu Museum in Tallinn.

Archaeology for whom? The dozen well-known contributors to this innovative volume suggest nothing less than a transformation of the discipline into a service-oriented, community-based endeavor. They wish to replace the primacy of meeting academic demands with meeting the needs and values of those outside the field who may benefit most from our work. They insist that we employ both rigorous scientific methods and an equally rigorous critique of those practices to ensure that our work addresses real-world social, environmental, and political problems. A transformed archaeology requires both personal engagement and a new toolkit. Thus, in addition to the theoretical grounding and case materials from around the world, each contributor offers a personal statement of their goals and an outline of collaborative methods that can be adopted by other archaeologists.

This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.

Preliminary Material -- Mapping Political Performances: A Note on the Structure of the Anthology /E.J. Westlake -- Performance as Sepulchre and Mousetrap: Global Encoding, Local Deciphering /Avraham Oz -- Witnesses in the Public Sphere: Bloody Sunday and the Redefinition of Political Theatre /Paola Botham -- Orality and the Ethics of Ownership in Community-Based Drama /David Grant -- The Théâtre du Soleil's Trajectory from “People's Theatre” to “Citizen Theatre:” Involvement or Renunciation? /Bérénice Hamidi-Kim -- Ways of Unseeing: Glass Wall on the Main Stage /Tal Itzhaki -- To Absent Friends: Ethics in the Field of Auto/Biography /Deirdre Heddon -- Reading the Blacks Through the 1956 Preface: Politics and Betrayal /Carl Lavery -- Barbarians and Babes: A Feminist Critique of a Postcolonial Persians /Sydney Cheek O'Donnell -- Performing Stereotypes at Home and Abroad /Tom Maguire -- The Comeback of Political Drama in Croatia: Or How to Kill a President by Miro Gavran /Sanja Nikčević -- Local Knowledges, Memories, and Community: From Oral History to Performance /David Watt -- Modalities of Israeli Political Theatre: Plonter, ARNA'S Children, and the Ruth Kanner Group /Shimon Levy -- Documenting the Invisible: Dramatizing the Algerian Civil War of the 1990S /Susan C. Haedicke -- The Erotic Politics of Critical Tits: Exhibitionism or Feminist Statement? /Wendy Clupper -- The Güegüence Effect: The National Character and the Nicaraguan Political Process /E.J. Westlake -- Do the Ends Justify the Means? Considering Homeless Lives as Propaganda and Product /Beverly Redman -- The Birabahn/Threlkeld Project: Place, History, Memory, Performance, and Coexistence /Kerrie Schaefer -- Non-Naturalistic Performance in Political Narrative Drama: Methodologies and Languages for Political Performance with Reference to the Rehearsal and Production of E to the Power 3--Education, Education, Education /Lloyd Peters -- Gay Muslims and Salty Meat Pies: The Limits of Performing Community /Sonja Arsham Kuftinec -- About the Contributors.