Darwin's notebooks provide an invaluable record of his scientific thinking and most importantly, the development of his theory of natural selection. This edition of the notebooks, prepared to the highest standard of textual editing, thus affords a unified view of Darwin's professional interests. The Red Notebook, used on the voyage of H. M. S. Beagle and afterwards in England, contains Darwin's first evolutionary statements. In July of 1837, Darwin began his 'Transmutation Notebooks' (B - E) devoted to the solution of the species problem and in the third notebook of this series he first formulated the theory of natural selection. This volume also contains Notebook A and the glen Roy Notebook on geology, Notebooks M and N on man and behaviour and a notebook labelled Questions and Experiments. Fresh transcriptions have been done for all previously published manuscripts, with readings made directly from Notebooks B, C, D and E, presenting them with previously excised pages and restored to their original sequence.

The Texas Legation Papers, 1836-1844 is a volume of lost letters and documents from the early turbulent years of the Republic of Texas. Editors Ken Stevens and Gregg Cantrell have compiled these papers to reveal the untold stories surrounding the birth of the state of Texas. For nine years, between its war for independence from Mexico until its annexation to the United States, Texas existed as an independent republic. During those years, Texas’s diplomatic representatives communicated with the officials of the United States; their job was to inform Texas leaders about the United States’ views on critical issues concerning recognition of Texas and eventual annexation, relations with Mexico, boundary issues, and troubles with Native Americans. As part of their duty as communicators with the United States, Texas diplomats were also tasked with raising funds for the financially strapped republic and overseeing the purchase and construction of vessels for the navy, as well as fielding questions from many quarters inquiring about everything from opportunities in the lone star republic to asking about long-lost relatives. The Texas diplomats were their government’s eyes, ears, and mouth in Washington; they were responsible for administering the successful transition of the Republic of Texas into the twenty-eighth member of the United States. The Texas Legation papers contain the detailed accounts of this time period. When Texas became a state in 1845, the Texas Legation in Washington was shut down and its papers were put away. When Sam Houston, one of the new state’s first senators, returned to Texas after completing two terms in the Senate, the papers came back with him. Most papers were delivered to the state archives, but somehow the letters and documents published in this collection were delivered to Houston’s home, where they remained out of sight for the next 160 years. In 2004, the papers in this volume returned to the possession of the Texas State Library and Archives, thanks to the efforts of The Center for Texas Studies at TCU and the generous support of Mary Ralph Lowe (TCU '65), the Lowe Foundation, and J.P. Bryan, of Houston, a Texana collector and past president of the Texas State Historical Association. Many letters in this volume are being published for the first time. As they round out the diplomatic story of the Texas republic, they offer a unique and fascinating perspective on the history of Texas.

The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.