Mummy, why do you always have to leave for 17A… 17A Keong Saik Road recounts Charmaine Leung’s growing-up years on Keong Saik Road in the 1970s when it was a prominent red-light precinct in Chinatown in Singapore. An interweaving of past and present narratives, 17A Keong Saik Road tells of her mother’s journey as a young child put up for sale to becoming the madame of a brothel in Keong Saik. Unfolding her story as the daughter of a brothel operator and witnessing these changes to her family, Charmaine traces the transformation of the Keong Saik area from the 1930s to the present, and through writing, finds reconciliation. A beautiful dedication to the past, to memory, and to the people who have gone before us, 17A Keong Saik Road tells the rich stories of the Ma Je, the Pei Pa Zai, and the Dai Gu Liong—marginalised, forgotten women of the past, who despite their difficulties, persevered in working towards the hope of a better future.

A publishing sensation in the 1970s and 1980s, Son of Singapore traces the extraordinary upbringing of an Everyman. As a Teochew farm boy coming of age during the Japanese Occupation, Tan Kok Seng enters the “university of the world” at only 15, becoming a coolie at the Orchard Road market. On his rounds to the homes of the “Red Hairs”, he befriends a group of Chinese dialect-speaking Caucasians who inspire him to improve himself beyond his humble roots. Set against Singapore’s push towards self-governance, Tan’s engaging autobiography reflects the pioneering spirit of the times. Written in deceptively simple prose, notable for its English transliteration of Teochew adages, Son of Singapore sensitively captures fast-disappearing places, people and everyday ways of living.

Sequel to Josephine Chia’s 2014 Singapore Literature prize-winning book, Kampong Spirit - Gotong Royong: Life in Potong Pasir, 1955 to 1965. Kampong life in Singapore did not end in 1965 with her independence. In Josephine Chia’s new collection of non-fiction stories, the phasing out of attap-thatched villages, the largest mass movement in Singapore, is set against the backdrop of significant national events. Weaving personal tribulations—her teenage angst—and the experiences of villagers from her kampong, Josephine skilfully parallels the hopes and challenges of a toddling nation going through the throes of industrialisation and rapid changes from 1966 to 1975. These delightful, real-life stories, sprinkled with snippets of her Peranakan culture, reveal the joie-de-vivre of gotong royong or community spirit, despite impoverished conditions, in the last days of kampong life.

“I have had nothing bad happen to me except my own doing. I have let this cowardice envelop me, and I can’t shake it off. I will commit the worst thing you can ever do to someone who loves you: killing yourself. The scary thing is, I’m okay with that.” —Victoria McLeod, Singapore, March 30, 2014 Loss Adjustment is a mother’s recount of her 17-year-old daughter’s suicide. In the wake of Victoria McLeod’s passing, she left behind a remarkable journal in her laptop of the final four months of her life. Linda Collins, her mother, has woven these into her memoir, which is at once cohesive, yet fragmented, reflecting a survivor's state of mind after devastating loss. Loss Adjustment involves the endless whys, the journey of Linda Collins and her husband in honouring Victoria, and the impossible question of what drove their daughter to this irretrievable act. A stunningly intimate portrait of loss and grief, Loss Adjustment is a breaking of silence—a book whose face society cannot turn away from.

Voted Best Indie Book by Kirkus Reviews and awarded a prestigious Blue Star. Ping, an American citizen, returns to Singapore after many years and sees a country transformed by prosperity. Gone are the boatmen and hawkers who once lived along the crowded riverside and in their place rise the gleaming towers of the financial district. Her childhood growing up among the river people had been very different, and leaving her first love Weng, a musician, for America, had been devastating. Now that she is back in Singapore, can she face her former lover and reveal the secret that has separated them for many years? Reviews: “Lim’s affecting, lushly textured historical novel... A fine, deeply felt saga of lives caught up in progress that’s as heartbreaking as it is hopeful.” Kirkus, 5 * Blue Star Review "The River’s Song is a startling work of brilliance that leaves the reader spellbound." kitaab.org “...just as the best novels should be but so rarely are: like immersion in a vivid dream. I couldn’t decide whether to read it slowly in order to savour every word, or to race along, mesmerised by Lim’s dazzling story-telling.” Jill Dawson, British author of The Great Lover, (Richard and Judy’s Bookclub) “...a winning coming of age novel that bridges the years and countries. Here is the buoyancy of sentences and a testimony of resilience.” Krys Lee, award-winning Korean author of The Drifting House “...powerful, deep and moving – draws you in and pulls you along irresistibly. Its heartfelt swell will carry you away to a place of passion and resonant conviction.” Kevin MacNeil, Scottish author of the best-selling The Stornoway Way “A touching story that retrieves Singapore’s fast disappearing past and gives its famous river the depth and colour of a people’s history, and a wonderful rendition of the pipa, on the page, as mother and daughter play their songs from the heart.” Romesh Gunasekera author of Reef, shortlisted for the Booker Prize Singapore Literature Prize Winner and South East Asia Write Award winner Suchen Christine Lim is one of Singapore’s most distinguished writers. In 1992, her third novel, Fistful of Colours, was awarded the Inaugural Singapore Literature Prize. A Bit Of Earth (2000), her fourth novel, and her popular short-story collection, The Lies That Build A Marriage (2007) were later shortlisted for the same prize. Awarded a Fulbright grant in 1997, she is a Fellow of the International Writers Program, University of Iowa, and the first Singapore writer honoured as the university’s International Writer-in-Residence in 2000. A regular guest at Writers' Festivals in Singapore, Malaysia, Philippines, Australia, and UK she has also held writing residencies in Myanmar, the Philippines, South Korea and at the University of Western Australia in Perth. In 2011, she was the Visiting Fellow in Creative Writing at the Nanyang Technological University (NTU), Singapore. In 2012, she won the South East Asia Write Award. In the UK, she has regularly been writer-in- residence at the Arvon Foundation and has tutored at Moniack Mhor in Scotland.