The imagined histories of twenty-five architectural drawings and models, told through reminiscences, stories, conversations, letters, and monologues. Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In Stories from Architecture, Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.

Another Take is a book about the Swiss-American architectural firm agps. Seventeen of the firm's projects in the USA and Switzerland are presented, among them the Portland Aerial Tram, Dock E at Zurich Airport, the International Union for Conservation of Nature headquarters on Lake Geneva, the adaptive reuse of a historic laundry factory in Zurich, and the Children's Museum of Los Angeles. The architecture is seen from an everyday perspective. Short stories and essays by various authors draw upon the unique character of each project and reflect on the buildings as they are used. Another narrative strand is provided by the photographs that focus on the life and sometimes messy vitality found within the built works.

Patrick West’s Architectures of Occupation in the Australian Short Story cultivates the potential for literary representations of architectural space to contribute to the development of a contemporary politics of Australian post-colonialism. West argues that the predominance of tropes of place within cultural and critical expressions of Australian post-colonialism should be re-balanced through attention to spatial strategies of anti-colonial power. To elaborate the raw material of such strategies, West develops interdisciplinary close readings of keynote stories within three female-authored, pan-twentieth century, Australian short-story collections: Bush Studies by Barbara Baynton (1902); Kiss on the Lips and Other Stories by Katharine Susannah Prichard (1932); and White Turtle: A Collection of Short Stories by Merlinda Bobis (1999). The capacity of the short-story form to prompt creative and politically germinal engagements with species of space associated with architecture and buildings is underscored. Relatedly, West argues that the recent resurgence of binary thought—on local, national, and international scales—occasions an approach to the short-story collections shaped by binary relationships like a dichotomy of inside and outside. Concluding his argument, West connects the literary and architectural critiques of the story collections to the wicked problem, linked to ongoing colonial violences, of improving Australian Indigenous housing outcomes. Innovative and interdisciplinary, this book will be of interest to scholars and students of Literary, Architectural, and Postcolonial Studies. .

Build a Timeless, Original Story Using Hundreds of Classic Story Motifs! It's been said that there are no new ideas; but there are proven ideas that have worked again and again for all writers for hundreds of years. Story Structure Architect is your comprehensive reference to the classic recurring story structures used by every great author throughout the ages. You'll find master models for characters, plots, and complication motifs, along with guidelines for combining them to create unique short stories, novels, scripts, or plays. You'll also learn how to: • Build compelling stories that don't get bogged down in the middle • Select character journeys and create conflicts • Devise subplots and plan dramatic situations • Develop the supporting characters you need to make your story work Especially featured are the standard dramatic situations inspire by Georges Polti's well-known 19th century work, The Thirty-Six Dramatic Situations. But author Victoria Schmidt puts a 21st-century spin on these timeless classics and offers fifty-five situations to inspire your creativity and allow you even more writing freedom. Story Structure Architect will give you the mold and then help you break it. This browsable and interactive book offers everything you need to craft a complete, original, and satisfying story sure to keep readers hooked!

The Short Story of Architecture is a pocket book guide to key styles, buildings, elements and materials – a new and innovative guide to the subject of architecture that explores 50 key buildings, from the Great Pyramids to high–tech, sustainable skyscrapers. Accessible and concise, the book links the 50 key works to the most important architectural materials, elements and styles, giving readers all the tools they need to understand and appreciate the built world. "A brilliant little book […] Those with an interest in architecture but who find the language and jargon of the genre intimidating and often impenetrable are sure to find Hodge's simple accessible style enjoyable and refreshing"– Self Build & Design "I enjoyed this book. There is no fluff here, nothing extra. It's just a great overview of some great buildings, architectural styles and materials. The photographs are beautiful and the writing crisp and clear. I recommend this book for anyone who wants an introduction to architecture and some insights in the buildings around us or that predate us." – Goodreads reviewer "I am an architect and most certainly enjoyed this book. (…) [T]he chapters Elements and Materials are a nice take on architectural history and will offer valuable information for non professionals! I see this book as an encyclopaedia to get basic information on various topics. But the very short chapters are really just a starting point. The images are very helpful throughout and the layout is clean and helps the reader navigate the book. You are looking for a Short Story of Architecture? That is exactly what you get, in the best possible way." – Goodreads reviewer Other books in 'The Short Story of…' series include The Short Story of Art, The Short Story of Photography, The Short Story of Film and The Short Story of Modern Art.

Presenting a broad selection of projects covering a twenty-fi ve-year period, this book provides an overview of cedric Price s work for the fi rst time."