"Short stories are tiny windows into other worlds and other minds and other dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner."The short story is one of the finest forms of writing. As short as a paragraph at times, or as lengthy as a novel, short stories are widely read and immensely lauded. Some of the most exceptional writers have dabbled in this form penning beautiful, unforgettable stories.This storybook is especially great for traveling, bedtime, and reading aloud at home. Also available in paperback format!-Great bedtime stories -Excellent for beginning and early readers-short stories that are great for a quick bedtime story

He should have resented her. She was inept, had no idea how to calm a crying child, and she’d gotten his dream job. But there was something about Greer that had Judd helping her out. Despite being bad at her job, she was charming, curvy, and had one of those smiles that made a man want to know her deepest secrets. Instead, he found himself telling her his. She shouldn’t have targeted him. Greer liked Judd. Who wouldn’t? He was hot and he love kids and he only rolled his eyes when she asked if he was a “manny.” Her name is synonymous with breaking stories, and the kids were the easy way into the Westland house. When her story hits the news, they are all going to lose their jobs. Would it be worth losing Judd, too?

Four heroes you'll never forget…and the women who bring them to their knees. A four‐book collection from New York Times bestselling author J.R. Ward writing as Jessica Bird. The Rebel Nate Walker leaves behind his family's wealth to strike out on his own. And then his car breaks down on a dark road, leading him right to White Caps Inn…and Frankie Moorehouse. Suddenly Nate has a job he doesn't need—and an affair that has to end when summer does. Except Frankie gets under his skin and makes him want to do what he never thought he could: stay forever. The Player Ruthless might as well be Gray Bennett's middle name. When the DC insider talks, people listen. But Gray hasn't come home to play politics. Or to play at all. A tragedy has brought him back to face everything he left behind. Including sweet Joy Moorehouse. Gray won't lay a hand on the innocent…until the night comes that he can no longer resist. That's when he discovers a secret that leaves him wanting more. The Renegade Alex Moorehouse has always yearned for his best friend's wife, but when an accident makes her a widow, the grief—and the guilt—threaten to sink him. But as they reluctantly work together to rebuild his family's bed‐and‐breakfast, and his anguished heart in the process, will their growing bond be strong enough to survive both of their secrets? The Rogue Michael “Spike” Moriarty has a thing for Madeline Maguire. But he's not the man for her. He has a dark past and it's all coming to the surface. Madeline's been burned enough to know better. Yet when she needs help to ward off her scheming family, Spike is the one at her side. He says they can only be friends, but his actions tell a very different story… Four reader‐favorite stories originally published as Beauty and the Black Sheep, His Comfort and Joy, From the First and A Man in a Million.

What is the difference between a writer who never finds an agent or sells their manuscript to a publisher and an author who becomes a best seller? The first fifteen pages. If you have been sending out queries and wonder why your manuscript hasn't grabbed the interest of an agent, the answer might be in the first fifteen pages you submitted. Why? Because quite simply, most submissions are missing one or more of the crucial elements of storytelling that capture and hold readers attention. The job, the explicit goal, of those critical first fifteen pages, is to hook agents, editors, and ultimately readers. Those first pages need to grab us if not by the collar, at least by the sleeve and say, "I've got you. Keep reading." If your first fifteen pages don't do that, your manuscript won't make it past an agent's slush pile, and your book will never land in the hands of a reader or brighten the screen of their Kindles. As a literary agent, I've read thousands of queries and thousands of beginning pages. I've learned what makes a submission sing, sending me back to the author's query to find an email so I can ask for more. And, I've learned what causes me, more often than not, to push Send on a "passed with love" email. I loathe having to send those "thanks but no thanks" responses to a writer's work. I don't know any agent who looks forward to the opportunity to gleefully kill the dreams of someone who has spent years toiling away on a book. Fifteen pages may seem an unfairly short or arbitrary number of pages to determine if the writing or the story is worth pursuing. But honestly, by reading the first fifteen pages of a manuscript, I know what I need to know, which is: - If the writing is fresh, beautifully wrought, moving, or exceptional. - What drove the story into being - the inciting incident. - Who the main characters are and what makes them interesting and distinct. - When and where the story is set - the time frame, place or historical period. - The genre - is the story a romance set in Tuscany, a WWII revisionist history, a coming of age LGBTQ, a YA dystopian set in the past, or commercial fiction about life after death? - If the point of view feels right for the story. - If the writer is the only person who has read the manuscript (a dead give away is a manuscript riddled with grammatical errors with big holes in the story.) And, most importantly, we know if it is a story we are passionate about or at least excited enough about after fifteen pages to ask for the full manuscript. If we aren't into your story by page fifteen, our attention wanders, and after that, it is very difficult to get the reader back. I can hear many of you groaning, "My story is special. I need more time to develop my characters to give a backstory to build tension to pile on all the things I learned in writing classes " Actually, you don't. All you need to introduce the essential elements - the who, what, where, when and most importantly the why of your story - are the first fifteen pages. In this book, I back up my reasons for concentrating on the first fifteen pages by sharing examples from the bestselling novels in a variety of genres. You don't have to take my word for it. Read the first two chapters of this book and then pick up your favorite book in your favorite genre. Read the first fifteen pages. See for yourself what drew you to the book and why you kept reading. This book is for beginning writers AND for those who have a pile of thanks but no thanks rejections sitting in their inbox. It is for the novice writer with an inkling of a book idea AND for those who've heard crickets from all the queries they've sent out. It is for those who dream of being on a bestseller list or winning a major book award, AND for those who want to write the best book possible and see where it takes them.

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

An exclusive eBook original novella with bonus excerpts from A Kiss At Midnight and the forthcoming When Beauty Tamed the Beast from New York Times bestselling author Eloisa James. Featuring the handsome and mysterious Wick from A Kiss At Midnight. What Miss Phillipa Damson needs is a good, old fashioned knight in shining armor. What she has is a fiancé she never wanted and a compelling urge to run away. But if she manages to escape, will she find her happily ever after?

Everyone needs to be rescued sometimes. Everyone but Hannah Montgomery, that is. She just needs a vacation. Three weeks Down Under, a vacation in New Zealand to sort out her life, figure out what she wants, seems just right. Oh, and to relax. She should definitely put that on the agenda. She certainly isn't looking for a sexy fling with a professional rugby player, no matter how attractive he is. Hannah doesn't do casual. But maybe just this once ... As much as he's shared with Hannah, Drew Callahan has kept one very big secret. He's the captain of New Zealand's All Blacks rugby team, and the most famous rugby player on earth. And learning the truth, now that she's back home again, has made Hannah warier than ever. Drew knows that she's right for him. But how can he convince her to let down her guard enough to explore what they could have together? Go Down Under in this steamy New Zealand sports romance. Fans of Jill Shalvis, Catherine Bybee, and Kristin Higgins will enjoy this book.