"Alex Douglas always wanted to be a hero. But nothing heroic ever happened to Alex. Nothing, that is, until his eleventh birthday [which fell on September 11, 2001]. Then everything changed"--P. [4] of cover.

Eleven billion people will crowd this marvelous planet by century’s end. If the global economy were to grow five-fold during this period as predicted, humanity’s ecological footprint would exceed Earth’s biocapacity by 400%. We need to chart a new course to the future. The sweeping changes that make a ‘full world’ work—involving dual processes of destruction and reconstruction—will transform global culture, agriculture, and ultimately the human race. ELEVEN is a call to consciousness. Only an ‘ethical revolution’ will allow us to carry forward an ever-advancing civilization. Paul Hanley proposes a transformational model that will help individuals, institutions, and communities make an eleven-billion world work for everyone—and the planet.

“A pawsitively magical twist on middle school mayhem.”—Ingrid Law, Newbery Honor-winning author of Savvy An SCBWI Crystal Kite Award Winner! Megan Meyers has a foolproof plan to reinvent herself at her new school. Good-bye, dorky math nerd; hello, friend magnet! But her first day at Saguaro Prep starts off weird to the tenth power. When she’s dared to “make something exciting happen,” Megan is thrown into the middle of an epic power struggle between the two seventh-grade Spirit Captains. So with nothing to lose, Megan wishes for “some magic” as her classroom’s cat clock chimes 11:11—and is granted an enchanted teen magazine that promises miracle makeovers and sure-fire secrets for winning friends and crushes. But magic can have dangerous side effects, and as her social life grows exponentially worse, Megan begins to wonder if wishing was ever a purrfect idea.

A book by the photographers of CONTACT PRESS IMAGES Within minutes of the attack on the World Trade Center the morning of September 11, 2001, Contact Press Images, one of photojournalism's preeminent agencies that represents some of the world's greatest photographers, had mobilized half a dozen photographers to cover the event. In the following days, their reportage on the disaster would swell to include more than a dozen photographers who documented in a variety of formats and moods the assault on the towers, their collapse, the firefighters and rescue workers, stunned on-lookers and survivors, the torrent of debris blanketing downtown, and the smoldering wreckage at ground zero. In order to honor the memory, as well as the cultural and social significance of the twin towers, the agency has compiled a memorial book comprised of 110 photographs (the number of floors of each of the towers), both color and black and white, made by twenty-two photographers affiliated with Contact Press Images, including David Burnett, Frank Fournier, Lori Grinker, and Annie Leibovitz, to be released in time for the first anniversary of the attack. Divided into two sections, the first part will be devoted to the horrific events of September 11. The second part will depict the Trade Centers in all their gravity-defying glory, which the agency had photographed since its inception. It will also include text by Nobel-laureate Toni Morrison (Song of Solomon, Sula), Minoru Yamasaki (chief architect of the World Trade Center), Jacques Menasche (Contact Press Images' writer and 9-11 witness). The first year anniversary will mark a transition from the "moment" to the "monument." Rather than attempting tobe a news presentation, Contact's Eleven is intended to be offered as a visual elegy marking the life and death of the great landmark. In this sense, it is reminiscent of the hundreds of memorial (Yizkor) books produced after theHolocaust by survivors whose villages no longer existed. Then, as now, the function was two-fold. First, as witnessing books -- that is, books that gave testimony to the disaster of the holocaust; secondly, as tributes, meant to memorialize the life and history of towns that had disappeared.

#1 New York Times #1 Wall Street Journal #1 Los Angeles Times #1 Entertainment Weekly #1 Publishers Weekly Stephanie Plum is thinking her career as a fugitive apprehension agent has run its course. She's been shot at, spat at, cussed at, fire-bombed, mooned, and attacked by dogs. Time for a change, Stephanie thinks. Time to find the kind of job her mother can tell her friends about without making the sign of the cross. So Stephanie Plum quits. Resigns. No looking back. No changing her mind. She wants something safe and normal. As it turns out, jobs that are safe and normal for most people aren't necessarily safe and normal for Stephanie Plum. Trouble follows her, and the kind of trouble she had at the bail bonds office can't compare to the kind of trouble she finds herself facing now. Her past has come back to haunt her. She's stalked by a maniac returned from the grave for the sole purpose of putting her into a burial plot of her own. He's killed before, and he'll kill again if given the chance. Caught between staying far away from the bounty hunter business and staying alive, Stephanie reexamines her life and the possibility that being a bounty hunter is the solution rather than the problem. After disturbingly brief careers at the button factory, Kan Klean Dry Cleaners, and Cluck-in-a-Bucket, Stephanie takes an office position in security, working for Ranger, the sexiest, baddest bounty hunter and businessman on two continents. It might not be the job she'll keep for the rest of her life, but for now it gives her the technical access she needs to find her stalker. Tempers and temperatures rise as competition ratchets up between the two men in her life---her on-again, off-again boyfriend, tough Trenton cop Joe Morelli, and her bad-ass boss, Ranger. Can Stephanie Plum take the heat? Can you? Between the adventure and the adversity there's attitude, and Stephanie Plum's got plenty in her newest misadventure from Janet Evanovich, Eleven on Top.