Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergère, La Sirène des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality. Examining an unexplored aspect of Baker's career, Josephine Baker's Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.

Perhaps familiar today as an answer to sports trivia questions, Ken Williams (1890-1959) was once a celebrity who helped bring about a new kind of power baseball in the 1920s. One of the great sluggers of his era (and of all time), he beat Babe Ruth for the home run title in 1922, and became the first to hit 30 home runs and steal 30 bases in a season that year. Later recognized for his accomplishments, he was considered for but not inducted into the Hall of Fame. This first-ever biography of Williams covers his life and career, from his small town upbringing, to his unlikely foray into pro baseball, to his retirement years, when he served as a police officer and ran a pool hall in his hometown.

The history of Josephine County, Oregon from 1856-1966. An informative book with many photos, it covers settlement, mining, agriculture, industry & transportation along with many other subjects.

This revelatory biography of Folies Bergere dancer Josephine Baker (1906-1975) is a study of struggle, truimph and tragedy.