From the Borscht Belt shtick of Rodney Dangerfield to the urbane wit of Jerry Seinfeld, Jewish humor has had an enormous influence on modern comedy. Jokes about doctors, jokes about food, jokes about mothers--101 classics are in this book, along with witty essays and charming cartoons by Joe Kohl. 101 Classic Jewish Jokes is a must for every fan of Jewish humor--and anyone who needs a good laugh.

Two rival businessmen meet in the Warsaw train station. "Where are you going?" says the first man. "To Minsk," says the second. "To Minsk, eh? What a nerve you have! I know you're telling me you're going to Minsk because you want me to think that you're really going to Pinsk. But it so happens that I know you really are going to Minsk. So why are you lying to me?" Four men are walking in the desert. The German says, "I'm tired and thirsty. I must have a beer." The Italian says, "I'm tired and thirsty. I must have wine." The Mexican says, "I'm tired and thirsty. I must have tequila." The Jew says, "I'm tired and thirsty. I must have diabetes."

The first book on Jewish humor in which individual jokes are singled out for comprehensive study, Life is Like a Glass of Tea devotes a chapter to each of eight major jokes, tracing its history and variants—and looking closely at the ways in which the comic behavior enacted in the punchline can be interpreted. One of the unique properties of classic Jewish jokes is their openness to radically different interpretive options (having nothing to do with wordplay or double entendre). This openness to alternate interpretations—never before discussed in the literature on Jewish humor—gives classic Jewish jokes their special flavor, as they leave us wondering which of several possible attitudes we are expected to hold toward the comic figure. An additional chapter is devoted to the ways in which Jewish jokes tend to evolve over time and across language and cultural barriers. Throughout the book, in fact, one can see the processes that Jewish jokes undergo over decades as their comic potential is unfolded in successive stages, and when they are transplanted from European to American soil. Now in its Second Edition, this expanded version adds two new chapters and new introductory material. It includes a 2015 Foreword by Marc Galanter, who notes that the author “is concerned not only with what makes jokes funny but with what makes some of them profound. His imaginative response to this puzzle makes this little book a distinctive and engaging contribution to the literature on Jewish jokes and on jokes generally.” It will appeal to the general reader, as well as to readers especially interested in Jewish culture, the psychology of humor, religion, ethnography, and folklore. “Richard Raskin’s book on Jewish humor was the most original and useful I found in years of research on the topic. I’m delighted to see it back in print—and with added chapters!” — Ruth Wisse Professor Emerita, Yiddish and Comparative Literature, Harvard University Author, No Joke: Making Jewish Humor (2013) “A fascinating book that explores the richness of Jewish humor. Raskin offers a thought-provoking analysis of what makes Jewish humor special. Raskin merges an understanding of Jewish culture, fresh psychological insights, and a sophisticated reading of jokes and their evolution to create a gem of a book. However, it is not just an outstanding book on Jewish humor. It is an outstanding book on humor. Period. After reading it, you won’t laugh the same way again.” — Dov Cohen Professor, Department of Psychology, University of Illinois Co-editor, Handbook of Cultural Psychology (2007)

Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.

From the Borscht Belt shtick of Milton Berle to the Hollywood hipness of Billy Crystal, Jewish humor has defined comedy in 20th-century America. Here are 101 classic Jewish jokes along with an essay on how to tell a Jewish joke, a compendium of famous Jewish comedians, and a glossary of Jewish terms. 25 line drawings.

From the host of NPR affiliate’s Forum with Michael Krasny, a compendium of Jewish jokes that packs the punches with hilarious riff after riff and also offers a window into Jewish culture. Michael Krasny has been telling Jewish jokes since his bar mitzvah, and it’s been said that he knows more of them than anyone on the planet. He certainly states his case in this wise, enlightening, and hilarious book that not only collects the best of Jewish humor passed down from generation to generation, but explains the cultural expressions and anxieties behind the laughs. "What’s Jewish Alzheimer’s?" "You forget everything but the grudges." "You must be so proud. Your daughter is the President of the United States!" "Yes. But her brother is a doctor!" "Isn’t Jewish humor masochistic?" "No. And if I hear that one more time I am going to kill myself." With his background as a scholar and public-radio host, Krasny delves deeply into the themes, topics, and form of Jewish humor: chauvinism undercut by irony and self-mockery, the fear of losing cultural identity through assimilation, the importance of vocal inflection in joke-telling, and calls to communal memory, including the use of Yiddish. Borrowing from traditional humor and such Jewish comedy legends as Jackie Mason, Mel Brooks, and Joan Rivers, Larry David, Sarah Silverman, Jerry Seinfeld and Amy Schumer, Let There Be Laughter is an absolute pleasure for the chosen and goyim alike.

Continually revised and reinvented, the Jewish Mother archetype becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.