*** Reduced from $120.00 while stocks last *** The definitive book for every movie lover. A fascinating overview of all elements of film history produced in collaboration with the Film and Television University (HFF), "Konrad Wolf," and the Filmmuseum Potsdam. Celebrating its 100th anniversary in 2012, Babelsberg is the oldest large-scale film studio in the world. From box-office hits to artistic triumphs, they've all been created here. These sound stages, where such stars as Marlene Dietrich were born, are the real birthplace of German film. Babelsberg has always been a source of technical and artistic innovation: in fact, many key developments in camera techniques and sound recording originated within these walls. This comprehensive overview covers all aspects of the cinematic arts, from sets to scripts and costumes. All stages of the studio's history are represented, including the golden years of Weimar cinema and Babelsberg's recent re-emergence as an international commercial and cultural presence. ILLUSTRATIONS: 350 colour & b/w photographs

Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations

The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.

"The Crocker Art Museum has one of the finest and earliest German drawings collections in the United States. Featuring artists such as Johann Wolfgang Baumgartner, Anton Raphael Mengs, and Johann Heinrich Wilhelm Tischbein, [the book] examines the major developments in German draughtsmanship over the course of the eighteenth century"--Back cover.

Provoking the future: Performa commissions -- Exalting the crowds: performance as spectacle -- The illuminating stage: performance at the edge of theater -- Simultaneous awareness: performance between screens -- The art of noises: music, radio, sound -- Lust is a force: the lust weekend -- The universe will be our vocabulary: on language -- The polyexpressive symphony: captured on film -- A slap in the face of public taste: pushing the audience -- Every generation must build its own city: the Performa hub and urban activism

Conceived as an imaginary conversation with the artist on the 100th anniversary of his birth, this book pays homage to the revolutionary potential of Beuys' art and thought Is art the only truly revolutionary force? Is the future a category of art? Are these even the questions we need to be asking? One hundred years after the birth of Joseph Beuys, the German state of North Rhine-Westphalia is rearticulating questions fundamental to his art and thought. This publication provides an overview of the extensive program of Beuys 2021: 100 Years of Joseph Beuys--including exhibitions, lectures and performances--and examines what it is that makes this artist so controversial and still so very topical. It explores his complex oeuvre, pays homage to his international impact and rediscovers the revolutionary potential of his thought. A wide range of contributors from many different spheres, generations and cultures enter into a richly associative dialogue with his aphorisms. Together they explore the genesis and viability of Beuys' vision of a future based on the principles of art.

In addition to American sources, draws from German sources not generally consulted by historians of American art. Presents biographical sketches of German and German-speaking painters, graphic artists, engravers, lithographers, sculptors, and some stained glass designers who arrived in North America from the colonial period to the 20th century. The bibliographic references are article specific. No index. Annotation copyrighted by Book News, Inc., Portland, OR