When we think of the world's great museums, we tend to think of the Louvre, the Guggenheim or the Victoria and Albert. We do not immediately think of the Dog Collar Museum, the Kansas Barbed Wire Museum, the Museum of Broken Relationships or Barney Smith's Toilet Seat Art Museum. Yet scattered across the globe are museums dedicated to every conceivable subject, from bananas to Bigfoot, lawnmowers to leprechauns, teapots to tapeworms, mustard to moist towelettes, and pencils to penises. Many are serious collections housed in grand buildings, others are located in tiny premises and are open to visitors by appointment only, often the result of one person's crazy lifetime obsession. This book lists the world's 100 weirdest museums in order of quirkiness, encompassing such delights as The Museum of Witchcraft in Cornwall, a museum in Kentucky that houses 800 ventriloquists' dolls, the Museum of Bad Art in Massachusetts, the Paris Sewer Museum, the French Fry Museum in Bruges, the Museum of Contraception and Abortion in Vienna, the Salt and Pepper Shaker Museum in Tennessee, Japan's Momofuku Ando Instant Ramen Museum (quite possibly the world's only museum devoted to instant noodles), and the Kunstkamera in St Petersburg, home to Peter the Great's collection of oddities including deformed fetuses and the decapitated head of a love rival preserved in vinegar. After all, what holiday is complete until you have seen a 300-year-old decapitated human head in a jar? Each entry will include address, contact and admission details, so the next time you are in Berlin there is no excuse for missing out on a visit to the Currywurst Museum, the world's leading museum dedicated to sausages in hot ketchup.

Belgian Museums of the Great War: Politics, Memory, and Commerce examines the handling of the centennial of World War I by several museums along the Western Front in Flanders, Belgium. In the twenty-first century, the museum has become a strategic space for negotiating ownership of and access to knowledge produced in local settings. The specific focus on museums and commemorative events in Flanders allows for an in-depth evaluation of how each museum works with the remembrance and tourist industry in the region while carving a unique niche. Belgian Museums of the Great War writes the history of these institutions, analyzes the changes made in advance of the anniversary years, and considers the site-specificity of each institution and its architectural frame. Since museums not only transmit information but also shape knowledge, as Eileen Hooper-Greenhill has noted, the diverse narratives and community programs sponsored by each museum have served to challenge prior historiographies of the war. Through newly revamped interactive environments, self-guided learning, and an emphasis on the landscape, the museums in Flanders have a significant role to play in the ever-changing dialogue on the meaning of the history and remembrance of the Great War.

This guide covers the well-known tourist destinations such as Bruges, Antwerp and Namur, as well as Brussels and the battlefield of Waterloo. It also gives detailed coverage of the Flanders and Walloon countryside, of charming villages and rural walks. The guide also recommends all the best places to stay and eat, from camp sites to hotels and from beach bars to restaurants, highlighting the best value for money across different price ranges.

Critically examining the notion of 'world religions', Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions. Raising important questions about religion and secularity, museum displays and religious piety, Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and suggests new approaches to displaying the matter of religion.

Includes top hotels and country inns; great restaurants, cafes, and patisseries; Hanseatic cities, Flemish masters, and medieval castles; flower shows, pageants, carnivals, festivals, and markets; essays on Dutch waterways, eating mussels, and the Battle of the Bulge; and, of course, the best of Amsterdam--one of the most popular cities to visit in western Europe.

This guide covers: the city of Amsterdam; the small, picturesque towns of Holland and northern Netherlands; Brussels; the Flemish art towns of Bruges and Ghent; Antwerp, a financial centre; the towns of the coast and southern Belgium; and mountainous, scenic Luxembourg.