Are you looking for a journey that will take you through this amazing obok, along with funny comments and a word puzzle? Then this book is for you. Whether you are looking at this book for curiosity, choices, options, or just for fun; this book fits any criteria. Writing this book did not happen quickly. It is thorough look at accuracy and foundation before the book was even started. This book was created to inform, entertain and maybe even test your knowledge. By the time you finish reading this book you will want to share it with others.

A Whimsical array of ghosts and goblins, spooks and skeletons, animals and nursery-room characters parade through this unparalleled collection of more than one hundred years of American Halloween costumes and masquerade. Photographer Phyllis Galembo approaches her subjects with the delight and wonder of one who has discovered an entire cast of characters backstage in an abandoned theater. Through her lens, the costumes rise from the dead to once again dance, play, and amuse. Ranging from handmade to store-bought, satin to polyester, the masks, wigs, and costumes, whether recognizable figures or obscure, pique our childhood memories. In her celebration of Halloween revelry, Galembo never settles for the ordinary; instead she creates evocative scenes of dressed-to-scare young trick-or-treaters "modeling" their disguises and of undead spirits haunting their surroundings. The costumes, which span over a century, take on magical qualities through fanciful sets and specialized lighting effects. Accompanying the costumes is a history of this always-popular holiday and essays discussing Galembo's inspirations and techniques. Through her art, Galembo allows us to act out our youthful fantasies of transformation -- to become, or at least observe, what we most want to be: free of inhibitions, of fixed notions of identity. Her images make us laugh and dream and maybe even believe in ghosts. Book jacket.

A young boy recalls all the Halloween costume agonies he's been through, until, at last, he gets to do things his own way!

We all know the stereotype of the Jewish mother: Hectoring, guilt-inducing, clingy as a limpet. In Mamaleh Knows Best, Tablet Magazine columnist Marjorie Ingall smashes this tired trope with a hammer. Blending personal anecdotes, humor, historical texts, and scientific research, Ingall shares Jewish secrets for raising self-sufficient, ethical, and accomplished children. She offers abundant examples showing how Jewish mothers have nurtured their children’s independence, fostered discipline, urged a healthy distrust of authority, consciously cultivated geekiness and kindness, stressed education, and maintained a sense of humor. These time-tested strategies have proven successful in a wide variety of settings and fields over the vast span of history. But you don't have to be Jewish to cultivate the same qualities in your own children. Ingall will make you think, she will make you laugh, and she will make you a better parent. You might not produce a Nobel Prize winner (or hey, you might), but you'll definitely get a great human being.

Buzz dreams about Frankenfly--but Fly Guy is a friend, not a monster! In the latest installment of the NEW YORK TIMES bestselling Fly Guy series, Buzz and Fly Guy spend a day together playing some spooky games and doing arts and crafts projects. When Buzz goes to bed, Fly Guy stays awake and is "bizzie"! Buzz has a nightmare that a gigantic Frankenfly monster is out to get him! But when he wakes up, all he sees is Fly Guy, who fell asleep making posters showing that he and Buzz are best friends.The wacky dream scene involving Frankenfly is fun and hilarious, not scary. Buzz awakens to a sweet message of friendship that is nothing to be afraid of.

For use in schools and libraries only. Arthur the chimpanzee, after worrying that his Halloween costume won't be scary enough, wins a prize for the most original costume in the school.